Sentences with phrase «of public funding for the arts»

VIA President Bridgitt Evans said in a press statement: «We are thrilled to fund over USD$ 300,000 in grants to support new work by groundbreaking artists and independent organizations for projects that may not otherwise have come to fruition given the current state of public funding for the arts.»

Not exact matches

The private sector has matched public funds dollar for dollar in 2017 to support the Historic Heart of Perth project, which aims to revitalise the east end precinct through public art and streetscape improvements.

While donation - based crowdfunding has blossomed on the public stage for getting arts and music projects funded, the majority of crowdfunding campaigns back social causes or startups.

A Brooklyn resident, she serves on the board of BRIC Arts Media and on the advisory board of the Fund for Public Housing.

Artist David Shrigley installed «Memorial» in the Doris C. Freedman Plaza this week, and it will remain standing for the better part of a year, sponsored by the Public Art Fund, an organization that brings contemporary public art to public sPublic Art Fund, an organization that brings contemporary public art to public spacArt Fund, an organization that brings contemporary public art to public spublic art to public spacart to public spublic spaces.

Among other proposals, the budget would slash of one - third of Environmental Protection Agency's discretionary budget, totally eliminate the Corporation for Public Broadcasting and the National Endowment for the Arts, and end the grants that currently fund food assistance to the elderly via Meals on Wheels.

Even though statistics prove that art education benefits the child in so many ways, funding for art and music and other creative instruction is continually one of the first program cuts from public school programs.

The opposition isn't simply to spending money on art and culture and news, it is to spending public funds on liberal art and culture and news, and there is something to that given the track record of how the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the Corporation for Public Broadcasting, which sends some money to PBS and National Public Radio, have chosen to use their public funds on liberal art and culture and news, and there is something to that given the track record of how the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the Corporation for Public Broadcasting, which sends some money to PBS and National Public Radio, have chosen to use their Public Broadcasting, which sends some money to PBS and National Public Radio, have chosen to use their Public Radio, have chosen to use their funds.

The creative sector - from not - for - profit art trusts to high - end commercial outfits - depends on an interconnected web of public funding, private donations, market dynamics, legislation and a free flow of people and information.

Our delegation has led the fight to pass legislation and fund the rebuilding of Yonkers Public Schools (YPS), brought in $ 21 million in capital resources, including funding for a new football field, additional funding for arts and after school programming in Yonkers.

She argued the case for continued public funding requires a «two - way street» in which the contributions of film, music, art and TV makers provide «healthy dividends» for the government's «investment».

Senator Klein Delivers $ 100,000 in New Funding for State - of - the - Art Technology and Athletic Programming for Pelham Public Schools

Yelyzaveta Kalinichenko, a special education teacher at Wadleigh Secondary School for the Performing and Visual Arts, and 13 fellow educators from District 3 squeezed into the office of state Sen. Liz Krueger to appeal for more state funding for New York City public schools.

In exchange for the public funding, Dancewave's landlord, the nonprofit Fifth Avenue Committee, agreed to sign a 20 - year lease with the dance group and pledged to keep an arts nonprofit in the space even if Dancewave goes out of business.

The assembled crowd also learned that county contributions typically account for less than 10 percent of organizations» budgets — a fact likely to surprise those who decry public funding for arts organizations as some sort terrible form of cultural welfare sure to lead directly to a communist revolution.

April 21 — Art: The School of Visual Arts is inviting participants in its 1995 National Conference on Liberal Arts and the Education of Artists, to be held in New York City Oct. 18 - 21, to submit proposals for open sessions on the following topics: Whither the Arts — The Right, the Left, and the (Dead) Center; Art and Regionalism; Government Funding of the Arts: Pro and Con; Politics and Graphic Design; Politics and the Studio Curriculum; New Challenges to Multiculturalism; Public Television: Yes or No?

This latest project has been an excellent example of collaboration between the public and private sectors and we look forward to working with the Education Funding Agency to deliver state of the art facilities to support its objectives for creating outstanding learning environments for students.»

Eleanor Oakley, President and CEO of United Arts Council of Raleigh and Wake County, released a statement regarding funding for public education.

