Sentences with phrase «of photographs in the exhibition»

A selection of photographs in the exhibition features images of friends and family performing within the landscape.

Many of the photographs in this exhibition include images of Vivienne Dick, and show their enduring friendship.

The layout of the photographs in their exhibition space has always been an important factor for Lambri.

The majority of photographs in the exhibition are vintage Silver Gelatin prints, made by Cala at the time they were taken.

The artists» combined output of over 10,000 photographs demonstrates their love affair with the camera, though most of the photographs in the exhibition are unknown and previously unpublished.

Not exact matches

The church is now displaying photographs of the tattoos in the church's art gallery, in an exhibition called «Cruciformity: Stations on the Skin.»

The exhibition brought many of the fascinating case histories referred to in the book to life in the form of original documents, photographs, and paintings.

The Mass Audubon Museum of American Bird Art has presented two exhibitions of his work, in 2000 and 2011, and owns more than 30 Clem artworks, as well as his archive, including correspondence and photographs.

Her photographs range from victims of Bosnian genocide, warring Brazilian families, human exhibitions in America and the living dead in India.

These exhibitions included students» own photographs and words that captured their ways of seeing, discussing and reflecting upon the significance of physical activity in their everyday lives.

Anyone flying out of Trondheim Airport will find a photograph of the couple in an exhibition of famous Norwegians.

Geoffrey Lilley is exhibiting the photograph — entitled «Genesis» — at the annual exhibition of the United Society of Artists in Central Hall Westminster.

After a year there, I expressed a desire to curate, so I planned my first exhibition, Berenice Abbott's Circle, which was of photographs Berenice Abbott took of her fabulous friends in Paris in the early 1900's.

At the exhibition the Principal character walks in hand in hand with this elderly gentleman who is the subject of her photographs.

(Video)» «It's an astonishing collection of writers, starting with Ray Bradbury and going up to recent photographs of Mel Brooks and Carl Reiner,» said Steve Seidel, director of the Arts in Education Program at the Harvard Graduate School of Education, which is presenting the exhibition.»

Doreen got the idea for a story in which a person viewing a photo exhibition sees something in one of the photographs that is truly shocking.

A few years ago, I attended an exhibition of John Deakin's photographs at the National Portrait Gallery in London.

With more than 100 paintings and photographs from the 1920's to the 40's and four contemporary environmental projects (including one by Maya Lin), this exhibition homes in on the utopian, isolationist, rural face of the Midwest.

This spring, special events and exhibits will take place to commemorate the Bed - In's 40th anniversary, including the Montreal Museum of Fine Arts» special free exhibition entitled Imagine, featuring artwork from Yoko Ono as well as photographs, records, movies and clips detailing their famous weeklong peace protest.

I guess that's one of the things that makes them different from photographs, in that a photograph might be a record, a snap, one moment — a painting I think is about creating a small world around that photo... I really like that idea of something that you can enter like a box or an exhibition space, and enter these little rooms which for me are memories, but it's not about nostalgia — it's more about setting up something that's still living — so it's almost they're all in the present, rather than in the past.»

Running until 28 January 2018, the exhibition Ai Weiwei: D'ailleurs c’est toujours les autres is bringing together more than 40 items dating from 1995 up to the present: works in porcelain, wood, marble, jade, crystal, bamboo, and silk, together with wallpaper, photographs and videos, all testifying to the rich variety of the artist's work and his profound knowledge of his country's cultural heritage.

For example, the gallery may wish to have the right to photograph the artwork as part of its promotional effort in general advertising or in the creation of exhibition catalogs.

In an upcoming exhibition, Hong Kong's ZZHK Gallery will present the photographs of Schweiger, alongside anecdotes relating to her journey with the artists, visually mapping out the moments and contexts by combining clippings, texts and printed materials.

Posturing: Photographing the Body in Fashion is a new group exhibition dedicated to the examination and exploration of the role of the female body in contemporary fashion photography.

Tomohiro Muda is presenting a series of haunting photographs in an exhibition Icons of Time: Memories of the Tsunami that Struck Japan at the Fitzrovia Chapel in London this weekend.

The Pennsylvania Academy of Fine Arts in Philadelphia currently has on view an exhibition of Close's photographs, but it has decided not to pull the show.

It was held on February 5 at Michael Hoppen Gallery in London, an event to celebrate the exhibition of photographs by Guy Bourdin titled «Walking Legs».

