Sentences with phrase «of photographic subjects»

But in 2011 these kinds of photographic subjects are commonplace if not overdone.

Others left the picture intact, yet used obvious studio - set environments, in addition to costume and make - up, to reveal the construction of their photographic subjects.

If you are looking to either get started in photography or improve your existing skills then we offer a range of courses from a 1/2 day introductory to a 4 day master class in a range of photographic subjects, all set in the stunning Scottish Highlands.

Unique offerings from Andy Warhol include the recently acquired Polo, a silkscreened outlined image on a collage of colored papers from a delightful series revolving around various incarnations of the photographic subject, created by the artist in 1985.

Not exact matches

Jersey Standard executives are properly proud of their unique photographic venture as a public service, but sometimes they are not quite sure what the company is getting out of it, times when they wonder if «documentary» pictures of such subjects as tombstones in New Orleans or cockfights in Venezuela are not merely irrelevant.

Further to a planning meeting in Turin last week with officials of both Clubs, we would like to remind all travelling supporters that entry to the stadium is subject to the production of an official photographic identification document (passport or driving licence) that matches the name details written on your match ticket.

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In addition to working on several photographic series, Kratsman is currently revisiting a series of photographs he took in 2007 in the Genin refugee camp, and asking his subjects to mark those who were in the photos and are no longer alive.

In his new book, Serpentine, photographer Mark Laita tackles the tricky photographic subject of snakes.

The breadth and depth of this photographic collection will easily inspire a lively classroom discussion, whether the subject at hand is history, civics, social studies, science, math, English, or language arts.

On the subject of colour, our photographic car was painted in a red metallic said to be as near as dammit the same as that of the latest Ferrari F1 cars.

As an artist, Tillrock takes a unique approach, capturing the essence of his automotive subjects in pencil, and he is best known for his detailed, almost photographic depictions of go - fast vehicles and iconic car - culture scenes.

Healthy growths of boulder, brain and large plates of cactus coral make excellent photographic subjects.

His photographic work appears calm on the surface, yet is run through by an undercurrent of constant self - doubt and propelled by the essential personal bond he develops with his subjects.

«My photographic work explores subjects borne out of my own experience, a personal investment that has taken my projects in various directions.

If, as Richard Avedon said, «a photographic portrait is a picture of someone who knows he's being photographed and what he does with this knowledge is as much a part of the photograph as what he's wearing or how he looks,» do photos of unaware subjects still qualify as portraits?

He has been the subject of solo exhibitions at Fresno Art Museum, CA (2007); North Carolina Museum of Art, Raleigh, NC (2010); Nevada Museum of Art, Reno, NV (2010); the Sheldon Museum of Art, Lincoln, NE (2011); Museum of Photographic Arts, San Diego, CA (2014); National Gallery of Art, Washington, D.C. (2015); and George Eastman House, Rochester, New York (2016).

Providing unexpected representations of common objects ranging from bird nests to fabric to crumpled photographic paper, West often provides a deeper look at the details of his subjects while pushing their image to the edge of abstraction.

Arguably — and often labeled — the greatest painter of his generation, Luc Tuymans signals in every canvas the necessary limits of the medium, even the coda to its drawn - out death: his reliance on fleeting photographic and filmic imagery, his refusal to spend more than one day on a canvas, and perhaps most of all, his indifference to craft bring the Belgian artist into head - on confrontation with painting, and endow his subjects — from the untouchable (the Holocaust) to the pedestrian (flowers, pigeons)-- with an unmistakable air of violence inflicted.

And while we're on the subject of precise and unnerving portraiture, here is another exhibition to stop you in your tracks and hopefully ruffle your feathers — an ambitious, museum - worthy exhibition of several dozen photographic and painted portraits at RoseGallery in Bergamot Station.

Since then, his work has been the subject of numerous exhibitions and scholarship, most notably, a retrospective organized by the National Portrait Gallery in 1993 and the establishment of the James VanDerZee Photographic Collections at The Studio Museum in Harlem.

The chronicle of the history of African Americans as photographers and as photographic subjects, based on the book «Reflections in Black» by Deborah Willis, will be shown on Thursday, March 19, at the Wadsworth Atheneum Museum of Art.

His fascination with technological methods for producing paintings is also evident in the 2001 television program Secret Knowledge, in which Hockney posited that the Old Master painters used camera obscura techniques to project images of their subjects onto their paintings» surfaces, leading to the photographic quality of Renaissance painting.

All of Cooke's subjects stem from real life — his autobiography, live models or photographic and literary sources — but metamorphose away from these everyday referents as they become realized in paint and enmeshed in the landscape of the work.

This book features a series of photographic collaborations by Copley and Jaqueline Hyde wherein the ostensible subject — a painting by Copley, perfectly exposed and ready to be cropped for reproduction — also reveals a broader scene.

