The short, focused writing
of personal narrative poetry makes it ideal for teaching the trait of word choice.
Not exact matches
From a
personal standpoint,
poetry has a way
of making me remember life's beauty, something mere prose or
narrative storytelling can not do with the same grace.
The Bible is rich in forms
of expression:
poetry, saga, historical
narratives, proverb, hymn, diary, biography, parable,
personal correspondence, drama, myth, dialogue, and gospel, whereas most sermons, which seek to communicate the messages
of that treasury
of materials, are all in essentially the same form.
Creative stories,
personal narratives, All About Books, and
poetry are a few
of the highlights
of our writing program.
This fictional collage picturing the life
of Doc Holliday — constructed from newspaper clippings, interviews,
poetry, and
personal narrative — is ultimately a meditation on the Old West.
Eckes»
poetry documents the voices and histories
of urban life through
narrative - driven, investigative, and experimental texts that draw from sources such as news archives,
personal accounts, and corporate correspondence.
By entangling
poetry and political ideas with a
personal narrative, the artist questions the common understandings
of clichéd objects, sites, consumerism, and
narratives.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use
of web - based commerce spins an absurdist view on the commodification
of artists; Babette Bloch's stainless steel reassessments
of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments
of under - the - radar
narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory
of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and
personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness
of an artist's space to visual
poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions
of science, nature and objective truth; Emilie Lemakis's monumental amplification
of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions
of movement and stillness; the alchemy
of Michael Townsend's uncontrolled poured acrylic paintings equate the properties
of materials with the turbulence
of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history
of a musical instrument.
It moves between his direct address
of the show («Seeing the paintings and sculptures and models as small images makes me think about remnants») to fragments
of narrative,
personal observation, dreams, and excerpts from
poetry and song lyrics.