Sentences with phrase «of pieces by»

Farnsworth Art Museum (Rockland) Concentrates on American painting of the 18th, 19th and 20th centuries (especially that involving Maine), with works by Gilbert Stuart, Thomas Sully, Thomas Eakins, Fitz Henry Lane, Eastman Johnson, Childe Hassam, Frank Benson, and Maurice Prendergast, as well as a number of pieces by the Russian - born American modernist sculptress Louise Nevelson.

Most of these pieces by Pope L. are displayed in the entranceways between galleries, and they felt too editorial for me, like comments in the comment section of an online article.

The museum will also create archives tied to the Grunwald Center Collection, which features more than 45,000 works on paper, as well as one devoted to its extensive collection of pieces by California artist Corita Kent.

Assemblage art hasn't lost any steam over the years and Los Angeles Modern Auctions is thrilled to include a group of pieces by four important American artists who produced work in the assemblage idiom: Joseph Cornell, Betye Saar, Chris Ferebee, and Louise Nevelson in the February 25, 2018 Modern Art & Design Auction.

GOING APE FOR CHARITY The Boston Globe (Boston, MA); July 20, 2001; JIM SULLIVAN; 700 + words... couple of pieces by contemporary artist Kojo Griffin, born in Brookline and now of Atlanta.

The artist opted for an impressive roster of pieces by her peers Bruce Nauman, Vito Acconci, Valie Export,

He presents himself as a «pointer» and, through the inclusion of pieces by his twelve year old son and his father, he distinguishes elements that link together, cresting vital emotional bonds.

At that time, Halle already had a number of pieces by modernist artists such as Aristide Maillol and Jean Arp.

When Marianne Boesky opens an exhibition on Tuesday that pairs works by Donald Moffett with a series of pieces by the Arte Povera artist Pino Pascali, it will be the final show in her space on East 64th Street.

Buyer Alberto Mugrabi, a private dealer and collector whose family owns hundreds of pieces by Warhol, Jean - Michel Basquiat and Damien Hirst, said he purchased at least 25 of Smith's works in the past year.

«For certain artists it works incredibly well,» she said, citing sales of pieces by Tomás Saraceno, Matti Braun, and General Idea during Art Basel in Miami Beach's first three days.

Any gender imbalance in the number of works bought was attributed by the DCMS to the purchase of large numbers of pieces by three male artists: Herbert Arnould Olivier, Michael Craig - Martin and Phil Shaw.

He has made over a dozen iterations of these pieces by choosing couches he thought his mother would love.

Paintings by the early Australian modernist Roy De Maistre, for example, share a space with a series of pieces by the young Dutch artist Riet Wijnen, whose interest in «the impossibility» of pure abstraction has led her to create a fictional dialogue between Grace Crowley (also a pioneering early Australian modernist), and the British constructivist Marlow Moss.

Alongside these figural works, the catalogue features original essays by writer and art historian Adrien Goetz — who examines Katz's work in light of pieces by Dominique Ingres, Edouard Manet and Edgar Degas — and fashion journalist Suzy Menkes, who considers Katz in the context of style and fashion.

The main space of the exhibition presents reader - looker - responders with an array of handwritten classroom exercises and lesson plans, scrawled on large papers with interconnecting arrows and bubbles — «WRITE ON YOUR WALLS (Right on your walls)» — instructions along with diagrams, protest posters, and a limited selection of pieces by some of the artists referenced or implicated by Stein and Miller: Anni Albers, Jasper Johns, Eduardo Paolozzi, Yves Tanguy, Bridget Riley, and a few others.

Despite being a smaller venue than many of its competing galleries, Sugar Space has hosted exhibitions of pieces by photographer Jeremy Bigelow and visual art displays by Ching - I Chang in its mission to support and showcase both renowned and emerging artists.

A couple of pieces by artist Michael Sieben on display as part of the Contemporary Art Museum Plainview's newest show The Big Flip: The Art of Skateboarding.

«Untitled # 2,» 1992 — one of a series of pieces by Martin that featured faint bands of color.

In terms of contemporary art, exhibitions include mixed media pieces, print works and a selection of innovative photography from notable exhibitors such as Blain Southern with a showcase of recent works by Abdoulaye Konaté, Sean Kelly presenting photography by James Casebere and Marina Abramovic, and David Zwirner with a variety of pieces by Francis Alÿs, Carol Bove, Donald Judd, Yayoi Kusama, Wolfgang Tillmans and others.

We saw thousands of pieces by the world's most innovative artists and met some of the top dealers, collectors and industry leaders.

The «Pavilion of Joys and Fears» includes a ponderous video by Sebastián Díaz Morales and forgettable paintings by Firenze Lai, though they are balanced out by Senga Nengudi's taut sculptures and an array of pieces by Luboš Plný, a midcareer Czech artist who makes scintillating drawings that seem to dissect human bodies.

This is just a very small sampling of the works that were on display (literally, thousands of pieces by artists from across the US and all around the world).

Chicago Takeover with Wild Belle: Indie sibling - duo Wild Belle will DJ the Broken Shaker, alongside an exhibition of pieces by Chicago artist Don't Fret.

