Sentences with phrase «of publishing house editorial»

She has an excellent sense of craft and inside knowledge of publishing house editorial practices and expectations.

Not exact matches

As a fiction editor at a publishing house, we are treated to scenes where Ana is scolded by her husband for not changing her work email address to her newly married name, and her editorial notes consist of «make the font size two points bigger.»

Before starting her own agency, Ms. Unter worked in many aspects of the publishing industry: in editorial at a publishing house; as a copyright lawyer at an entertainment law firm; and as VP at a literary agency.

Brian DeFiore started the agency in 1999, after close to twenty years working in mainstream publishing houses, including stints as an Editor at St. Martin's Press, as VP Editorial Director at Dell / Delacorte, as VP and Editor - in - Chief at Hyperion, and as SVP and Publisher of Villard Books / Random House Publishpublishing houses, including stints as an Editor at St. Martin's Press, as VP Editorial Director at Dell / Delacorte, as VP and Editor - in - Chief at Hyperion, and as SVP and Publisher of Villard Books / Random House PublishingPublishing Group.

With the abundance of publishing houses out there right now, having a good editorial staff is one of the biggest thing that attracts authors to submit there.

Supported Self - Publishing Method of self - publishing espoused by AuthorHouse, through which an author has access to many of the services found in a traditional publishing house (e.g., editorial services, marketing copywriters, Internet sales) provided through an upfront cost or available àPublishing Method of self - publishing espoused by AuthorHouse, through which an author has access to many of the services found in a traditional publishing house (e.g., editorial services, marketing copywriters, Internet sales) provided through an upfront cost or available àpublishing espoused by AuthorHouse, through which an author has access to many of the services found in a traditional publishing house (e.g., editorial services, marketing copywriters, Internet sales) provided through an upfront cost or available àpublishing house (e.g., editorial services, marketing copywriters, Internet sales) provided through an upfront cost or available à la carte.

The Frankfurt Fellows 2017 are: Leonardo Archila, Publishing Director, Intermedio Editores, Columbia Dorothy Aubert, Editor, Hugo & Cie / Publisher & Founder, Belleville éditions, France Anish Chandy, Head of Business Development & Rights, Juggernaut Books, India Anne Isabel Cowley Meadows, Commissioning Editor, Granta & Portobello Books, UK Stella Soffia Jóhannsdóttir, Acquiring Editor, Forlagid, Iceland Tynan Kogane, Editor, New Directions Publishing, USA Johanna Laitinen, Executive Editor, Gummerus Kustannus, Finland Hernán López Winne, Co-founder und Editorial Director, Ediciones Godot Srl, Argentina Lisanne Mathijssen, Commissioning Editor, HarperCollins Holland, Netherlands Rita Mattar, Editor und Rights Manager, Companhia das Letras, Brazil Hiromi Morikawa, Foreign Rights Manager, Iwanami Shoten, Publishers, Japan Dominique Pleimling, Editorial Director, Eichborn / Bastei Lübbe, Germany Anna Slotorsz, Rights and Royalties Manager, Sonia Draga Sp. z o.o., Poland Mariia Shakura, Publisher, Book Club Family Leisure Club, Ukraine Flavia Vadrucci, Junior Editor, Marsilio Editori S.p.A., Italy Qian Yin, Foreign Rights Manager, Liaoning Science and Technology Publishing House Ltd., China Since 1998, the Frankfurt Fellowship Programme has been bringing together international publishing professionals in the run - up to the Frankfurter Publishing Director, Intermedio Editores, Columbia Dorothy Aubert, Editor, Hugo & Cie / Publisher & Founder, Belleville éditions, France Anish Chandy, Head of Business Development & Rights, Juggernaut Books, India Anne Isabel Cowley Meadows, Commissioning Editor, Granta & Portobello Books, UK Stella Soffia Jóhannsdóttir, Acquiring Editor, Forlagid, Iceland Tynan Kogane, Editor, New Directions Publishing, USA Johanna Laitinen, Executive Editor, Gummerus Kustannus, Finland Hernán López Winne, Co-founder und Editorial Director, Ediciones Godot Srl, Argentina Lisanne Mathijssen, Commissioning Editor, HarperCollins Holland, Netherlands Rita Mattar, Editor und Rights Manager, Companhia das Letras, Brazil Hiromi Morikawa, Foreign Rights Manager, Iwanami Shoten, Publishers, Japan Dominique Pleimling, Editorial Director, Eichborn / Bastei Lübbe, Germany Anna Slotorsz, Rights and Royalties Manager, Sonia Draga Sp. z o.o., Poland Mariia Shakura, Publisher, Book Club Family Leisure Club, Ukraine Flavia Vadrucci, Junior Editor, Marsilio Editori S.p.A., Italy Qian Yin, Foreign Rights Manager, Liaoning Science and Technology Publishing House Ltd., China Since 1998, the Frankfurt Fellowship Programme has been bringing together international publishing professionals in the run - up to the Frankfurter Publishing, USA Johanna Laitinen, Executive Editor, Gummerus Kustannus, Finland Hernán López Winne, Co-founder und Editorial Director, Ediciones Godot Srl, Argentina Lisanne Mathijssen, Commissioning Editor, HarperCollins Holland, Netherlands Rita Mattar, Editor und Rights Manager, Companhia das Letras, Brazil Hiromi Morikawa, Foreign Rights Manager, Iwanami Shoten, Publishers, Japan Dominique Pleimling, Editorial Director, Eichborn / Bastei Lübbe, Germany Anna Slotorsz, Rights and Royalties Manager, Sonia Draga Sp. z o.o., Poland Mariia Shakura, Publisher, Book Club Family Leisure Club, Ukraine Flavia Vadrucci, Junior Editor, Marsilio Editori S.p.A., Italy Qian Yin, Foreign Rights Manager, Liaoning Science and Technology Publishing House Ltd., China Since 1998, the Frankfurt Fellowship Programme has been bringing together international publishing professionals in the run - up to the Frankfurter Publishing House Ltd., China Since 1998, the Frankfurt Fellowship Programme has been bringing together international publishing professionals in the run - up to the Frankfurter publishing professionals in the run - up to the Frankfurter Buchmesse.

