Sentences with phrase «of readers of my genre»

Your book has a better chance of succeeding if you understand what genre it is, and meet the expectations of readers of that genre.

It can be costly (depending on what genre you pick to promote your book in) but I've heard authors have good odds of making the expense pay off in sales because you get your book in front of readers of your genre.

Use giveaways to build a big email list of readers of my genre.

Not exact matches

«Paulo Coelho leverages the myth, one of my favorite genres, to provide inspiration for all readers, but perhaps entrepreneurs will be affected especially.

Sattersten, who reads between 100 and 200 business books a year, says that readers of the genre want to know one thing: Will the book provide me utility?

Prospective purchasers and readers may be assured - or warned - that the second volume of Systematic Theology is a fine specimen of the genre.

Readers unused to contemporary trinitarian theology may find this book hard going, though it is more lucid than many examples of the genre.

Readers of the New York Times, which Alasdair MacIntyre has called «that parish magazine of affluent and self - congratulatory liberal enlightenment,» will have noticed the appearance on its op - ed pages of a relatively new genre of sermonizing.

Those sudden switches in genre and in style deny the reader any steady place from which to take in the action of the book.

Yet there ought to be a clear distinction in our thinking between a critique of the effects of this genre, with its deceptive promises of liberation, and a more empathic inquiry into the writers and especially the readers of this literature, those searching for some kind of encouragement and relief that they have failed to find elsewhere.

Such character - centered writing is a mark of good fiction in any genre, but in detective novels, where the author may feel enslaved to solution - hungry readers, it's especially rare.

In this approach, the postliberal answer to the truth question is that scripture is true in the manner of its distinctively mixed genre and that, yes, it is enough to say that biblical truth is the capacity of the text to draw readers into a Christian framework of meaning.

Women journal writing has become a genre of its own in the 20th century, but I can not imagine that O'Connor speaking to herself in diary form could give a reader any more insight into her character than O'Connor in dialogue, which is, essentially, what these letters present.

Linafelt attributes to the mutual benefits of the two genres the «very best of ancient Hebrew narrative technique: a lengthy, artful and coherent story, with complicated and conflicted characters who grow and change and who... are capable of surprising the reader» (p. 72).

Building upon his understanding that written texts can burst the world of the author, and indeed that of the reader as well, and upon his understanding that different genres accomplish this in different ways, Ricoeur comes to his understanding of «the world of the text» or, in other citations, «the world in front of the text,» by which he means «the... world intended beyond the text as its reference.

Does the Old Testament conform to a genre that has been externally imposed by coercive readers and hard misreadings, or is its genre a reflection of the will of communities that produced it, assented to its ongoing word of address and handed it over to new communities of faith of which we are one?

Not Daily Mail readers, that's for sure: «Prime Minister mauls best - selling author Hilary Mantel over «plastic princess made for breeding» jibe», a classic of its genre, and one my 22 year old self would thoroughly approved of had I written something similar for my then employer.

If your goal is to persuade and be believed about the truth of a particular point, then what would possess you to choose to work in a genre whose very name, fiction, explicitly warns the reader not to believe a word she reads?

Perhaps in the hundred or so pages of a book styled in this peculiar genre, may a reader gain some sense of understanding about the person's life contained therein.

She is an avid reader of non-fiction, making connections between «genres» of fields of study and applying them to life in every way possible.

All genres, fiction and nonfiction, are supported on their platform and reach millions of readers worldwide.

If you are an avid reader, instead of sharing this in your «leisure time» answer, share your love of reading, your favorite genres, and your favorite author when answering Question 11.

And as even a casual reader of such comics knows, the concept of a short - lived «superhero death» is a long - standing meme of the genre.

It will most likely provide the reader with so much more information on some of their favorite films and genres.

At the risk of antagonizing readers from academic background, I venture to suggest that film criticism has as much obligation to learn from film academia as experimental filmmaking has to learn from genre cinema.

The show is indeed witty and intelligent as a blurb states on the cover box and should appeal to genre fans, especially readers of the Hellblazer comics.

We believe in the power of the genre and have seen it transform reluctant, unmotivated readers into literature addicts.

Rather than teach two compartmentalized writing genres, doesn't it make more sense to blend the two and have the student convince the reader of the theme or the character change or the author's intent?

The food presentations are colourful and clearly set out the «signposts» of the genre: a) «How to...» title for instructions b) «What you need» c) Pictures to aid meaning for the reader d) «What you do» or «Method» e) Numbering each instruction This ensures that the children experience and engage with models before attempting independent writing tasks.

In particular students focus upon the vocabulary, sentence, and descriptive device choices made by writers across each of the genres, and begin to comprehend the effect of these techniques upon the reader.

Differentiation: purple = lower blue = middle yellow = higher Resources cover the following: - requirements of the paper - outline of each question on the paper and how long to spend on it - identifying genre, content, characters, settings of Lullaby on first reading - Consider reader responses to the short story and form own - Consider ways that established writers attempt to maintain reader interest - Explore and analyse how Burbridge attempts to maintain reader interest in Lullaby

I am looking for funding to obtain three readers» theater kits including high - interest, appropriately leveled scripts of various genres to help my students improve their fluency while reading.

Rather than seeking universal truths, these genres search for likely connections among events, using stories to convince readers of their likeliness.

An examination of the informational text genre in basal readers.

Recently I've been thinking of giving my writing to beta readers outside my genre.

If you get a bookbub, then the also - bought list will be strongly in your genre and you will generate a TON of new readers.

Individuals drawn to these genres tend to appreciate the feel of a paperback book in their hands — in fact, Midnight Publishing has run into dozens of readers who've told us they wouldn't even read a book in these genres unless they had a paperback version.

From a marketing perspective, especially among genre readers, it can often be a smart move to print a limited number of hard - cover books — a limited edition, signed — and use them for prizes.

No surprises that I'm not a big reader (or author) of the fantasy genre, no matter how much others rave about it.

Posted by Victoria Strauss for Writer BewareAnthologies, once a staple of genre publishing, have become a rarity at major publishing houses over the past couple of decades.Small presses still embrace the anthology format, however, as do genre readers — ... -LSB-...]

And while I've focused mostly on design - related projects, the notion of connecting with readers over the internet is genre - agnostic.

Steampunk (and Harlequin and Amish romance) author Shelley Adina joins us today to talk about managing multiple pen names and genres, keeping a long - running series fresh (and selling), paying for foreign translations of indie books, and working the cons to get in touch with more readers (and take trips you can write off on your taxes!).

The two new platforms that have been announced in the last week provide exposure to a growing stream of self - published new talent and give both Harlequin and romance readers the opportunity to evaluate new voices in the genre.

Dear Author and Smart Bitches both run regular features on their sites highlighting books that have gone on sale for $ 2.99, $ 1.99, or $.99, because the romance genre in particular is full of readers that burn through so many titles that they are eager to snap up books for as cheaply as they can get them.

Search for blogs that feature readers of your genre or have featured books similar to yours.

It's a question that's probably crossed the minds of all of us invested in the book business... as memoir writers (indeed writers in any genre), readers, booksellers, publishers.

Generally this is 2,000 word chapters of original short genre fiction with cliffhangers that hook the reader to keep reading and keep buying.

Features start at $ 25 and get your book in front of thousands of readers who love to read your genre.

Speaking of genre specific listings, this might be more successful because it's targeting a group of readers already happy to use online resources: http://www.free-press-release.com/news/200906/1245919505.html Not self - pubbed focused, but in a way that's good as there's no distinction made.

Other sites our readers love: AwesomeGang.com — Books and author interviews of all genres.