Demonstrating Hirst's formative interest in collage and construction, these works are displayed alongside a number of pieces by Margaret Mellis (1914 — 2009) from the Pier Arts Centre Collection and on loan from Tate, highlighting the fascinating connection between the two artists.

Boasting more than 45 pieces by Calder, 41 by minimalist painter Ellsworth Kelly and 21 by Warhol, the Fishers» treasure trove contains some of the largest numbers of pieces by those individual artists and others.

Besides zeroing - in on erotic paintings and photos, The Art of the Erotic does not forget to pay homage to sculptures as the editors prepared reproductions of pieces by Auguste Rodin and Louise Bourgeois.

The fair was not lacking in impressive presentations by established galleries and artists: Berlin's Contemporary Fine Arts offered mixed media works by Anselm Reyle and Franz West alongside a number of pieces by Günther Förg, including several of his coloured abstractions and a monumental yet intimate colour self - portrait photograph.

There he produced impeccable bronze castings of pieces by Joseph Havel, Linda Ridgway, James Surls, Vernon Fisher, Frances Bagley, Ken Little, Clyde Connell, and others and soon established his as the foremost foundry in Texas.

The exhibition presents a selection of pieces by more than forty artists from its holdings of postwar American work (including important pieces from the Emanuel Hoffmann Foundation's collection, on long - term loan to the museum).

On view are 75 works by Bazille along with a selection of pieces by better - known contemporaries such as Claude Monet and August Renoir.

The collection is made up of pieces by self - taught and contemporary artists including James Castle, Red Grooms, Alison Hall, Stanley Lewis, Catherine Maize, Sangram Majumdar, Nellie Mae Rowe, E.M. Saniga, Beatrice Scaccia, Judith Scott, Leopold Strobl, Sam Szafran, Bill Traylor and Purvis Young, as well as works on loan from the Louis - Dreyfus Family Collection.

This contrast was readily visible at the Parrish Art Museum on Long Island, where a small retrospective of his paintings appeared alongside a selection of pieces by artists including Jackson Pollock, Alfonso Ossorio and Robert Motherwell, as well as Vicente's former students Chuck Close and Dorothea Rockburne, among others.

There were far fewer John Chamberlains, Roy Lichtensteins, and Andy Warhols than usual, and a dearth of pieces by Richard Prince, Barbara Kruger, and Cindy Sherman.

He prefers an aesthetically lean, visually simple look fort he main living areas of the house, where several spaces of different sizes and shapes contain minimalistic, changing displays of pieces by a mix of young and established Japanese and international contemporary artists, including Olaf Breuning, Tracey Emin, Tatsuo Miyajima, Marc Quinn, Thomas Struth, Yoshihiro Suda, Hiroshi Sugimoto, and Wolfgang Tillmans.

Curated by Kelly Chorpening, artist and course leader of BA drawing at Camberwell, it places a judicious selection of pieces by older artists associated with the school alongside a broad swath of work by recent graduates.

GNR Presents: also subtly reflects on the concept of a Global North and South in its presentation of pieces by Latin American artists Vik Muniz and Alexandre Arrechea, who pay tribute to New York City in their depictions of iconic buildings including the Guggenheim Museum and the Chrysler Building.

At the center of the space is a cube, its outer walls lined with what she calls «Tête - à - Tête,» a constantly changing group exhibition of pieces by artists — Derrick Adams, Malick Sidibé, Carrie Mae Weems, among others — whose work has influenced Thomas's.

Outside of offering a chance to revisit such anchor - pieces as Duchamp's infamous Nude, along with crowd - pleasers by Matisse, Cézanne, Van Gogh, and, from the American side of the aisle, Ashcan School Titans like John Sloan and Robert Henri, «Armory Show at 100» also provides a unique opportunity to investigate a small but surprisingly fresh selection of pieces by lesser - known American and European artists whose post-1913 legacies have not been so secure.

is a series of pieces by guest authors published on the NUT's website on a twice termly basis that reflects the Union's commitment to fostering debate on education issues.

We may choose to group a particular number of pieces by their colour, shapes or proposed location in the final image.

Composer Junkie XL («Batman v Superman: Dawn of Justice») throws his extensive prowess into the music, though he underscores far too much, overusing and smothering the potential of his pieces by the end.

brand new featurette offering up an appreciation of Pieces by various filmmaker fans

I also had a chance to style some of the pieces by Tobi and I was surprised how great the quality of their pieces it.

Yes, Chesley Mae makes all of these pieces by hand with real stones.

Our printed kurti in India line - up is a powerful assortment of Pieces by fine Brands like AURELIA, Aimi, Aneri, Anouk, Desi Vibe, Medhira, Omra, Prafful, Vishudh, W, Shree, and so many others.

I am always inspired by the outfits made up of pieces by a few different brands that somehow work together so effortlessly.

The excellent series of pieces by Amelia Gentleman at the Guardian made it perfectly clear what was happening to the Windrush Generation specifically.

The problem of an enduring ethic and culture consists in finding an arrangement of the pieces by which they remain related, as do the stones arranged in an arch.

Also, kick off to a series of pieces by Charles Dobson on organizing citizens for positive «troublemaking.»