In 2014, parents of students at Horace Mann Elementary School in Northwest Washington, D.C., spent over $ 470,000 of their own money to support the school's programs.1 With just under 290 students enrolled for the 2013 - 14 school year, this means that, in addition to public funding, Horace Mann spent about an extra $ 1,600 for each student.2 Those dollars — equivalent to 9 percent of the District of Columbia's average per - pupil spending3 — paid for new art and music teachers and classroom aides to allow for small group instruction.4 During the same school year, the parent - teacher association, or PTA, raised another $ 100,000 in parent donations and collected over $ 200,000 in membership dues, which it used for similar initiatives in future years.5 Not surprisingly, Horace Mann is one of the most affluent schools in the city, with only 6 percent of students coming from low - income families.6

Increased funding may very well be needed, but what recent coverage has missed is that the Mississippi School for Math the Science and similarly the Mississippi School of the Arts (MSA) are two of the most strikingly successful — and widely acclaimed — examples of public school choice success in Mississippi.

The grant for the Institute falls in the Art Works category — the NEA's largest funding category supporting projects that focus on the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and / or the strengthening of communities through the arArt Works category — the NEA's largest funding category supporting projects that focus on the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and / or the strengthening of communities through the arart that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and / or the strengthening of communities through the arart, lifelong learning in the arts, and / or the strengthening of communities through the arts.

On behalf of the children of Wake County Public Schools and across the state, we stand in support of HB 13 to preserve funding for arts education teachers.

Leaders of both the NEA and AFT have sought to rally the public to their side by talking up their vision for improving public education: More arts classes and fewer standardized tests, more equitable funding and fewer school closures.

The Center for Community Arts Partnerships at Columbia College Chicago, in partnership with Chicago Public Schools, received a development grant from the Investing in Innovation Fund (i3) of the U.S. Department of Education for their Convergence Academies project (http://convergenceacademies.org/ourorigins.html).

Milwaukee Selected for National «Our Town» Grant Arts Project Selected by NEA for New Milwaukee Public Library South Side Branch Mayor Tom Barret announced today that the City of Milwaukee has been selected as a recipient of a grant of $ 150,000 from the National Endowment of the Art (NEA) to fund the new Gathering Art, Stories and Place project at the soon - to - be-opened Milwaukee Public Library Mitchell Street Branch, currently under construction at 9th and Mitchell Streets on the City's south side.

Previous work on the impact of philanthropy in education terms these types of status quo investments as «lower leverage» grants, which can include funding for efforts in professional development, unrestricted or general purpose grants to schools, or special - purpose grants to fund a particular program or activity (e.g. arts enrichment).4 The contrasting approach — the «higher leverage» investment — is investment with the potential to exert systemic influence on public education, which can be divided into two broad categories: 5

Renaissance Academy Charter School of the Arts Chief Educational Officer Donna Marie Cozine, said, «The inequitable funding for public charter school students communicates to our children and families that they aren't entitled the same resources as public district schools.

I really am interested in how a former undersecretary of education has come to the point that he is so determined to attack teacher tenure, teacher unions and «restrictive work rules» for teachers — especially during a time when public schools have been systematically defunded, forced to jump through hoops (Race to the Top) in order to get what remains of federal funding for education, like some kind of bizarre Hunger Games ritual for kids and teachers, and as curriculums have been narrowed to the point where only middle class and wealthier communities have schools that offer subjects like music, art, and physical education — much less recess time, school nurses or psychologists, or guidance counselors.

Prior to 2013, federal transit law permitted the use of FTA grant funds for costs associated with including art in public transportation projects.

In response to President Trump's proposed 2018 budget, cutting all funding for the Institute of Museum and Library Services (IMLS) and other cultural organizations (Corporation for Public Broadcasting, National Endowments for the Arts and Humanities), Margaret Willison presented an impassioned... Continue reading →

We thank the hundreds of volunteers, and sponsors such as: National Endowment for the Humanities, National Endowment for the Arts, Metro Nashville Arts Commission, Tennessee Arts Commission, Nashville Public Library, Ingram Charitable Fund, Dollar General Literacy Foundation, AWC Foundation, Parnassus Books, the Nashville Scene, and many more.

In recent years funding from the City of Cannon Beach Tourism and Arts Committee has allowed the group to access wider avenues for promotion and hire an experienced Marketing and Public Relations professional.

She was game designer for the game / art project with artist Bill Viola on The Night Journey; game designer for Participation Nation, a collaboration with Activision and KCET funded by the Corporation for Public Broadcasting; and faculty advisor for the award - winning student games Cloud, flOw, Darfur is Dying and The Misadventures of P.B. Winterbottom.

