Sentences with phrase «of queer»

The title of the program was taken from the conclusion of Munoz's 2009 Cruising Utopia, The Then and There of Queer Futurity.

Expressions of Queer Latinx Art,» at La Plaza de Cultura y Artes.

By considering the climate of queer citizens in Eastern Europe and Africa, the exhibition poses the question, «How might art and culture help us to look again at the way in which we understand the conditions of queer citizens in global politics?»

People are especially happy about the inclusion of lots of great women artists and a handful of queer artists.

This beautiful book illustrates the wide variety of queer art from around the world exploring bodies and identity, love and desire, and prejudice and protest through drawing, painting, photography, sculpture, and installation.

He is the Public Program Coordinate for Women & Performance: a journal of feminist theory, and the co-founder (with Alan Ruiz and Aliza Shvarts) of Lumpen: a journal of queer materialism.

Featuring works by, among others, Egon Schiele, Duncan Grant, Claude Cahun, Hannah Höch, Frida Kahlo, David Hockney, Glenn Ligon, Zanele Muholi, Allyson Mitchell and Tomoko Kashiki, all of whom subverted the norms of their day via bold, new forms of expression, A Queer Little History of Art is a celebration of more than 100 years of queer creativity.

Copresented by the Queer Conversations on Culture and the Arts, an alliance of the Queer Cultural Center (QCC) and programs at California College of the Arts (CCA) in Visual and Critical Studies and Architecture.

Posing the questions, How has the stereotypical singularity of Black malehood become a multiplicity that is representative and inclusive of queer folks expanded our ideas of love and liberation?

WALTER DUNDERVILL JOÃO ENXUTO & ERICA LOVE JEN ROSENBLIT & SIMONE AUGHTERLONY ALAN RUIZ LUMPEN: a journal of queer materialism

From 1997 to 2005, she co-ran Mr. Lady Records and Videos, an independent record label and video - art distribution company that was dedicated to the production and distribution of queer and feminist culture.

Her work has shown at venues including PULSE NYC Special Projects, BRIC Media Arts, ABC No Rio, The Kitchen, Wayfarer's Gallery and Eyebeam in New York; Chicago Cultural Center, Mana Contemporary, Weinberg / Newton Gallery, Roots & Culture, and the Museum of Contemporary Art in Chicago; Art F City's FAGallery in Miami, FL; The Museum of Human Achievement in Austin, TX; Salt Institute in Portland, ME; The Dah Theater Research Center in Belgrade, Serbia; ICA Baltimore, and Athens Museum of Queer Arts, Athens, Greece.

PH: That's something I saw a little bit later, but there is this tradition of these kind of queer text paintings, kind of humble and small, him and Paul Thek, which is the next one.

FIAR hopes to bring both new creative perspectives and prestigious art professionals together in this extraordinary location to foster the creation — and preservation — of queer art - making in contemporary art.

For another round of the subversive powers of the queer gaze, Noero's second venue hosts — among the frescoes, boiseries and stuccoes of an old palazzo in Piazza Carignano — one hundred gelatin silver prints and Polaroids by Robert Mapplethorpe, including a selection of photos from his voyages in Italy in the 1980s, when he exhibited at Lucio Amelio's mythical (and gloriously queer) gallery in Naples.

It was really feminism that elongated, expanded, or ruptured institutional critique — that's the point at which I became deeply interested and invested, because the possibility of a queer subject also became relevant within this discussion.

From 2010 - 2012, Slutzky was a Curator of the Pop - Up Museum of Queer History.

Benjamin created a coherent genealogy of practice from Duchamp forward, while Craig, at least from my perspective, expanded the possibilities of institutional critique enormously through the inclusion of feminist positions, as well as the beginnings of a queer perspective.

Conspicuously missing in much of the discourse of queer abstraction is discussion of those projects that have tied race to questions around abstraction, whether they are philosopher Édouard Glissant's notion of the «right to opacity,» or curator Adrienne Edwards's lauded Blackness in Abstraction exhibition at Pace Gallery last year.

With their surreal collages and distorted blurbs, these works continue a long tradition of queer slang and innuendo flirting with its own exposure and resulted in the pair serving prison terms.

Join our Fun, Flirty and Fierce hostesses Mimi Osa and Jordana Myles for a drag queen - led karaoke evening of queer, musical abandon at Modern Fuel, an always fabulous gallery of contemporary visual, time - based and interdisciplinary arts.

(The one exception is a section dedicated to the theatrical world, in which the documentation of cross-dressing in popular culture, from music hall to Danny La Rue, gives a sense of a queer working class tradition.)

Bishakh Som's comics have appeared in The Other Side: An Anthology of Queer Paranormal Romance, The Boston Review, Black Warrior Review, The Brooklyn Rail, Buzzfeed, Ink Brick, The Huffington Post, The Graphic Canon and the Eisner and Harvey - winning anthology Little Nemo: Dream Another Dream.

, considering Hip - Hop cultures through the lens of Queer and Black Feminist theory.

Working within an interdisciplinary framework to create project - based installations and performances, Gerard & Kelly use choreography, video, and sculpture to address questions of sexuality, memory, and the formation of queer consciousness.

The powerful work of queer Chicana / o artists in Los Angeles is explored in this exciting and thoughtful book published as a part of Pacific Standard Time: LA / LA

Jaguar Mary née Jocelyn Taylor was a founding member of the queer video artist collective, House of Color.

