Sentences with phrase «of photographic works by»

Miyako Yoshinaga is pleased to present «Latent Heat», a solo exhibition of photographic works by Mayumi Lake, from October 23 to November 26, 2014.

In 2002, he was the author of «Araki on Araki» series of photographic works by Nobuyoshi Araki (Taschen).

Bronx, New York — January 14, 2016 — The Bronx Museum of the Arts will present an exhibition of photographic works by Michelle Stuart, on view February 3 through June 26.

A new series of photographic works by Chloe Sells titled Moth's Breath is currently on display at Michael Hoppen until 31 August.

The Bronx Museum of the Arts will present an exhibition of photographic works by Michelle Stuart, on view February 3 through June 26.

currently on show at galleria carla sozzani is «pictures» and exhibition of photographic works by tim walker.

Presented is a new selection of photographic works by nine artists including Ennid Berger, Michael Edelson, Scott Farrell, Alex Ferrone, Richard Gardner, Ray Germann, Katherine Liepe - Levinson, Mike McLaughlin, and Alex Vignoli.

Yossi Milo Gallery is pleased to present FACADES, an exhibition of photographic works by German artist Markus Brunetti.

Another noteworthy set of works is that of around 100 pieces belonging to the collector Enea Righi, which has been on loan to Museion since 2008, and which in many respects consolidates existing themes in the collection, as in the case of the photographic works by Francis Alÿs, Nan Goldin and Wolfgang Tillmans, or the light art, with Gabriel Kuri, or individual artists like Alighiero Boetti, Miroslaw Balka, Peter Friedl, Roni Horn and Gordon Matta - Clark.

An exhibition of photographic works by German artist Elger Esser.

Michael Hoppen Contemporary is delighted to present a new series of photographic works by Chloe Sells titled Senescence.

from now until october 10, 2015, klein sun gallery presents «civilized landscape», an exhibition of photographic works by beijing - based artist ji zhou.

A solo survey of the last 25 years of photographic work by Margaret Morton, professor in the School of Art, has been selected as one of the top photo shows of the summer by Time Out NY and highlighted in The New Yorker.

Double Vision is an exhibition of photographic work by Ted & Gloria Maloof co-curated by Polly Barr and Chip Simone in partnership with the Museum of Contemporary Art of Georgia (MOCAGA).

Highlights include the most comprehensive presentation to date of work by artist Christopher Knowles; the first solo museum exhibition by Philadelphia painter Becky Suss; a new body of photographic work by Josephine Pryde; large - scale constructions, video, and performance by Los Angeles artist Rodney McMillian; and a comprehensive look at the five - decade career of Louise Fishman.

So I was less than thrilled to hear that the centerpiece of Iconic Heroes, a group show of photographic work by a dream team of blue - chip artists at Barbara Davis Gallery, was a Chuck Close portrait of Kate Moss.

Not exact matches

The opening credits sequence, accompanied by a rendering of Camille Saint - Saens «Carnival of the Animals,» provides sepia - toned historical period photographs (from the Library of Congress, various museums and photographic archives, and the NY Public Library) of turn - of - the - century city and tenement life (portraits, closeups, slices of life including play, marriage, work, politics, friendships, transportation, domesticity, and leisure time).

Enlivened by personal recollections and memoi - style essays from critic John Lahr and artists Mike Nichols, Andre Gregory, Mitsuko Uchida and Twyla Tharp, this volume will help readers appreciate anew the carefully crafted underpinnings — Avedon's own brand of staging and, thus, performance — and psychological insight of this artist's work and photographic legacy.

However, by submitting you hereby grant to Tourism Australia a non-exclusive, royalty - free, worldwide, revocable, non-transferable, perpetual licence to use, modify, delete from, add to, publicly display and / or reproduce, your photo, including editing, compiling and assembling video works, interstitials or the use of photographic works as underlying works compiled into moving image without limitation in any online media formats (including e-newsletters) and through any social media channels, pages or accounts.