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.

The exhibition includes paintings, drawings, installations, sculptures, video works, and photographs by an intergenerational group of artists who are primarily based in the United States.

On the occasion of the most extensive restoration of the McKim building's sumptuous interiors in over a hundred years, the Morgan Library & Museum presents an exhibition of photographs by Massimo Listri documenting iconic European libraries that similarly use fine wood, marble, and other precious materials to create an opulent setting for books.

Archive Gallery, Whitechapel Gallery The Whitechapel Gallery presents a dedicated programme of exhibitions curated from archives twice a year in Gallery 4, bringing them to life as a curatorial resource through rare films, photographs, artefacts and documents.

Rashid Johnson, whose new exhibition «Fly Away» just opened at Hauser & Wirth in New York, is featured on the October cover of Cultured magazine, which was photographed by Hank Willis Thomas.

Four rooms later, the exhibition surrounds the 1937 painting with a tableau of photographs, like thumbnails in black and white.

The puppets and sets from the performance were displayed as sculptural works in the exhibition, along video and photographs of the puppet show.

A riveting follow - up to last year's Jay DeFeo retrospective at the Whitney Museum, this exhibition of drawings, photographs and photocopies finds this artist moving past her ponderous masterpiece, «The Rose,» in fits and starts.

For his first solo exhibition at Simon Lee Gallery Hong Kong, the artist will present a selection of new works from Looking Up in Osaka, a series comprising of over 300 photographs of utility poles and cables taken...

This exhibition covers a span of over four decades (c. 1929 — 70), including a total of some forty paintings, photographs by the artist, works on paper, and sculptures in order to explore the change and continuity in Still's ideas and pictorial forms.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

Family Portrait, Aneta Bartos's first exhibition with Postmasters Gallery, delves into the artist's relationship with her father, a former bodybuilder living in central Poland, with photographs full of vigor and vulnerability.

Seven key photographs are displayed within a system of eleven freestanding wall works that intervene in the architecture of the exhibition space, underscoring Williams's self - described interest in establishing a more «mobile» position as an artist, alternately acting as «camera operator, picture editor, exhibition designer, graphic designer.»

Jerome Liebling's photographs are featured in Smith College's exhibition Uncanny Valley: Portraits of the Almost - Human.

The images in the archives span Motherwell's career and contain everything from his old lecture slides to photographs of works and exhibitions.

In light of this, it's interesting to look at the upcoming Swann lot, which consists of five original postcards advertising a Berlin version of the Entartete Kunst show (the original took place in Munich in 1937, traveling thereafter around Germany and Vienna), a broadside for the exhibition, and five photographs of Julius Lippert, state commissioner of Berlin, at the March 3, 1938, openinIn light of this, it's interesting to look at the upcoming Swann lot, which consists of five original postcards advertising a Berlin version of the Entartete Kunst show (the original took place in Munich in 1937, traveling thereafter around Germany and Vienna), a broadside for the exhibition, and five photographs of Julius Lippert, state commissioner of Berlin, at the March 3, 1938, openinin Munich in 1937, traveling thereafter around Germany and Vienna), a broadside for the exhibition, and five photographs of Julius Lippert, state commissioner of Berlin, at the March 3, 1938, openinin 1937, traveling thereafter around Germany and Vienna), a broadside for the exhibition, and five photographs of Julius Lippert, state commissioner of Berlin, at the March 3, 1938, opening.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

«In his third exhibition of photographs at Marc Straus, photographer Thomas Bangsted presents large - scale photographs that recreate historical maritime scenes through a painstaking process of shooting, collecting, and aggregating present - day images.

An accompanying solo exhibition at the Mönchehaus Museum presented an untitled installation made in 2015 that is comprised of seven parts: four wooden towers and three columns incorporating a range of materials including mirror foil, glass, plastic flowers, spray paint, plaster, acrylic, woven polypropylene, medication instructions, coloured tape, photographs, metal clips, magazine covers, and paper.

The exhibition traces Letinsky's photographs as they have evolved from studies in melancholy and absence to explorations of perception, color and space.

This exhibition gathers Freilicher's paintings and drawings, as well as two videos by Rudy Burckhardt, and features four vitrines containing photographs, book covers, letters, and manuscripts — some poems with lines crossed out and handwritten additions in the margins — that point to the interrelated friendships between painter and poets, and to the development of work at hand.