While in their 27 years, the Guerrilla Girls have had their ups and downs and their swells and constrictions as a group, their agenda against discrimination has only widened and intensified: Both their support of equal representation of queer artists and artists of color and their focus on the flow of money through art channels have become key platforms in their fact - finding missions.

, Fear of a Queer Planet (University of Minnesota Press), pp.230 - 238 Paul Gilroy, «Climbing the Racial Mountain: a Conversation with Isaac Julien», in Small Acts: Thoughts on the Politics of Black Cultures (Serpent's Tail), pp. 166 - 172 Craig Houser, «I Abject», in Craig Houser, Leslie C. Jones, and Simon Taylor (eds.)

They had their first joint solo exhibition at Arcadia Missa, London, in early 2015, titled TIFKAS, a virtual fabrication of a queer landscape and experience.

Looking at the art of queer artists over the last couple of years, two things stand out to me: the role of AIDS and its impact on queer Latinx artists of my generation, and how social media shapes the current discourse, networking, and exploration of artistic practice.

I think of the characters that appear in each painting as sort of like an archetype of the queer black male — this shamanistic character that sort of travels between dimensions or portals and things like that and explores different tiny moments.

This exhibition follows on from the ground - breaking exhibition of Queer British Art held between April and October 2017 at Tate Britain.

«Secrets of Life in the Famous «Latin Quarter,» the Follies, Triumphs and Tragedies in the Strangest Collection of Queer People in All the World, Revealed by Mlle. Alice Prin, the Best Known Artist's Model in Europe.»

Harmony Hammond discusses her work and exploration of queer content in A Niche in History as part of the San Francisco Museum of Modern Art (SFMOMA) Live Projects series, at the Neptune Society Columbarium in San Francisco, CA.

He is particularly interested in the history of photography, ideologies of Romanticism, gender in early - American portraiture, the visual culture (s) of war, and the formulation of queer canons across the history of art.

Together with AA Bronson, Motta recently organized the event «ritual of queer rituals» at Witte de With in Rotterdam.

Also exhibited in Stout and Herron's «Black Mirror, Pink Reflections: Portraits of Queer Identity in Contemporary Art» is John Hanning's I Survived AIDS, a sculpture made of 500 stacked c - print posters, reminiscent of Felix Gonzalez - Torres's stacked prints (that unlike Hanning's, are free to take.)

His practice employs both visual and collaborative strategies to investigate memory and kinship, within the context of queer community and history.

In addition to his own work in interdisciplinary media, he is a founder of No Coast, an artist partnership that prints and distributes affordable contemporary artwork, serves as a DJ and organizer for Chances Dances, party that supports and showcases the work of queer artists in Chicago, and is editor - in - chief of an online and print journal called Monsters and Dust.

His practice currently employs visual and collaborative strategies to investigate memory, memorial, self - reflection and self - projection within the context of queer community and history.

Each taking as their subjects the lives of a deceased creative individual and his personal belongings, their projects build meaningfully on the Whitney Biennial's recent history of both deceased artists and artist - curated «sub exhibitions,» notably from the 2012 edition the inclusion of George Kuchar (died, 2011); Robert Gober's presentation of work by Forrest Bess; Nick Mauss» curation of queer - oriented work culled from the museum collection; and also discursive contributions, such as Andrea Fraser's essay No Place Like Home.

A.L. Steiner (b. Miami, FL, 1967, B.A., Communications, 1989, George Washington University) utilizes constructions of photography, video, performance and writing as seductive tropes channeled through the sensibility of a queer ecofeminist androgyne.

, the public art collaboration I started with photographer Sue Schaffner in 1991, was an offshoot of Queer Nation.

QUEER FUTURES Mar 16 - May 20, 2018 FINAL WEEK Public programme series of performances, talks, workshops & screenings exploring the theme of queer futures.

She is the co-director of the queer - feminist arts organization CUNTemporary, as well as the founder of Archivio Queer Italia, the first platform for queer arts, theory and activism in Italy.

Rendered into testimonies that are visually placid yet assertive in conveyance, the exhibition problematizes mainstream representations of queer aesthetics, challenging fixed notions and representations on mutual contact and solidarity.

Artists: Kaoru Arima, Diamond Stingily, Lucie Stahl, Chelsea Culp, Martine Syms, Dot Space, David Rappeneau, Margot Espinoza, Donna Huanca, Alison Veit, Puppies Puppies, Lulou Margarine, Mindy Rose Schwartz, Rob Halverson, Chloe Seibert, Jared Madere Exhibition title: Rainbow Venue: Queer Thoughts, Nicaragua Date: January 22, 2015 Photography: Courtesy of Queer Thoughts Queer Thoughts presents Rainbow, a group exhibition organized across three different locations in Nicaragua: at an apartment building in San Juan del Sur, a surf town on the Pacific Ocean; at a house in La Virgen, on the shore of Lake Nicaragua; and at a forest preserve waterfall in San Jose de los Remates, an agricultural village in the mountains of -LSB-...]

Opening: Wynne Greenwood at the New Museum Using performance, video, sculpture, and music, Wynne Greenwood typically focuses on how the idea of queer selfhood can be multiplied into various subjectivities.

Ray Cha, the show's curator as well as co-creator of the queer nerd zine, FAQNP, and managing editor of Queer Zines, sourced many of these images from people he met and food zines he encountered at the New York Art Book Fair one year.