Sentences with phrase «of plastique»
His interactive sound sculpture «The Pulse of London» is part of the Plastique Fantastique.
https://weandthecolor.com/ Not exact matches
Patients of les opérations plastiques, however, were often too aware of their lot in life: that of a monster.
These are the leftovers of a performance by Plastique Fantastique that took place on the show's opening night.
Frazier is the recipient of many awards, including a fellowship from the John Simon Guggenheim Memorial Foundation (2014), Gwendolyn Knight and Jacob Lawrence Prize of the Seattle Art Museum (2013), the Theo Westenberger Award of the Creative Capital Foundation (2012), the Louis Comfort Tiffany Foundation Award (2011), and Art Matters (2010) Her work can be found in public and private art collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among others.
Museum of Modern Art, New York, American Independent Cinema: Recent Acquisitions, Early Cinema / Cinema Space, (film) Center D' Arts Plastiques de Bordeaux, Bordeaux.
Aspen Art Museum, Aspen, CO Centre national des arts plastiques (CNAP, Paris) Centre Pompidou Foundation, Paris Dallas Museum of Art, Dallas, TX University of Chicago Booth School of Business Art Collection Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York
Musique plastique: Exposition collective Alan Suicide Vega, Marc Hurtado & Sébastien Vitré / Hisham Bharoocha & Ben Vida (Soft Circle) / Maywa Denki / Serge Comte / Jean - Luc Verna / Jonas Mekas / Daniel Johnston / David Shrigley / Joël Hubaut / Jason Glasser & Julien Langendorff (Pillars of Fire) / Philippe Katerine / Arnaud Maguet & Hifiklub / Aurélie Dubois / Hugues Reip, Jacques Julien, Dominique Figarella & Fabio Viscogliosi (Splitt) / Elisa Pône (Meurtre) / Liz Wendelbo (Xeno & Oaklander) / Thurston Moore (Sonic Youth) / Brian DeGraw (Gang Gang Dance) / Yaya Herman Düne / Destroy All Monsters (Niagara, Mike Kelley, Jim Shaw & Cary Loren) / Sir Alice / Etienne Charry / Tobias Bernstrup / Le Club des Chats... project room: Pierre Beloüin, P. Nicolas Ledoux (Optical Sound) It runs January 28 - April 2, 2011 Galerie Du Jour
His work is in the public collection of the Centre National des Arts Plastiques, France and is distributed by Lux (UK) and Video Data Bank (USA).
With support from Estonian Ministry of Culture, Rolex Institute, Marian Goodman Gallery, Pace Gallery, Sprüth Magers, David and Elaine Potter Foundation, Ford Foundation - Institute of International Education, Robert D. Bielecki Foundation, Fondation Nationale des Arts Graphiques et Plastiques, Institut Français à Paris, Graham Foundation for Advanced Studies in the Fine Arts, Goodman Gallery and FUSED (French - US Exchange in Dance) and FACE.
During the 1980s, he trained at the School of Fine Arts in Grenoble, then attended the Institut des Hautes Études en Arts Plastiques, then under the directorship of Pontus Hultén.
Laure Vigna's residency in 18th Street (October through December 2013) is inscribed within an artistic research project funded by CNAP (Centre National des Arts Plastiques), French Ministry of Culture and Communication.
C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process
Following her studies in art history, Christine Macel was a curator of the heritage and inspector of artistic creation for the «Délégation aux Arts Plastiques» of the French Ministry of Culture (from 1995).
His works are included in the collections of Tate Modern (London), Hamburger Kunsthalle (Hamburg), San Francisco Museum of Modern Art, the Centre National des Arts Plastiques (Paris), and FRAC Champagne - Ardenne.
Winner of the 2015 Forward Arts Foundation Emerging Artist Award, Drouet presents a colorful reimagining of plastic as the currency of consumerism in her solo exhibition Plastique, on view at Swan Coach House through May 27.
Jakobsen studied at the Royal Danish Academy of Fine Arts, Copenhagen; Institut des Hautes Etudes en Art Plastique, Paris; and the L'Ecole Nationale Superieur des Beaux Arts, Paris.
David Burrows is a member of the collaboration that produces the performance fiction Plastique Fantastique, working with Simon O'Sullivan, Alex Marzeta & Vanessa Page and others.
