Sentences with phrase «of popular visual culture»

James Esber: Your Name Here Two bodies of work continue the artist's preoccupation with distorting the familiar; each series translates images found in today's collective unconscious of popular visual culture.

A new exhibition at NSU Art Museum Fort Lauderdale will examine Cobra artists» innovative use of animal images and their expression of popular visual culture.

Part of NSU Art Museum's Regeneration Exhibition Series, and featuring works from its Golda and Meyer Marks Cobra Collection, the largest Cobra art collection in America, this exhibition explores Cobra artists» innovative use of animal images and how they expressed elements of popular visual culture.

These recent works reflect the artist's intensely personal reinterpretation of popular visual culture and the increasingly mediated ways we engage with one another.

Comics, band fliers, decorative prints, and other forms of popular visual culture inform the «zine - like nature of the works by Arturo Herrera and the bespoke patterned paintings by Ruth Root, as well as the riotous, colorful canvases by Carrie Moyer, a cofounder of the agitprop art project Dyke Action Machine!

The Nurse series was appropriated from the covers of old romance novels and they are the ultimate monuments to the underworld and the visual legacy of popular visual culture.

Not exact matches

Co-author Dr Isabelle Mareschal also from QMUL's School of Biological and Chemical Sciences added: «There are numerous claims in popular culture that women and men look at things differently — this is the first demonstration, using eye tracking, to support this claim that they take in visual information in different ways.»

Instead what we got was a film completely reliant on its visuals and recognisable properties — using popular culture references and Easter eggs in place of a coherent story and great characters.

Whilst Houseago's oeuvre can be seen as a continuation of a historical sculptural tradition, the unusual combinations of materials, the inclusion of references drawn from popular culture and the unusual interplay between two and three - dimensional elements, all challenge the hierarchy inherent within visual forms, and the materials and values associated with them.

The artist engages her audience through enigmatic visual content, often appropriated from popular culture, fashion magazines, and vintage images of the 1970s and 1980s.

Hank Willis Thomas, of the United States, is a multidisciplinary contemporary African - American visual artist, photographer and arts educator, working primarily with themes related to identity, history and popular culture.

Mirroring the vision of the Ballroom itself, a non-profit cultural space founded on the belief that art can impact the human spirit positively, OPTIMO brings together nine artists whose work celebrates life, incorporating visual pleasure, humor, interactivity, color, technology, industrial design, politics, landscape, spirituality, and popular culture.

Her references could be literary and philosophical, what she said about her work was deep but different than an academic discourse, as much rooted in daily visual experience as in popular culture and in direct transmutation into paint of such experience.

Informed by elements of popular culture ranging from manga and anime to punk rock, Yoshitomo Nara fuses Japanese visual traditions and Western Modernism to create adorable but menacing characters that possess a startling emotional intensity.

Nonetheless, the Whitney Biennial has again come and has at least attempted to put forth a prismatic view of the most popular, if not compelling, directions in visual culture.

Their collaborative, ephemeral, and visual works reflect on contemporary culture through the language of popular music, consumer culture and other genres.

The earliest origins of Pop art can be traced to the mid-to-late 1950s in Britain and the United States, where artists such as Eduardo Paolozzi, Richard Hamilton, Robert Rauschenberg and Jasper Johns combined visual aspects of advertising, comic books, and popular culture with theoretical elements of Dada and Surrealism.

November 17 Eric Sall, influenced by the history of abstract painting as well as popular culture, explores an interlinking network of visual language.

Like Ray Yoshida, one of the Chicago Imagists, and Tadanori Yokoo, described as the «Japanese Andy Warhol,» Parker has developed a distinct visual vocabulary, through the manipulation of found images and an interest in popular culture produced during eras of social, political, and economic revolution.

Presumptuous and imposing, they manage to escape strict categorization as painting, sculpture or media art, merging the power of photographic and film pictures that Longo exploits as a mean of his research of importance of visual expression in popular culture and stereotypical portrayals of the individual's alienation within a complex society.

Superheroes and celebrities, totems and toys: the imagery of manufactured fantasy is reframed in the visual language of historical iconography in this multimedia exploration of popular culture today.

Bracewell's interest in the relation of modern and contemporary visual art to the development of popular culture, pop music and literature is pursued in the accompanying exhibition.

In their fascination with popular culture and provocative subverting of the difference between original and copy, Warhol's prints are recognized now as a prescient forerunner of today's hyper - sophisticated, hyper - saturated and hyper - accelerated visual culture.

The bulletin boards that Tom Burr has been arranging since the late 1990s reference not only art historian Aby Warburg's Mnemosyne Atlas strategy of employing a black panel backdrop in order to heighten thematic arrangements of photographic images — including reproductions from books, and visual materials from newspapers and popular culture — but also reflect a setting typical of early cinematic and photographic motion studies.