Sory Sanlé: Volta Photo 1965 - 85 is a fascinating collection of black and white photographic work by Sory Sanlé, an eminent portrait photographer from Burkina Faso, the landlocked country in West Africa formerly colonised by the French, then known as Republique de Haute - Volta.

«The humble aim of our exhibition together with this printed matter is to offer an interdisciplinary platform: a dialogue stage that, prompted by the fruitful dichotomy between text and image, gathers photographic works together with written contributions around the notion of formalism.

His photographic work appears calm on the surface, yet is run through by an undercurrent of constant self - doubt and propelled by the essential personal bond he develops with his subjects.

2008 Photographic Works, Cohan and Leslie, New York, NY Sonata for Executioner and Various Young Women, Contemporary, New York, NY I want a little sugar in my bowl, ASS Gallery, New York, NY Love is a Cannibal, Curated by Becky Smith, Sloan Fine Art, New York, NY The Dulcet Clime of the Bedchamber, Goff + Rosenthal, Berlin, Germany Would you date me on the regular?

Frances Morris places Martin's work in the art historical context of the time; art historian Richard Tobin analyzes Martin's painting «The Islands»; conservator Rachel Barker offers the reader a close viewing of «Morning»; curator Lena Fritsch provides a visual biography by comparing photographic portraits of Martin from different periods; and art historian Jacquelynn Baas delves into the spiritual and philosophical beliefs so present in Martin's art, including Platonism, Christian mysticism, Zen Buddhism and Taoism.

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

The artist's seemingly distinct activities — the severe black abstractions, the prolific and caustic social and political graphic work, and the color slides of historical monuments, temples, and buildings that showed his equally prolific world travels and keen sense of photographic record keeping — were received in coexistence by jubilant viewers, especially young artists and art students (during the artist's lifetime it would have been career suicide to show all simultaneously practiced sides together).

Theatre of Memory: Photographic Works by Gregory Volk in the catalogue of the exhibition published by the Bronx Museum, pages 4 - 7.

Other works such as the series Blushes 2000 - ongoing, made without a camera by manipulating the effects of light directly on photographic paper, show how the artist's work with abstraction continues to push the boundaries and definitions of the photographic form.

His work has been collected by institutions that include the J. Paul Getty Museum, Los Angeles, CA; Fine Arts Museum of San Francisco, CA; Los Angeles County Museum of Art, CA; Museum of Photographic Arts, San Diego, CA; National Gallery of Art, Washington, D.C.; Pilara Foundation Collection, Pier 24 Photography, San Francisco, CA; San Jose Museum of Art, CA; and Museum of Fine Arts, Boston, MA.

Referred to as «abstract figurative drawings,» by Mr. Owens, the new works are produced in ways that are «similar to the process of making photographic prints in a darkroom» but using everybody's favorite petroleum jelly, Vaseline, and everybody's favorite drug, coffee.

Often hinging on frameworks of social or commercial labor, such as the day - to - day activity of gallery staff, X-ray machines, or FedEx shipping operations, his photographic and sculptural works are each indexical products of transactions — whether initiated by, or exposed by the artist.

Instead, there are tapestries made by multiplying reflected versions of paintings; close - up photographs of the surface of paintings; mirror - like reflective works; overpainted self - portraits; various grey paintings; photographic facsimiles of the iconic series of 48 Portraits presented in the German Pavilion at the Venice Biennale in 1972 — so returning them to their photographic origins in encyclopaedias; and a spectacular installation of «4900 Colours», 2007.

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitalism.

Since then, his work has been the subject of numerous exhibitions and scholarship, most notably, a retrospective organized by the National Portrait Gallery in 1993 and the establishment of the James VanDerZee Photographic Collections at The Studio Museum in Harlem.

A grouping of works from Seokmin Ko's acclaimed photographic series The Square will be presented, and new works by Filipe Rocha da Silva, Zheng Xuewu and Soo Im Lee will also be featured.

The HMI exhibition itself includes two sculptures out of the original 14, William Turnbull's Angle and Nicholas Monro's King Kong, as well as other works made in or around 1972 by some of the other sculptors, alongside maquettes and models, some original and some specially remade, and photographic and other forms of documentation.

