That's kind of all you'll need to know — everything else is a mixture
of predictable twists and some nonsense pseudoscience that's clearly aiming at Kojima's famous style but falling far short.
Based on a novel by retired CIA operative Jason Matthews and directed by three - time Hunger Games helmer Francis Lawrence (no relation), the film is simply a routine array
of predictable twists packaged with a particularly problematic approach.
Not exact matches
However I like to style these with a bit
of a
twist, fighting shy
of anything too
predictable.
One's interest does, as a result, begin to wane considerably as the film plods into its increasingly
predictable midsection, with the inclusion
of hackneyed plot
twists - eg Nick and Billy must whip their ragtag group members into shape, Billy is forced to contend with an obnoxious rival (Max Minghella's Graham), etc - ensuring that the movie only grows more and more interminable in the buildup to its expectedly uplifting finale.
While not a TKO and certainly not devoid
of hackneyed dialogue or
predictable plot
twists, «Real Steel» wins the vote in a split decision as the people's champion.
That's because most
of the story dances around a «plot
twist» or discovery or whatever it is that is hardly exciting, and all too
predictable (Lime is alive, duh) and our main lead is a doofus, and not exactly the charming type, just a helpless goon going around from one point to another.
The lessons and plot
twists will be
predictable enough for someone over the age
of eight, but hey, everybody needs to learn some time.
awesome but
predictable from the beginning if it is the wife... a true
twist would it being the friend... the wife was fishy from the beginning, why is she pointing the murder weapon out to the cops and why is she always letting conelle in when the husband is the suspect... hmmm cuz she did it and she wants all evidence found before the truth comes out that, that was the night she found out he cheated on her with the mother
of the murdered child...
I believe, that out
of all these films, «Jigsaw» has the most forced appearances by Tobin Bell, he shows up because the movie tries to used the most obvious, and
predictable twist this series could muster up (The movie is set between two timelines, and apparently this counts a prequel too... see the problem)
The story is a simple tale
of reclaiming your honor through revenge with some
predictable twists here and there, but the story is great and regardless
of bringing the city to the brink
of destruction or keeping it and yourself under control, every ending is
One
of the most
predictable Academy Awards in years took a film - worthy
twist as Kathryn Bigelow and...
Smith stares, tears up and rarely speaks in this cloying,
predictable piece
of pseudo-enlightened garbage — a film that offers telegraphed
twists and jaw - dropping self - satisfaction.
The
twist that occurs is definitely unsettling, but also one that is not
predictable at all given the nature
of the story.
It may be a bit
predictable to older viewers, but the film's third act
twist stings every time, and Csupó's refusal to ease the pain only makes the rest
of the movie feel that much sweeter.
Chock full
of trite clichés, you can spot the
twists and turns occurring long before the characters do, and we can only sit and watch in impatient agony as the
predictable events unfold.
One
of the most
predictable Academy Awards in years took a film - worthy
twist as Kathryn Bigelow and The Hurt Locker beat out the closest thing the movies have to a Goliath — a film that just happened to be made by Bigelow's ex-husband.
If this were 1980 instead
of 2015, there could have been more
of a chance that the all too
predictable twists wouldn't have been as easy to see coming.
It's all tied together by a hospital fire, two sisters, and a possibly abusive mother, which ties into Beth's own, underdeveloped past, and
of course, Beth eventually travels to the burned down hospital to unravel the mystery before she learns that not everything is as it seems right before a
twist that's neither surprising nor
predictable but simply perfunctory.
Squirming just below the surface
of Goodnight Mommy, a nerve - shredding new thriller from far - flung Austria, is an almost comically
predictable plot
twist.
All this is,
of course, entirely
predictable, with a few amusing slapstick
twists and the odd sweet soul - searching moment.
Sure, a couple
of the «
twists» were
predictable (and this was the case with Session 9 also), but the resolution is perfectly satisfying and at the same time incredibly simple.
While some
of the
twists you might see coming, the action aspect isn't at all
predictable and some
of it is a little shocking.
Still this sentimental and often
predictable plot serves up some tender moments and a couple
of nice
twists — even if they feel as sugary as the Christmas cookies you just polished off.
The
twists and turns
of the narrative are largely
predictable — and more than one plot device is lifted wholesale from the «Mission: Impossible» series — but the character shading and vast political subtext provides for a dynamism that few superhero films have attempted.
Following up 2013's equally unsophisticated compendium
of clichés, That Burning Feeling, James presents another woefully
predictable (apart from one
twist straight out
of Fight Club) pageant
of platitudes.
The story, revolving around the illicit, ongoing romance between British soldier Tristan (James Franco) and Irish Princess Isolde (Sophia Myles), doesn't have a lot to offer in terms
of complexity; Dean Georgaris» screenplay generally utilizes melodramatic and
predictable plot
twists to propel the story forward.
Unlike White's other works, The School
of Rock is far from original, as the main premise is very reminiscent
of other films (such as Sister Act) and every plot
twist in the movie is incredibly
predictable.
Some
of the
twists I did not see it coming, but for most part they were all either
predictable, in the trailer or in some cases awfully silly.
This feature begins with a simple three - answer question on the plot
of the book: was it
predictable, did it have some
twists, or was it completely surprising.
[return][return] A few
of the big plot
twists at the end were
predictable far in advance if you have any knowledge
of history, especially the singular event in Siberia in 1908.
The plot has its share
of predictable moments, and the majority
of the
twists are visible from miles away.
Despite the faults and
predictable twists of the story, Deadfall Adventures could have been a cheesy but loveable throwback to the Indiana Jones series were it not for the infuriatingly broken gameplay, particularly the puzzles.
After you learn that the story pretty much dissapears for most
of the game and the only plot
twist comes at the end, and it's fairly
predictable.
The campaign is short, with
predictable twists and full
of terrible game development shortcuts such as regenerating health (with no reasonable explanation), invisible lines you have to cross to stop enemies spawning and frame - rate caps.
That it then proceeds to take a long hot piss all over the established series chronology, just to set up a
predictable and pointless cameo, is a
twist of the knife too far.