Pipilotti Rist's multimedia video works such as, I'm Not The Girl Who Misses Much (1986) «Yoghurt on Skin, Velvet on TV (1995) «Sip My Ocean (1996), and Remake of the Weekend (1998), blur the boundaries between visual art and popular culture and explore the unfamiliar in the everyday.

Informed by elements of popular culture ranging from manga and anime to punk rock, Nara fuses Japanese visual traditions and Western modernism to create young characters that possess a startling emotional intensity.

In a mere four decades, video games have come to dominate American popular culture, infiltrating almost every aspect of our modern visual culture, said Jeff Harrison, Chief Curator at the Chrysler Museum.

The program will also put into context the construction of popular imagery departing from the tension in baroque representations of death, modernization and the macabre, death in the invention of Modern Art in Mexico, and its political implications with visual culture.

Known for their technical experimentation with popular visual culture, sound, and sculpture, the artists will present a project for Times Square that responds to the history and the spectacle of the site: the ball drop on New Year's Eve; the sound generated by Max Neuhaus» 1977 sound installation Times Square; and the signs on corporate billboards.

This was followed by further collage - like works such as the photoscreenprint Watermark, 1973, a remarkable clash of visual elements that epitomized a move towards an adoption of popular culture as a subject matter.

Portraying a wide range of common female social roles or personas, she investigates the mysterious processes through which a person's visual identity is shaped and represented in popular culture.

Perfect for readers of art, religion, or popular visual culture, The 613 may be the most audacious and distinctive book of its kind.

Sharrer drew from popular culture and mass media to invent a complex visual language equal parts wit, seduction, and bite, which she used to expose the exclusionary culture and politics of Cold War America.

He is also a co-founder and a contributing co-editor of the popular art blog, Printeresting.org, an art journalism project that investigates the intersection of contemporary print, design, and technology within a visual culture context.

In contrast, the beginnings of the visual - based social network Are.na, which has become popular with artists like Cory Arcangel, Nick DeMarco, and Margaret Lee, stem out of a continuum of platforms and communities that have connected an internet art culture for well over a decade.

The first project to explore the visual art, poetry and music of one of America's most inventive yet under - recognized contemporary Native American artists, this exhibition will survey Cannon's highly productive but short career; his development of a unique and hybrid visual vocabulary; and his combination of irony and wit with a reverence for community and tradition to interrogate American history and popular culture; as well as the issues wrought by colonialism, hegemony, and historical amnesia — all through his Native lens.

Dedicated to Carolee Schneemann, the magazine features a previously unpublished image archive from Schneemann's studio «Plagarism, Influence, I Forgot» that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture.

Halsband's 1985 iconic portrait of Jean - Michel Basquiat and Andy Warhol no. 143 in boxing gloves became such a staple of popular culture that its appropriation by contemporary visual artists and street artists continues thirty years on.

KAWS» paintings at once recognize the way that popular images inseminate our lives and suggest the collapse of visual culture.

These methodical procedures allow her to navigate her immediate surroundings, namely the incessant fluctuation of popular and unpopular visual cultures and their direct points of connection to personal and universal truths.

Pop Art brought art back to the material realities of everyday life, to popular culture (hence «pop»), in which ordinary people derived most of their visual pleasure from television, magazines, or comics.

Using tropes, humor, and the visual languages of art and popular culture, Kevorkian suggests other possibilities in the ways women are represented.

Based in Brooklyn, Hayuk creates colorful, geometric, trippy, drippy, patterned large - scale works — think outdoor murals — full of popular culture, painting, and psychedelic visual references.

Matthew Ronay's first major museum presentation in the United States surveys a recent body of meticulously hand - crafted and vibrantly colored sculptures, reliefs and installations that deliver a phantasmagoric vision of physical and psychic processes fueled by visual traditions and conventions in art, science, and popular culture.

One of the leading proponents of appropriation art emerging in the 1970s, Prince continually tests and reframes the power of visual codes, whether from advertising, popular culture or art history.

DS+R is currently engaged in two significant cultural projects in New York: the renovation and expansion of the Museum of Modern Art, phase one of which was completed in June 2017; and New York's first multi-arts center, known as the Shed, designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, scheduled to open in spring 2019.

Mickalene Thomas (b. 1971, Camden, New Jersey) uses the visual language of 1970s Blaxploitation films to reconsider the sexualization of the black woman in popular culture.

Matsuyama is influenced by a variety of subjects, including Japanese art from the Edo and Meiji eras, classical Greek and Roman statuary, French Renaissance painting, post-war contemporary art, and the visual language of global, popular culture as embodied by mass - produced commodities.

We would hope that now our visual culture is globally accessible and popular, and certainly more than ever before, the demand of understanding its complexities is of utmost importance.

These works explore a tension in societal attitudes towards the preservation of culture: the obsessiveness with which we conserve and narrativize visual art and popular culture, yet dismiss technology as somehow adversarial to art and art - making.