Sentences with phrase «of photographic collages»

A new series of photographic collages titled Constellations (2017), which are presented in this exhibition for the first time, form Geyer's most recent contribution to this continuously relevant project.

In 2015 she was awarded a Fulbright fellowship and a Jerome Foundation grant to produce «The Perilous Journey of Maria Palacios,» a performance - based film and «The Railroad Workers,» a series of photographic collages.

The body of work itself is the convergence of these three roles — a series of photographic collages that vacillate between dualities or contradictions: the public and private, the rational and emotional, and the documentary and interpretive.

The exhibition will join together a group of photographic collages, many using old polaroid photographs.

Some works seem to pay homage to social media, like Mario Petrirena's floor installation of photographic collages encircled by rusted iron rings suggestive of Google Plus's circles.

«Notes on Sculpture» is informed in part by the artist Robert Morris» 1966 essay of the same name, and consists of a site - responsive installation of ribbon and ratchet straps and a new series of photographic collages.

The exhibition will join together a group of photographic collages that employ sophisticated compositional elements.

Not exact matches

One of her best - known works is 70 +1 +2 (1998), a life - size, full - length, alarmingly present three - dimensional hologram of the artist at a majestic 71 years of age, seen frontally, paired with a similarly scaled photographic collage of herself in the same pose seen from the back.

Employing a range of techniques, including collage, hand - drawn rotoscoping — a technique that involves tracing from frames of live film footage — interlaced still photographic images, and live 16 mm film footage, Breer composes lively, nimble films that present an intimate, modest, and personal portrait of slices of shared lives and eras.

His ambitious pursuits stretch across a vast range of media, from photographic collages to full - scale opera stagings and from fax drawings to an intensive art historical study of the optical devices of Old Masters.

A squared circle, subdivided to suggest an approximation of the compositional matrix of his black paintings, is ringed by collaged illustrations of monsters and saints that shorthand some of the values embodied by his photographic typologies.

His ambitious pursuits have stretched across a vast range of media, from photographic collages to full - scale opera stagings, fax drawings to an intensive art historical study of the optical devices of Old Masters.

Vintage images of black representation from Ebony and Jet magazines were the source of inspiration for several photographic collage series.

Multimedia artist Sara Magenheimer's Open Mic Solo blends the photographic frame within the structure of a painting, creating a collage - like circuit of images within an image.

Through watercolors and photographic collages, she focuses on the unique historical moment that gave rise to so many countercultural cooperatives in the 1960s, as well as the realities of life on these communes today.

Applying 20th - century Cubism's multiple viewpoints to the photographic medium, he created a series of works he called «joiners,» photographic collages where many photographs of one subject are composited to create a complete picture.

Inspired by the work of the Russian avant - garde and their pioneering use of montage techniques, Anna Parkina's collage - like prints layer photographic fragments with abstract areas of bold color.

In 1995, she bought a Mamiya camera and began the first of her illustrated journals or «Reisebuchs» a series of mixed media notebooks chronicling her world travels and composed of photographic self - portraits, collages, drawings, and writings in several languages.

Building on the example of American artists, British artists made use of the possibilities of silkscreen printing and the new developments in lithography that could incorporate photographic imagery and collage.

For almost three decades Lyle Ashton Harris has cultivated a diverse artistic practice, ranging from photographic media, collage, installation and performance, to explore the impact of desire, ethnicity, and gender in the contemporary social and cultural dynamic.

Using photographic techniques, painting, drawing, collage, and screen - printing, the artist creates manifold compositions that allude to embryonic modernisms (the Orphism of František Kupka, the Metaphysical painting of Giorgio DeChirico, Futurism, Constructivism and Suprematism), science fiction, philosophy and architecture, particularly Viennese Gothic architecture like Stephansdom (St. Stephens Cathedral).

Muniz's elaborate material creations - in this case the magazine collages - are ephemeral; it is his masterly photographic documentation that is the final work of art, which is intentionally many steps removed from the original image that inspired it...

Look for the series of muted, monochromatic watercolors by Paul P., moody photographic botanical studies by Milijohn Ruperto and Ulrik Heltoft, Charline Von Heyl's wall of contrast - rich collaged abstractions, and Karl Haendel's painstaking pencil drawings all executed in grayscale.

In many of the artist's new works, a doubling of object and image occurs when Maisel collages the documented materials to the surface of the photographic print.

Forsyth's work explores a breadth of themes, reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his work, alongside computer generated imagery, photograms, and photographic collages from historic magazines and vintage postcards.

My recent collage - based installations map networks of meaning and association between the garden, the ephemeral, and the photographic.