In this discussion of his work Miller places his project within the context of a larger, planned documentation of this tumultuous event by New Zealand's photographic community, and the various uses made of these images in the immediate aftermath of the Tour.

The works that brought her to international attention, the series Ground and Field, presented photographic blurs caused by focusing the camera on an unoccupied foreground; these lushly colored images tested connections between the descriptive clarity of photography and the haze of memory.

Aikaterini Gegisian is one of the young participating artists, whose body of work (A Small Guide to the Invisible Seas, 2015) is inspired by photographic albums of Soviet Armenia, Turkey, and Greece from the 1960s, 70s and 80s.

With the exceptions of essays by Rosalind Krauss (in Francesca Woodman: Photographic Work, edited by Ann Gabhart, Rosalind Krauss and Abigail Solomon - Godeau, published by Hunter College Art Gallery, New York and Wellesley College Museum, Wellesley, 1986) and Benjamin Buchloh (in Francesca Woodman: Photographs 1975 - 1980, edited by Benjamin Buchloh and Betsy Berne, published by Marian Goodman Gallery, New York, 2004), few critics have contextualised Woodman's work within the feminist genre of the 19Work, edited by Ann Gabhart, Rosalind Krauss and Abigail Solomon - Godeau, published by Hunter College Art Gallery, New York and Wellesley College Museum, Wellesley, 1986) and Benjamin Buchloh (in Francesca Woodman: Photographs 1975 - 1980, edited by Benjamin Buchloh and Betsy Berne, published by Marian Goodman Gallery, New York, 2004), few critics have contextualised Woodman's work within the feminist genre of the 19work within the feminist genre of the 1970s.

In a collaborative program between The Noguchi Museum and Socrates Sculpture Park, artist Leah Raintree discusses her photographic series Another Land, a body of work that takes its point of departure from a 1968 sculpture of the same name by Isamu Noguchi.

When I saw your exhibition Radiohalo at Blain Southern, in London, earlier this year, I was taken by the strange beauty of your very large works, associating silver nitrate with photographic processes, and therefore illumination, yet the chemical substance is also a toxic one.

Influenced by the large number of sunspots in November of 2011, this work is a collection of «sun spots» or blemishes digitally removed from photographic portraits.

Featuring original scholarship by Alexander Nemerov, this notable presentation of The Democratic Forest provides historical context for a monumental body of work, while offering newcomers a foothold in Eggleston's photographic practice.

Alex Da Corte's wonderfully perverse photographic works take the kind of deadpan aesthetic perfected by Elad Lassry and Roe Ethridge and drag it through the looking glass into a strange new synthetic realm of product - pushing, memes, pop culture, and contemporary design.

Inspired by the work of the Russian avant - garde and their pioneering use of montage techniques, Anna Parkina's collage - like prints layer photographic fragments with abstract areas of bold color.

A major retrospective of over 150 photographic works by Jitka Hanzlová will be on display at the Fundación Mapfre in Madrid, Spain from May 31 — September 2, 2012.

By merging photographic and sculptural elements, his work metaphorically speaks to the human condition of seclusion, oppression, memory, and loss.

His work has been included in significant survey exhibitions including Manifesta 10, The State Hermitage Museum, St. Petersburg, Russia (2014), Fundamentals, the 14th International Architecture Biennale directed by Rem Koolhaas, Book for Architects, La Biennale di Venezia, Venice, Italy (2014); the Berlin Biennale, Germany (2014, 1998), the British Art Show 5 and 7, UK (2000, 2010); the 3rd Moscow Biennale of Contemporary Art, Russia (2009); the 51st and 53rd Venice Biennale, Italy (2005, 2009); Turin Triennial, Italy (2008); 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA (2008) and the 2nd Ars Baltica Triennial of Photographic Art, Kiel, Germany (1999).

The exhibition features photographic work made in the late 1980's and early 1990's by Maud Sulter and Jeanne Moutoussamy Ashe, curated by international artist Lubaina Himid, Professor of Contemporary Art at UClan.