An evening of performance, film and music featuring Oreet Ashery (performance), Tim Etchells (performance), Plastique Fantastique (performance), Erica Scourti (film), Felicita (PC Music)(DJ) and Audint (DJ).
At the beginning of the 90s, Lino Tagliapietra was often in Marseille, at CIRVA (Centre International de Recherche sur le Verre et les Arts Plastiques), and that was the place where Wilson started producing glass, following every step of the production process, from the shaping of molten matter to the final polishing.
A first monograph of Arsham's work was published by the French Centre National des arts plastiques and a second one was published by Galerie Perrotin in 2012.
After a Master of Philosophy (Art) / D.E.A. d'Arts Plastiques in Toulouse and...
Featuring a range of work from artists and architects such as Arakawa and Gins, Justin Favela, Cosima von Bonin, Niki de Saint Phalle; Benedict Drew, Friedensreich Hundertwasser, Plastique Fantastique, Walter himself and more, it draws together work not previously exhibited together, or hardly exhibited at all.
Waters hopes the exhibition at the DCA — which also features a selection of «shonky» films, an art school for teenagers and preview night events featuring an artist talk, live performance by artists Plastique Fantastique and Walter's performative installation The Shonky Bar — will also inspire similar interest.
He later received a Diplôme National d'Arts Plastiques (National Diploma of Fine Art), from the École Régionale Supérieure d'Expression Plastique in Tourcoing, France.
Ahead of this year's digital arts festival we caught up with performance group Plastique Fantastique to discuss collaboration, →
Lea Lublin's work has been widely exhibited and is represented in the collections of the Museum of Modern Art, New York, the Centre national des arts plastiques, Paris, France FNAC, Fonds National d'Art Contemporain, Paris, France, Centre George Pompidou, Paris, France, and the Museum of Contempoary Art in Buenos Aires, Argentina, among others.
Perhaps one of his most important actions was to invent the «Alphabet Plastique,» a new «language» for art.
Owen Oppenheimer (b. USA, 1969) studied painting at Cheltenham School of Art, followed by postgraduate courses at L'Institut des Hautes Etudes en Arts Plastique in Paris and the Rijksakademie in Amsterdam.
His work has been exhibited widely and is included within the collection of the Centre National des Arts Plastiques; the FRAC Reunion; the Fotomuseum, Antwerp; the Seattle Arts Museum; and the Williams College Museum of Art, among other public and private collections.
Vasarely used the Alphabet Plastique to create the depth and optical design that is the signature of his artworks.
Plenge Jakobsen studied at the Royal Danish Academy of Fine Arts, Copenhagen, Denmark, from 1987 - 94, Ecole Nationale Supérieur des Beaux Arts and Institut des Hautes Etudes en Art plastique, Paris, France, from 1992 - 93.
He created works commissioned by the Centre Nacionale des Arts Plastiques in Paris, the Fonds d'Arts Publiques in Marseille, the Public Art Fund in New York, InSite 2005 in San Diego - Tijuana, and Istanbul 2010, and has been resident artist and consulting advisor in several research and education centers including the Visual Studies Workshop in Rochester, the Banff Center in Canada, Arteleku in San Sebastian, Spain and the University of Western Sydney in Australia.Muntadas is currently Professor of the Practice at ACT / Department of Architecture at MIT and visiting professor at the IUAV in Venice, Italy.
Muntadas has received several prizes and grants including those of the Guggenheim Foundation, the Rockefeller foundation, the National Endowment for the Arts, the New York State Council on the Arts, Arts Electronica in Linz / Austria, Laser d'Or in Locarno, Switzerland and the Premi Nacional d'Arts Plastiques de la Generalitat de Catalunya.
Liminality, Antar's solo exhibition is curated byPascal Beausse, Directory of the Photography Department at the Fonds National d'Art Contemporain and Curators and Collections Manager at the Centre National des Arts Plastique in France.