This spring she is releasing her first poetry book and has a solo show entitled Weave at grayDUCK Gallery, which includes a group of natural pigment paintings made from wildflowers and a group of large - scale photographic collages.

Showcasing Drexler's major paintings and collages as well as her captivating early sculptures, award winning plays and novels, and photographic and video documentation of the artist's wild and varied theatrical career, the exhibition is co-curated by Rose Curator - at - Large Katy Siegel and Curatorial Assistant Caitlin Julia Rubin.

She uses photographic prints, video, metals, cloth, magazines and other materials to create pictures, collage and other works of art.

The definition of collage is as complex as the range of print, paint, photographic, or sculptural media that artists integrate into works of art.

Thomas's layered process of fragmentation, in which she begins with a photographic portrait and moves to collage and then on to painting, is the result of discreet borrowings from our twenty - first century language of mass culture.

His latest show at Jessica Silverman Gallery in San Francisco doesn't leave us wanting in these areas — he combines collage, sculptural, theatrical, and photographic techniques to address the medium's nebulous role in the history of, well, us... read more

This body of work continues the artist's practice of printing and collaging photographic experiments on fabric, which are often displayed in a site - specific environment.

Penelope Slinger, (UK) I Speak What I See, 1973 Photographic collage 24 x 19 cm Courtesy of Penelope Slinger and Riflemaker Contemporary Art.

He is also planning donations of oversize works to several museums, including «Other Voices for a Second Slight,» Vito Acconci's 1974 three - room installation combining speech with lighting effects, architectural elements and photographic collage.

However, what strikes me, when contextualizing this work, as well as Marshall's use of the black figure in general, is how the collage is not merely a response to iconic Bearden photographic collages (e.g. Block, 1971), but of the black figures from the later Odyssey series of 1977.

These prints represent all manner of special processes and innovative techniques in printing — such as using linen and cotton pulp paint and photo - luminescent inks; black and white and colored lithography; creative integration of collage and cut paper; incorporation of photographic images into digital prints; screen printing; and many others.

This is Crosby's discursive inventiveness as a painter: insofar as her works make use of photographic transfers, paint, collage, pencil drawing and marble dust, they draw the viewer gently into a conversation about how «painting» might extend and exceed the traditions of exploring the application of paint to surfaces.

Bettina Pousttchi has gained widespread attention recently with her large - scale, site - specific photographic work «Echo» (2009/2010) that involved covering the Temporäre Kunsthalle Berlin (Temporary Kunsthalle Berlin) with a digitally manipulated collage of archival images of the German Democratic Republic's Palast der Republik (Palace of the Republic).

Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing collage and silk - screen superimpositions, and above all by coating some of his appropriations with a thin layer of white paint that is simultaneously on top of and underneath the imagery.

The London presentation showcases a new body of work — paintings, photographic collages and sculptures.

Theo Mercier (b. 1984, France) creates tongue - in - cheek sculptural and photographic assemblages of collaged images and found objects that playfully collapse the boundaries between high and low art, craft and industry, past and present, Western and non-Western cultures.

This exhibition includes a selection of Wilke's early sculptures, films, drawings and collages alongside photographic works from her S.O.S. Starification Object Series.

«Aaron's Rod Turning Into A Snake,» Lot 234, by Anselm Kiefer, is a 25 by 33 inch oil, lacquer and photographic collage on paper, executed circa 1984 as part of the artist's Departure from Egypt series.

Though each of the photographic works in this exhibition have been altered through digital manipulation, the tools of collage, illustration, deconstruction, redaction, surrealism are used in different measures by the exhibiting artists.

It echoes proto - appropriationist Elaine Sturtevant's photographic revisiting of another Man Ray image, Adam and Eve, but this collaged, thrown - together female form — reflecting allusively, perhaps like Another Interlude, on the place of women in art history — has a power to disconcert and disquiet that is entirely its own.

Wallace Berman will be represented by a series of previously unseen single - image Verifax collages, a body of rarely exhibited mailers from the collection of Teri Garr, inserts from his limited edition, hand - made artists magazine, Semina, selections from his recently discovered body of photographic portraiture, and several unique works incorporating images which were considered «pornography» at the time.

The resulting images become bases for drawing, cutting, and collaging upon as a way to explore perceptual ambiguity and engage with the dimensionality of photographic space.

This exhibition is a survey of the artist's oeuvre — from images that are the product of experimentation with various materials and photographic processes, to portraits of friends and strangers and still lives of his environment, to book page collages, to more recent hyperreal digital works.

Sonia Boyce's early figurative pastel drawings and photographic collages address issues of race, ethnicity and contemporary urban experience, questioning racial stereotypes in the media and day - to - day life.