1st prize winner for International News at the 2014 National Press Photographers Association's
Best Of Photojournalism contest.
Over the course of his thirty - five year career, Christopher Williams has produced photographs that engage the
conventions of photojournalism, picture archives, and commercial imagery — often through a wry combination of parody and homage — and explore their sociopolitical contexts and implications.
Since 1985, the ICP Infinity Awards have recognized major contributions and emerging talent in the
fields of photojournalism, art, fashion photography, and publishing.
Echoing the photographer's masterpiece and paying homage to the golden
age of photojournalism, Jaar's installation employs a similar strategy to construct narrative.
A group exhibition
of photojournalism by 16 photographers from The Seattle Times, Seattle Post-Intelligencer, The New York Times and other news publications.
The 6in x 8in panels are closely grouped to form an aesthetically interesting collage that rekindles well - trodden debates about the
uses of photojournalism and painting as historical sources.
During that time, he began work on his long - term project, «The Dream,» a
blend of photojournalism and art photography that plays witness to the largest mass exodus of refugees since the Second World War.
Photographs of the war in Iraq by Alexandra Boulat, Ron Haviv, Gary Knight, and Antonin Kratochvil evidence the changing
status of photojournalism and its accelerated entry into art contexts.
Opie was originally inspired by social documentary photographers like Lewis Hine, but
outside of photojournalism, there aren't a lot of contemporary artists looking at the world the way Hine did.
During the 1970s much conceptual photography parodied fine - art photography's romance with reportage and its claims to truth by imitating the
look of photojournalism.
William Klein is an American - born French photographer and filmmaker noted for his ironic approach to both media and his extensive use of unusual photographic techniques in the
context of photojournalism and fashion photography.
Works by these renowned photographers are on display alongside
examples of photojournalism, such an image of Italian dictator Benito Mussolini's car.
His early, unadorned compositions are heavily influenced by his years at Folkwang, where the curriculum was largely focused on the straight - shot
techniques of photojournalism.
The advent of the Magnum photo agency, in the aftermath of World War II, marked the «decisive moment» in which a new
vision of photojournalism was born.
We look forward to guiding visitors and students through the
evolution of photojournalism in order to provide context and insight into documentary practice today.»
Drawn from a
collection of photojournalism and documentary photography, many of the images have appeared in the press — but here they are presented as works of art in their right.
In the
world of photojournalism, a place where his fame and magisterial rhythm of work give him a singular status, Salgado has the added distinction of being his own producer: he owns the factory.
Photographers Among Us examines the many
dimensions of photojournalism and documentary photography through a survey of 225 works that capture scenes of war, mass incarceration, suburbia, and urban and rural landscapes, among other images that continue to resonate today.
If you are a
fan of photojournalism, documentary photography or portraiture, you must be familiar with Mary Ellen Mark photography work.
On 1st March, The Frontline Club, Paddington will host a discussion with Tom Craig and A.A. Gill as advocates for the collaboration of a photographer and writer and its importance for the
future of photojournalism.
As a previous
student of photojournalism and sociology at San Francisco State University, and documentary photography at the Center for Documentary Studies at Duke University, Joyce is able to methodically catalogue the aspects of the game while maintaining their inherent leisure, levity and warmth.
The photographs featured in Made for America were taken for LIFE, Time and Fortune magazine assignments by some of the most noted names in the
history of photojournalism including Margaret Bourke - White, W. Eugene Smith, Robert Capa, Walker Evans, Gordon Parks, Alfred Eisenstaedt, Horace Bristol, Martin Munkacsi, Erich Salomon and many more.
This kind of work will contribute to the biennial's main theme by willingly stepping outside the
realms of photojournalism and commercial photo - making, floating between the real and the imagined.
It's a role that has been reinforced by
traditions of photojournalism, documentary photography, and anthropology, while taking on new forms and renewed urgency in recent years.
This 70 - year showcase of Magnum Photos, the
granddaddy of photojournalism agencies — whose founders included Capa's brother Robert, who shot the much - debated image of a dying Republican soldier in the Spanish Civil War — turns back to printed images and published books, made by professionals shooting with high - end kits.
Perpignan plays host to the 29th Visa Pour L'Image, International
Festival of Photojournalism, in September, re-instating the essential role of the lens.
Thus Mosse's work highlights the
limitations of photojournalism and photography by mixing the contingent and abstract, the symbolic and political, evoking the precariousness of life as experienced in the continuing cycles of war, armed conflicts, and systematic tactics of violence that mark our era.
These include Picture of the Year International, NPPA
Best of Photojournalism and the Swedish Picture of the Year Award.
Over the course of his thirty - year career, Williams (b. 1956) has crafted photographs that engage — often through uncanny mimicry — the
conventions of photojournalism, picture archives, and commercial imagery, as well as their sociopolitical contexts and implications.
Since 1985, the ICP Infinity Awards has recognized major contributions and emerging talent in the
fields of photojournalism, art, fashion photography, and publishing.
He has also been honored with a World Press Photo Award, the Prix Bayeux - Calvados, the Picture of The Year International Award, the Best
of Photojournalism and the Sony International Photography Award, among other prizes.
Adel Abdessemed: The Pulitzer Prize - winning icon of Vietnam War atrocity — one
of photojournalism's decisive moments, a snapped shot seen around the world — now an aesthetic object in prehistoric dentine.
One
of photojournalism's most distinguished practitioners, Pulitzer Prize winner Stephen Crowley of the New York Times credits the influence of a Grey Villet Life essay with his decision, at age nine, to become a photographer.
Her work has also been honored by Pictures of the Year International, NPPA's Best
of Photojournalism, Critical Mass, American Photography and Communication Arts.