Sentences with phrase «of racial violence by»

There are a few beautiful portraits that address the legacy of racial violence by Dawoud Bey (plus, speaking of tension, one of President Obama), two elegant works by the late, great Pictures Generation artist Sarah Charlesworth, a lone Gretchen Bender (lovingly remade by Phillip Vanderhyden).

Not exact matches

The conquest of the political culture of the black community by the culture of the left has allowed someone like Farrakhan to gain an acceptance and support that far exceeds that of any comparable black demagogue in the past including Malcolm X, who in his lifetime, it should be remembered, was condemned and isolated by the leadership of the black civil rights movement precisely because of his rhetorical violence and racial politics.

The extreme opposites of the bi-nationalist school, the hard - line protagonists of violence and armed power as the only way to establish and maintain a Zionist settlement in Palestine (or over all of it), held that the Arabs were intransigently opposed to this venture and regarded the immigrating European Jews as racial outsiders, as intruders in their own ancestral living - space, and would harass and murder them and strangle their venture unless they were beaten back by superior fire - power.

NFL quarterback Colin Kaepernick made a lot of news last season when he protested police violence and racial injustice by sitting during the National Anthem before games.

Any defamation of the country and the nation, any instigation to a war of aggression, to national, racial, class or religious hatred, any incitement to discrimination, territorial separatism, or public violence, as well as any obscene conduct contrary to morality shall be prohibited by law.

Sure to try out the citys history websites houston dating of racial violence endured by the trans.

Its powerful depiction of simmering racial tensions in the Jim Crow South of the 1940s, exploding into horrific violence, should boost its profile as a prestige release, the drama fueled by sentiments still troublingly relevant in contemporary America.

Django Unchained, Tarantino's deliriously kicky and shameless (and also overly long and scattershot) racial - exploitation epic, is set in the slave days, and among other things, it's a low - down orgy of flamboyant cruelty and violence: whippings, a scene in which a man gets torn apart by dogs, plus the most promiscuous use of the N - word ever heard in a mainstream movie.

In Black Panther, Wakanda is a state separate from the world, untouched by the long historic lash of racial violence; one that celebrates its independence and looks out at the remainder of the world with grieving pause.

Besides minor violence related to racial tensions, a handful of mild profanities, and a quick male - to - male kiss instigated by a long - haired player to quiet a teasing teammate (his sexual orientation is never determined), this movie will likely leave parents and teens positively impressed.

It was a neighborhood school and a magnet school, part of LAUSD's voluntary integration program, for black and Latino children living in parts of the city beleaguered by poverty, violence, and other harms of racial isolation.

There will be occasional outbursts of racial violence in which both groups are involved, but the great discipline of the Negro middle classes in events of the last decade suggests that violence will be a consequence of police activity or inactivity rather than a consequence of policy decisions by the «respectable middle classes.»

- The Jerome Project (2015) by Titus Kaphar combines the portraits of three young black men whose tragic deaths prompted a national conversation around racial profiling, policing, and gun violence: Trayvon Martin (died February 26, 2012), Michael Brown (died August 9, 2014), and Tamir Rice (died November 22, 2014), which outlines the subjects» faces in white chalk on Asphalt - coated roofing paper.

Originally a photographer and self - described «visual culture archaeologist,» Hank Willis Thomas confronts the realities of racial violence in the United States by revisiting horrors that have become obfuscated with time.

As black people were murdered by mobs around the country, the flag would appear, marking one of New York City's busiest thoroughfares with a protest of constant racial violence.

Mark Bradford's Pride of Place Introduction by Antwaun Sargent STUDENT REFLECTIONS Racial Innocence in Postwar America by Maia Silber Envisioning the Right to Vote by Jonathan Karp Keith Lamont Scott and the Legacy of Police Violence by David E. White Jr..

The importance of raw materials, such as wood and steel, is evident within the brutal sculptures that comprise the Lynch Fragments series by Melvin Edwards (b1937), which was a response to racial violence faced by African Americans.

The week includes workshops by writers and artists whose work focuses on social and political issues, including the environment, climate change, gun violence, racial violence, police brutality, violence against women, racial equity, homophobia, and immigration, all through the lens of creative action.

In an effort to identify truth, reality, and meaning, each of the artists in the exhibition confronts these questions by inventing, criticizing, or retelling reality — simultaneously grappling with issues of racial identity, sexuality, violence, protest, globalism, and ethics.

One of the best moments is an onslaught of sculpture by three artists made from found objects: Terry Adkins's combinations of musical instruments shine, and Melvin Edwards's small clenched welded - steel wall sculptures, made from bits of chain and tools, dominate, raising the troubling history of racial violence despite their beauty.

Instead Cave takes us inside the belly of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities» police departments, and death.

Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.

Some black Americans thought the lack of racial justice needed to be challenged by any means necessary, including violence.

Inspired by recent events, the watercolors, drawings, and collage works in the exhibition were made in the summer of 2017 in the wake of heightened political division and escalating racial violence across the country.

Eric Roher also completed a series of six videos on education law issues, which were produced by Canada Law Book and cover a range of issues, including: Violence in Schools, Search and Seizure, Racial and Sexual Harassment, Negligence and Liability, Suspension and Expulsion and Medication and Medical Treatment.

The racial violence at South Philadelphia High School has certainly been a topic of discussion throughout the community, but a federal lawsuit filed by a Vietnamese parent at the school is now drawing even more attention to the issue.