Applying 20th - century Cubism's multiple viewpoints to the photographic medium, he created a series of works he called «joiners,» photographic collages where many photographs of one subject are composited to create a complete picture.

Since the early 1990s, Los Angeles — based artist Uta Barth has examined photographic and visual perception — how the human eye sees differently from the camera lens and how the incidental and atmospheric can become subject matter in and of themselves.

Her projects have explored themes around looking and seeing; the relationship between camera and subject; the circulation and consumption of images and the complex nature of photographic representation.

Recognized for her photographic works including «A Prime» (1997 --RRB-, «Color of the Planet» (2004), «In the Desert» (2007 --RRB- that convey a unique sense of distance to the subject and appears to freshly recapture the given world replete with convention, Noguchi's gaze that is expressed through her practice is critically described as «the stranger's eyes» at work.

The curator of No Place Like Home, Dawoud Bey is best known for his photographic portraits that often depict subjects of various economic, ethnic and social backgrounds.

THE EXPANDED SUBJECT: NEW PERSPECTIVES IN PHOTOGRAPHIC PORTRAITURE FROM AFRICA Africa's contribution to 20th - century portraiture is expanded upon in this selection of the contemporary work by Sammy Baloji, Mohamed Camara, Saïdou Dicko and George Osodi.

The exhibition moves on to explore practices that are close to Appropriation Art, such as Sturtevant's Duchamp Man Ray Portrait (1966), who reclaims a photographic portrait of Marcel Duchamp realized by Man Ray, substituting both the author and the subject of the photograph with herself.

Both exhibitions celebrate the extraordinary richness of Hungary's modern photographic tradition with diverse subject...

Inspired by generations of landscape photographers and having closely studied the history of the photographic process, American photographer Matthew Brandt makes pictures using the physical matter of the subject in the development process.

This photographic subject matter reflects on another kind of speed or immediacy in image making, and one that deeply impacted the field of painting.

Today, the digitization of imagery breaks into both the conceptual and impressionistic areas of fine art, where experimentation is even more pronounced, and nonconcrete subjects such as the «digital sphere» can be explored and visualized using the photographic medium.

With a deliberate disregard for both the conventional photographic subject and point - and - shoot role of the camera, Barth's work delicately deconstructs conventions of visual representation by calling our attention to the limits of the human eye.

-LRB-...) Whatever the motivations behind the original Voynich illustrations, Ruperto and Heltoft's pictures manifest a delicious paradox as photographic records of imaginary subjects, indexical traces of fictions.

Beyond a metaphorical understanding of this idea, the question of how much the photographic image functions as an index of a subject's exterior and how much information beyond the surface is recorded or evoked, is also of interest to Alexi - Meskhishvili.

As a proactive member of the feminist art movement, she began adopting the photographic techniques and subject matter used in pornography to create a series of paintings that presented a different narrative from the fetishized one promoted by the porn industry.

The «Fact» paintings have taken various other photographic themes as their subject matter since 2000, including: details from Hirst's own work, personal photographs of the birth of the artist's son; famous diamonds; and biopsies.

Photographic imagery is transposed by hand onto gridded paper, the outlines of the subject often rendered using sequential numbers rather than a simple line.

In his photographic transparencies, Golub manipulates and alters existing images of the same dramatic and tragic subjects which, after being photocopied and photographed, are transferred by the artist onto transparent sheets that emphasize the rough realism of his work.

The work adheres to Ariella Azoulay's concept of the civil contract of photography, which asserts the photographic image as a relational encounter between subject, photographer and spectator; that in the moment of looking, photographing and being photographed, each party has a responsibility to the informed participation of the other two.

In his first solo exhibition in Hong Kong at Axel Vervoordt Gallery, entitled «分合 PART: MEET,» Bae presents five new black - and - white photographic prints from his «Sonamu — Pine Trees» series (2015), returning to his favorite subject of the pine trees found in the forested mountains of Gyeongju.

He appropriated most of his subjects from photographic reproductions he amassed from newspapers, books, calendars, magazines and other popular print media.

He manipulates his subject through the use of color filters, light, tape, and the distortion of photographic paper.

On the other hand my photographic work is usually brightly coloured and offers an optimistic view of the subject, and in many cases most of my personal photographic work is self - portraiture.

Eyes, cameras, film, developing trays, and the other integral components of the photographic process are the subjects of Anne Collier's art, which turns the act of photography inward on itself, asking provocative questions about why, by whom, and for whom pictures are taken.

Twisted pieces of paper, toothpaste swashes and soap scum, were just a few of the odd findings and castoff materials Brassaï used as subjects in a 1932 photographic series he coined, «Involuntary Sculptures.»