Sentences with phrase «of photographic genres»

Her work engaged with a range of photographic genres, from documentary to phototherapy.

In order to do so, Douglas has scrutinised nearly 6,000 photos within this category in order to mimic the development of this particular type of photographic genre.

The first part of the exhibition offers a look at the astonishing panoply of this photographic genre.

Our aim is to engage audiences and expand their perception of the photographic genre in all its forms.

Photography at the High Begun in 1974, the High's photography collection contains nearly 4,500 19th - and 20th - century images, with notable examples of every photographic genre and process as well as many of the masters in the field, including George N. Barnard, Julia Margaret Cameron, Walker Evans, Richard Misrach, Emmet Gowin and Sally Mann.

Not exact matches

January 1, 2014 • Over the course of a few decades at Life magazine, Dominis not only worked in just about every photographic genre but also seemed to have mastered them.

Over the course of a few decades at Life magazine, Dominis not only worked in just about every photographic genre but also seemed to have mastered them.

A large concentration of museums in the art, photography and history genres can be found at Balboa park with the Air and Space Museum, Museum of Man, Museum of Photographic Arts, San Diego Art Institute to over 16 different museums just in the park alone.

The images both powerfully confront the perilous destructiveness of addiction and explore the genre of self - portraiture in a way unrivalled in the photographic medium.

Major topics include the worldwide production and dissemination of photographic images; the local and global character of specific genres, such as portraiture and photojournalism; the photographic representation of human movement and migration; and (post) colonial photographies.

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series where she explores a more abject material related to themes like fairytales, catastrophes, pornography, war and surrealism.

With the exceptions of essays by Rosalind Krauss (in Francesca Woodman: Photographic Work, edited by Ann Gabhart, Rosalind Krauss and Abigail Solomon - Godeau, published by Hunter College Art Gallery, New York and Wellesley College Museum, Wellesley, 1986) and Benjamin Buchloh (in Francesca Woodman: Photographs 1975 - 1980, edited by Benjamin Buchloh and Betsy Berne, published by Marian Goodman Gallery, New York, 2004), few critics have contextualised Woodman's work within the feminist genre of the 1970s.

Trevor Paglen: The Genres will feature 11 of these photographic works that utilize the medium as a political tool — raising questions of perception and providing a critical lens on today's socio - political landscape.

The new photographic works explore these dynamics of motion and space inside the genre of abstraction and within filmic, almost mythic landscapes.

Why do so many women use the genre of photographic self portraiture to explore issues of identity and race?

A pivotal figure in contemporary art from the early 1970s until his untimely death in 2013, Sekula continuously questioned the function of the documentary genre and the consequences of global capitalism through his critical writings, photographic installations, videos, and films.

Taking this premise as his point of departure, Rondinone creates mixed - media installations that run the gamut of artistic genres and techniques — including landscape drawing, abstract painting, photographic portraiture, realist sculpture, and video — and reflect the belief that

Borrowing subjects from traditional photographic genre, Kydd's storefronts, urban landscapes and studio - based images function as still lifes which propagate the familiarity and generality of photographs while allowing them to hover in a temporally enigmatic zone.

In the wide range of art the gallery offers, subjects range from water and beach scenes, boats, landscape, flower arrangements, graphic paintings of musicians, fifties photographic paintings, birds, fish, traditional still life, figure painting, portraits and trees, covering every major contemporary figurative category and genre.

Emerging out of the «Picture Generation» — a group of artists focused on a critique of photographic media — James Welling has gone on to experiment successfully in nearly every photographic genre.

In its upcoming exhibition Mirror — featuring works by some of the most prominent female Indian photographers at the moment — it aims to celebrate the amazing scope of work in the diverse photographic genres as part of the India / UK Culture year.

Single photographic images, pulled out of their serial context, are combined in coherent triads (tryptichs) through classification in genres.

With incisiveness, ingenuity, and humor, Rauschenberg changed the course of art history by establishing new genres of sculpture — found object, environmental, theatrical, photographic, and filmic — by including a wide range of contemporary subjects, and by using non-fine art materials along with conventional ones.

For the past few years, Russian - born and U.S. based artist Anastasia Samoylova has been creating imagery that breaks boundries of conventional photographic genres.

All of these artists use photographic equipment, but like the pioneering work of Cindy Sherman, some of their work crosses genres, styles and mediums to become a conceptual form all its own.

With the exponential growth of image - making, portraiture remains the most popular photographic genre.

Placing emphasis on stylistic elements instead of the overarching photographic medium, the contemporary collection cites how the conventions of classic genres, such as portraiture, landscapes and architectural, are developed through new practice.

Entries are open for the 2018 edition of the Art Prize, which accepts submissions across a range of genres including Photographic & Digital Art; Three Dimensional Design & Sculpture; Painting, Drawing & Mixed Media and Video, Installation & Performance.

He makes use of new and outdated technologies and borrows from Hollywood film genres and classic literary works to create contextual frameworks for his film and photographic projects.

Besides content - related issues and the reflection of his own work, he is interested in issues such as the rhetoric of the photographic series, the photographic genre, the...

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series with titles such as «Fairy Tales,» «Disasters,» «Sex Pictures,» «Civil War» and «Horror & Surrealist.»

Through a broad specter of photographic approaches to the genre, the works give us an insight into young artists exploration of nature, while at the same time revealing their unique relationships to it.

«But is the selfie the same as the fine art genre of photographic self - portraiture?

Drawing from diverse photographic genres such as landscape, forensic, Victorian memento mori, occult, and camera-less photography, she investigates the ways in which the material conditions and specialized languages of the photographic medium shape our relations to history, power, and the production of images.

His own photographic practice investigates the artifice of representation through the genre of the still life and animal portraiture.

By combining real objects and fictive images, and images of images, this work plumbs the genre of the photographic still life in utterly novel ways.

His photographic work investigates the artifice of representation through the genre of the still life and animal portraiture.

That particular genre is in many respects the polar opposite of uptight perfection, with its canvases rumpled and littered by everything from cigarette butts to charcoal to sand — all of which would be anathema to the clean lens and the pristine print — yet here Labatte slyly rearticulates the painterly gestures in an ecstatic series of photographic prints titled «Spotting,» 2014.

The imaginary photojournalist represents a hybrid genre that merges the appearance of straightforward documentary photography with a carefully staged one, in a process that does not require a camera yet mimics a straight photographic document.

The constant change of genre raises questions about the conventions of photography and the authenticity of the photographic image.

The works on display fall into three genres of photography, landscape, self - portraiture, and still life, which reflect historical photographic methods.