Helga Schier, Ph.D., a former Random House editor, draws on her experience in traditional publishing when providing constructive and effective editorial services to authors of fiction and non-fiction.

During her tenure at these major publishing houses, she worked in the areas of subsidiary rights, marketing, sales, and editorial.

At a publishing house, the editorial and proofing process can take a year, so having patience with your own book's journey through this portion of the production process is vital to creating a wonderful book.

After writing a collection of short stories (El esquinista, 2014), Jufresa published this debut novel with Penguin Random House Grupo Editorial in 2015.

In its most idealized form, the job of a book publisher is to be both the editorial visionary and the business head of a publishing house or imprint.

Also, in a traditional publishing house, the book jacket design process happens in tandem with much of the editorial and production processes of the book and starts months — even a year or more — in advance of publication.

As a children's book editorial and publishing consultant (after having been a children's book publishing at one of the large houses), I often discuss with clients the role that agents can and, in my opinion, should play if their clients are interested in self or indie publishing.

The thought that gate - keepers in the editorial offices of conventional publishing houses were locking down so much talent out there.

There are many reasons for this change, including retaining artistic direction, a higher percentage of profits, and the increasing lack of editorial and marketing support offered by traditional publishing houses.

I have a good friend who's the head of editorial for a major traditional publishing house, and she gave me the low - down on timelines, contractual things, new author expectations, etc..

Faith then joined the editorial department of the Berkley Publishing Group / Penguin Random House publishing mysteries and historical fiction and working with bestselling and award winning authors including Agatha Award winners and EdgarPublishing Group / Penguin Random House publishing mysteries and historical fiction and working with bestselling and award winning authors including Agatha Award winners and Edgarpublishing mysteries and historical fiction and working with bestselling and award winning authors including Agatha Award winners and Edgar nominees.

Procter & Gamble Professional Editing Project HOPE PS Editorial Services Publication Services Inc, Purdue University Quad Right Editorial Quinlan Creative Quintrex Data Systems Rachel Lyon Publishing Services Rainbow Associates Random House Random House of Canada Limited RDH Building Sciences Inc..

In a traditional publishing house, the book jacket design process generally happens in tandem with much of the editorial and production processes of the book and starts months — even a year or more — in advance of publication.

Amy Metsch is Vice President, Associate Publisher and Editorial Director of the Penguin Random House Audio Publishing Group.

As mentioned in our editorial for the October 13 Publishing Perspectives Show Daily at Frankfurt, one of the most interesting data points from Rome and Milano is that Italian publishers are seeing something of the format stability that Markus Dohle of Penguin Random House mentioned at the opening press conference at the Frankfurt Book Fair, but the Italians also report growth in the ebook sector:

About megustaescribir: megustaescribir is the supported self - publishing platform of Penguin Random House Grupo Editorial.

Servicing this app is a natural extension of Random House Publisher Services distribution agreement with Kodansha USA Publishing, which covers sales and distribution, and also editorial, production and marketing.

As the supported self - publishing platform of Penguin Random House Grupo Editorial — one of the world's most admired and successful Spanish language trade publishers — megustaescribir aims to give authors a comprehensive self - publishing experience.

She has published two monographs of her work Maria Elvia de Hank and Inedito, both by the editorial house RM.

is a curatorial / editorial platform, founded by Ilaria Marotta and Andrea Baccin in 2009, and consists of a magazine, a publishing house, and an exhibition program that works internationally in collaboration with museums, foundations, galleries, institutions and independents.

In the latest weekend edition of the Saint Paul Pioneer Press, it published an editorial on Passive House.

A blog is a one - person (or one - organization) publishing house with a narrow editorial focus, very low costs, and an extremely small number of authors.

Professional Associations Monroe County Bar Association, Member New York State Bar Association, Chairman: Torts, Insurance, and Compensation Law Section (2003 - 2004) NYSBA Automobile Liability Committee Chairman (1991 - 1995) NYSBA House of Delegates, Delegate (1999 - 2004) New York State Trial Lawyers Association Risk and Insurance Management Society (2007 - present) Council on Litigation Management (2008 - present); Chairman, Products Liability Conference (2010 - 2013) New York Editorial Board, Lawyers Cooperative Publishing Company (1993 - 1995) Defense Research Institute (2000 - present) The National Fire Protection Association, Member The American Society for Metals, Member

Looking for an editorial assistant position with a leading publishing house and handle printing schedules and administrative duties of the editorial department.

Provided leadership to team of seven in - house project managers representing editorial & other groups in the development of new or enhanced electronic products & services while maintaining ongoing production schedules of 800 publishing events.