Unique art exhibition Art for Cure will open its doors to the public this bank holiday weekend, raising vital funds for Breast Cancer Now's cutting - edge research through its sale of fine art, sculpture and photograpart exhibition Art for Cure will open its doors to the public this bank holiday weekend, raising vital funds for Breast Cancer Now's cutting - edge research through its sale of fine art, sculpture and photograpArt for Cure will open its doors to the public this bank holiday weekend, raising vital funds for Breast Cancer Now's cutting - edge research through its sale of fine art, sculpture and photograpart, sculpture and photography.

Observes Tom Eccles, former director of the Public Art Fund and current executive director of the Center for Curatorial Studies at Bard College, «We know what the ethical boundaries are, but some figures in the art world like to put blinkers on and use the notion of art to trump thArt Fund and current executive director of the Center for Curatorial Studies at Bard College, «We know what the ethical boundaries are, but some figures in the art world like to put blinkers on and use the notion of art to trump thart world like to put blinkers on and use the notion of art to trump thart to trump that.

Exhibitions of his work in the late 80s, often controversial in content, sparked debates about public funding for the arts, censorship, First Amendment rights, and broadly, what defines art.

The Smack Mellon Artist Studio Program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, New York City Council Member Stephen Levin, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the National Endowment for the Arts, and with generous support from The Andy Warhol Foundation for the Visual Arts,

ISSUE Project Room's Artist - in - Residence program is made possible, in part, with support from the National Endowment for the Arts, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and with the support of the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Public Art Fund exhibitions are supported in part by the National Endowment for the Arts and the New York City Department of Cultural Affairs in partnership with the City Council.

Charles Atlas presents The Kitchen Follies is made possible with lead support from the National Endowment for the Arts; generous support from Luhring Augustine, Foundation for Contemporary Arts Emergency Grant, Suzy Coue - Wilson & Edward Wilson, Eileen & Michael Cohen, Jeffrey Deitch, and Barbara & Howard Morse; annual grants from Cowles Charitable Trust, Joseph and Joan Cullman Foundation for the Arts, Howard Gilman Foundation, Lambent Foundation Fund of Tides Foundation, Mertz Gilmore Foundation, The Jerome Robbins Foundation, The Fan Fox and Leslie R. Samuels Foundation, and Andy Warhol Foundation for the Visual Arts; and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Thomas is a member of the Public Design Commission for the city of New York and has exhibited throughout the U.S. and abroad including at The International Center of Photography, Public Art Fund and Studio Museum in Harlem, New York; The Guggenheim Museum Bilbao, Spain; Musée du quai Branly, Paris, France; and Cleveland Museum of Art, Ohio, among others.

These acquisitions were made possible through the support of the W.K. Kellogg Foundation, which is funding a new initiative at the museum, called the Center for Art and Public Exchange.

This program was supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and with generous support from National Endowment for the Arts, Joan Mitchell Foundation, The Laurie M Tisch Illumination Fund, The Pinkerton Foundation, The Robert Lehman Foundation, The Wolf Kahn and Emily Mason Foundation, Northern Ireland Bureau, The Double R Foundation, The Foundation for Contemporary Arts, and The Tony Bennett Foundation / Exploring the Arts.

The Smack Mellon Artist Studio Program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council Member Stephen Levin, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the National Endowment for the Arts, and with generous support from The Andy Warhol Foundation for the Visual Arts, The Edward and Sally Van Lier Fund of The New York Community Trust, Jerome Foundation, Gilbert Mackay Foundation, The Robert Lehman Foundation, The Greenwich Collection Ltd, Milton and Sally Avery Arts Foundation Inc., Select Equity Group Foundation, and Smack Mellon's Members.

Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

Throughout the month of January 2010, 500 taxi tops will be donated by Show Media to Art Production Fund for a city wide, one month, public art interventiArt Production Fund for a city wide, one month, public art interventiart intervention.

Aperture's exhibitions are funded, in part, by an award from The Andy Warhol Foundation for the Visual Arts and Charina Endowment Fund, and with public funds from the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and the New York City Department of Cultural Affairs in partnership with the City Council.

The Smack Mellon Artist Studio Program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, New York City Council Member Stephen Levin, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the National Endowment for the Arts, and with generous support from The Andy Warhol Foundation for the Visual Arts, The Edward and Sally Van Lier Fund of The New York Community Trust, Jerome Foundation, The Greenwich Collection Ltd, Milton and Sally Avery Arts Foundation Inc., Select Equity Group Foundation, and Smack Mellon's Members.

Rhizome's public programs are made possible, in part, by the support of the Andy Warhol Foundation for the Visual Arts and by public funds from the New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.