2013 BALTIC 39, BALTIC Project Space TUNED CITIES group symposium / screening Newcastle upon Tyne with Clemens von Wedemeyer, Beatrice Gibson, William English, September GRAND UNION, Birmingham, MAGIC EYE — group show with Plastique Fantastique, Paul Sharits, Goodiepal, Luke McCredie, Alexander Stevenson, The Oulipo, July - August GALLERY 400, CHICAGO, I THINK WE»RE READY TO GO TO THE NEXT LEVEL: THE LEGACY OF THE HALFLIFERS, May - June, group show with Shana Moulton, the Halflifers, Bjorn Melhus, James Fotopolis DARK HORSE MOVING PICTURE SHOW — with Paul Tarragó and guest Leo Chadburn Performance / video work I AM YOUR ERROR MESSAGE and other works in a collaborative live show at the Horse Hospital, London, April 5th
2003 WHARF CENTRE D'ART CONTEMPORAIN DE BASSE NORMANDIE «7 PIECES FROM MY HEAD» retrospective screening of Thomas works as part of 17th Rencontres Video Art Plastique [catalogue] THE GENE SISKEL FILM CENTER CONVERSATIONS AT THE EDGE, Chicago USA and Women in the Director's chair Festival, Chicago, screening of Thomas» works [catalogue]
A member of the Ecole de Paris, he was also noted for his theoretical treatise La Creation dans les Arts Plastiques (Creativity in the Visual Arts)(1914).
She is a 2003 graduate of the Sorbonne, University of Paris in Arts Plastiques and Italian Literature.
These discarded plastic objects have inspired the two other bodies of work featured in the show: his Assemblage Vivant Tableaux Plastiques, and his TV Bax.
Plastique Fantastique is presenting a series of events called After London, as part of a residency at London's The Horse Hospital from April 4 to 11.
Works from the Centre National des Arts Plastiques, Paris, National Museum of Contemporary Art, Bucharest, Romania
In 2012, he was the 5th laureate of the Yanghyun Prize and in 2006 he received the Prix Altadis d' arts plastiques.
Lum has also guest taught at the Akademie der Bildenden Kunste or Academy of Fine Arts, Munich, the China Academy of Art in Hangzhou, China, the l'Ecole d'Arts Plastique in Fort de France, Martinique, De Ateliers and the Rijksakademie, both of Amsterdam, the Maine College of Art in Portland, Maine, California College of the Arts in San Francisco and the Banff Centre.
Curated by Lucy A. Sames & Dane Sutherland, the show is the second instalment of their ongoing project Exta which «mobilises mystic intensities and sci - fi rituals, adapting the occult art of haruspicy as a method of visceral divination» and will feature work by Verity Birt, Jamie & Rickie McNeill and Plastique Fantastique.
Art Institute of Chicago, Chicago Centre National des Arts Plastiques, Paris Daimler Chrysler Contemporary, Berlin DZ BANK Kunstsammlung, Frankfurt / Main Elgiz Museum of Contemporary Art, Istanbul Fondation Beyeler, Basel Fondazione Sandretto Re Rebaudengo, Turin Fonds National d'Art Contemporain, Paris FRAC Auvergne, Clermont - Ferrand FRAC Haute Normandie, Sotteville - lès - Rouen Government Art Collection, London Herzliya Museum of Art Sinclair House, Bad Homburg Imperial War Museum, London Israel Museum, Jerusalem Kramlich Collection, San Francisco La Coleccion Jumex, Ecatepec de Morelos Musée d'Art Contemporain de Montréal, Montréal Museum Folkwang, Essen Museum of Contemporary Art, Chicago Museum of Modern Art, New York Paine Webber Art Collection, New York Tate Gallery, London T - B A21 Collection, Vienna The Metropolitan Museum of Art, New York The UBS Art Collection, Miami Thyssen - Bornemisza Art Contemporary, Vienna Queensland Art Collection, Brisbane Villa Merkel, Esslingen
In 2015, Galerie Samy Abraham (Paris) and La Salle de Bains (Lyon) with help from the Centre National des Arts Plastiques published The Middle of Everywhere, a monograph on her work.
With the support of Foundation National des Arts Graphiques et Plastiques, Paris, and the Holland Festival, Amsterdam.
For Mickalene Thomas's exhibition Femme au divan II at the Pavillon Bosio at the École Supérieure d'Arts Plastiques in Monaco, the artist will present a collection of paintings, a series of photographs, and a new video.
Major support for the exhibition is provided by the Fondation Nationale des Arts Graphiques et Plastiques, Etant donnés: The French - American Fund for Contemporary Art and Consulate General of France in New Orleans.
Japan's distinguished Praemium Imperiale Prize for Sculpture was awarded to both Rebecca Horn (2010), who, in 2011, was also the recipient of the Grande Médaille des Arts Plastiques, Académie d'Architecture de Paris, and Antony Gormley (2013).