Artist Barbara Wagner claims that Benglis shows that even with the appropriation
of the phallus as a Freudian sign of power, it does not cover her female identity and still emphasizes a female inferiority.
Not exact matches
Out
of her own experience
of diminishment by males, she unflinchingly wrote
of «castrating God» and «cutting away the Supreme
Phallus» 6
as an important part
of the process
of transforming the collective imagination.
Even the women likewise, who worshiped Cybele, dressed
as men, were fitted with artificial
phalli / dildos, and played the part
of men in the temple prostitution.
It is evident
as well that the spade could not have been associated with the
phallus, nor agricultural work homologized to the sexual act before the discovery
of agriculture.
The conclusion is that many
of these noncoding regions
of DNA should be more broadly categorized
as «appendage enhancers» rather than «limb enhancers,» and snakes may have retained these noncoding DNA elements due to their role in
phallus development.
To militarists and politicians, it (this national
phallus) symbolized our might; to science fans, American discovery; to kids, fantastic space voyages; to NASA, a fat paycheck and national prominence; to the media, a feel - good, patriotic story to sell; and to the country
as a whole, some combination
of the above.
How to transform your
phallus into a blazing cannon or wet your vagina into a enticingly smooth slithering passage once again
as it was during the beginning
of your relationship.
Bigelow will forever have my heart
as the women responsible for one
of my foundational films
as a younger asshole, Near Dark, whose band
of nomadic Midwestern vampires led me to her Two - Lane Blacktop homage The Loveless (the debut vehicle for Willem Dafoe); her fascinating
phallus - play Blue Steel; and then forward into the years - ahead -
of - its - time Strange Days.
In a way, it could be said that 40 Days and 40 Nights (a title that reimagines Christ's time in the desert being tested by Satan
as the period
of time a well - heeled young man spends not having sex) functions
as an overt assertion that the male
phallus is indeed the root
of religion: horniness is next to godliness.
When Chang starts swinging his devilish sword — an implement that gets the lingering close - up treatment
of a
phallus in a porn film — limbs go flying, rib cages are split from top to bottom, and torrents
of blood pour forth
as victims moan.
There's Christian F. «Bigfoot» Bjornsen (Josh Brolin), a gruff and violence - prone detective who moonlights
as a struggling actor and has a subconscious habit
of eating
phallus - shaped food.
One encounters Louise Bourgeois without her marble
phallus as she leaves an epic Picasso retrospective at the Museum
of Modern Art, «Forty Years
of His Art,» and can not paint again for two months.
Gumby, Superman, Joan Crawford, Babe Ruth, Jesus Christ, the Bible, Felix the Cat,
as well
as pictures
of a swinging light bulb, a locomotive, a baseball player, a starburst, and a shadowy
phallus appear and reappear throughout the artist's installation.
As if from the lens
of a psychedelic dream, the painter stumbles upon the bodily realities
of queer life: here a
phallus or a raised rear - end, there a languid back or gleaming face in repose, moments
of flesh that are cheerfully frank among the casual slices
of life that populate Langberg's real and imagined world.
As with Yinka Shonibare's celebrated work on the Fourth Plinth, «Nelson's Ship in a Bottle», «Kaleidoscope» reclaims an object from a familiar British tradition and subverts it through the bold use
of batik patterns and the transformation
of the shape into that
of a
phallus.
Described by Yinka
as «a piece that playfully explores gender stereotypes and power relations», it is a kaleidoscope in the shape
of a
phallus, with the body beautifully decorated in the Dutch wax batik patterns Yinka is known for, and the head made
of highly polished brass.
Shaped
as a
phallus, KALEIDOSCOPE «s body is beautifully decorated in the Dutch wax batik patterns the artist is known for, and the head is made
of highly polished brass.
Anticipating her later art — such
as the well - known La Fillette (1968), a more literal representation
of phallus, testicles, and labia — Labyrinthine Tower subverts the traditional concept
of sculpture
as erect form: it remains unclear whether its spiraling segments are rising toward full extension or sinking into flaccidity.
Much
of Sarah Lucas's British pavilion was painted
as cream yellow
as her catalogue's tote bag and the macho, Franz Westian, pretzel - twisted bronze
phallus with testicle sacs and legs that stood at the entrance and basically gave the finger to all comers.
As with Shonibare's celebrated work on the Fourth Plinth, «Nelson's Ship in a Bottle», «Kaleidoscope» reclaims an object from a familiar British tradition and subverts it through the bold use
of batik patterns and by transforming the shape into that
of a
phallus.
Powerful representations
of sexuality, works such
as Heretic (1944), in which a headless male torso sodomizes some kind
of strange furry animal, or Marta (1940) and Passionate (1943), both showing nude women surrounded by multiple
phalluses, were groundbreaking in their refusal to adapt themselves to contemporaneous discourses surrounding gender and sexuality.
Some compare them to architecture, or to ancient monuments, while others read them
as phalluses and wombs, which, along with the pictures» somber palette, might suggest the cycle
of life and death.
Described
as «
phallus - addicted» by her peers in the «70s, Renate Bertlmann's provocative art practice has historically made her the subject
of criticism — despite her active participation in feminist discourse.
Described
as «
phallus - addicted» by her peers in the 1970s, Renate Bertlmann's provocative art practice has historically made her the subject
of criticism - despite her active participation in feminist discourse.