Not exact matches
Interestingly, fellow nominee Mad Max: Fury
Road «s search volume dropped more than 85 % around its nomination, though that might have something to do with the fact that the
film was released last May and had been out
of theaters for months when nominations were announced.
100 % foreign ownership allowed Cold storage Sports centers Film processing labs Rubber and sugar industry) when engaging in partnerships with local farmers and use 30 % domestically produced raw material) Warehousing Tourism, E-commerce (with a marketplace value above 10 billion rupiahs and when working with local warehousing companies) Toll
road operators Telecom device certification Non-hazardous waste management Raw medicine materials Pharmaceutical ventures Restaurants, bars, cafés Film making Film distribution Cinemas (required to show Indonesian
films at least 60 per cent
of their screen time) Direct selling Futures trading
Among them Richard Garriott de Cayeux, a man who was one
of the first private citizens to travel to space, saw his own journey to the stars portrayed on screen in the
film Man on a Mission: Richard Garriott's
Road to the Stars.
There's a curious and discouraging article in the November 20th Entertainment Weekly magazine about producers» efforts to «sell» the upcoming
film adaptation
of Cormac McCarthy's The
Road to Christians (by way
of their pastors).
We never learn much about her history, save for a few significant bombshells down the
road, yet she feels a good deal more dimensional than about 95 %
of characters in
film history.
The actual
road isn't exactly fictional — the images come from the set and soundstage
of the Harry Potter
films at Warner Bros..
The earliest known
film of the Main Stand, the Kemlyn
Road and the Walton Breck
Road Stand transports fans back to 1901.
As the
film has no curing time, vehicle off -
road holding periods are kept to a minimum, and a fast turnaround
of indoor and outdoor graphics in sign workshops can be achieved.
The website features interactive activities, an animated
film and a game to encourage pupils and parents alike to learn and check their level
of understanding
of road safety issues.
In so far as the
film's politics exist, they are notably middle -
of - the -
road.
In a recent YouTube campaign
film, he complained that «we have gone down the
road of mediocracy and compromise, we don't like the idea
of excelling
of anything because we worry that it implies that somebody is less good».
They would be in uproar upon learning that a mob had tried to physically force its way into an American television studio and blocked the
roads outside, trying to prevent the
filming of a political debate which featured a robust and forthright atheist.
The production company
filming «Escape at Dannemora,» a miniseries directed by actor Ben Stiller about the 2015 prison escape
of Richard Matt and David Sweat, has chosen Lyons
Road as its next locale.
To see if entertainment could offer a solution to this challenge, Ingber teamed up with Charles Reilly, Ph.D., a molecular biophysicist, professional animator, and Staff Scientist at the Wyss Institute who previously worked at movie director Peter Jackson's Park
Road Post
film studio, to create a
film that would capture viewers» imaginations by telling the story
of a biological process that was accurate down to the atomic level.
This sample
of recent environmental
films includes looks at the ecological effects
of roads and top predators, the impact
of climate change on a native village in the Arctic, a search for seeds
of wild relatives
of staple foods, and the fate
of solar panels from Jimmy Carter's White House.
Editor's Note: Expedition Blue Planet, led by Jacques Cousteau's granddaughter Alexandra Cousteau, is traveling 14,500 miles
of road over 138 days to investigate and
film some
of North America's most pressing water - use and management stories.
Compelling sci - fi
films can plant a seed
of curiosity in youngsters, spurring them to investigate scientific issues on their own — and perhaps even become scientists down the
road.
Recently completed projects include Azul, a cello concerto for Yo - Yo Ma and the Boston Symphony; the soundtrack for Francis Ford Coppola's
film Youth Without Youth; Rose
of the Winds, commissioned by the Chicago Symphony Orchestra and premiered by them with Yo - Yo Ma, the Silk
Road Ensemble and Miguel Harth - Bedoya conducting; and Kuai Le (Joy), premiered by Yo - Yo Ma and the Silk
Road Ensemble at the opening
of the 2007 Special Olympics in Shanghai.
«My studio next to Portobello
Road was very similar to the studio
of John Cowan (the photographer whose studio was used by Michelangelo Antonioni's for his era - capturing
film Blow - Up).
Perth - born Gemma Ward, one
of the top models
of the 2000s, who subsequently took a 6 - year hiatus, has made her long - awaited return first on the Prada catwalk and, then, in a major campaign (and accompanying
film) for classic Australian brand, Country
Road.
Daniel Craig is a very well - known British actor, but it wasn't until his early breakout roles in
films like Layer Cake and
Road to Perdition that he ever made it on the radar
of American
film watchers.
Located in the former home
of George Eastman himself, the Dryden and the Little Theatre located just down the
road are known to show cinematic classics and curated selections
of foreign
films.
MySingleFriend has launched a new competition to let singles win the chance to meet Ricky Gervais ahead
of the release
of the new
film, David Brent: Life On The
Road.
The first opens on a dusty
road on the eve
of the Civil War, as the avuncular Dr. Schultz (Christoph Waltz) claims chain gang slave Django (Jamie Foxx) by violently disposing
of his two owners (one
of them is James Remar, who crops up later in the second
of these three
films in a different role).
Based loosely on Richard and Florence Atwater's children's book, it's a
film that's so startlingly middle -
of - the -
road and bland that it almost completely passes you by unnoticed.
Gordon Green wrote and shot the
film, titled Prince Avalanche, in Austin last month prior to getting started on his remake
of Dario Argento's Suspiria, and it's described as following «two men whose lives intersect while working on a
road striping crew together.»
Surrounded by the 25 band members
of The Tennessee Kids and featuring show - stopping performances from one
of the highest - grossing tours
of the decade, the
film is a culmination
of the singer's 134 shows and 2 years on the
road.
Each
of these
films are enhanced by them deliberarely causing us to second - guess their intentions, and the same principle applies to
road movies.
There are some truly good comic ideas sprinkled throughout the
film — the problem is, they're surrounded by a lot
of filler, including some very uninspired
road - trip hijinks.
Fury
Road was a big, expensive, risky
film that paid off because
of the irrepressible will and talent
of its director, George Miller.
Other
film credits include STEP BROTHERS, REVOLUTIONARY
ROAD, WANDERLUST, OUR IDIOT BROTHER, HOW DO YOU KNOW, THE HOLIDAY, THE LAST MIMZY, and ANCHORMAN: THE LEGEND
OF RON BURGUNDY.
The first
film was full
of heart and humor that both children and adults could love; but by the time the third
film rolled down the yellow brick
road, something had been lost.
Test the limits
of new cars in a variety
of creative challenges and epic
road tests
filmed around North America and the UK!
Doug, a groom - to - be, and his three groomsmen pile into a car and head to Vegas for a night on the town before the big day, and the
film's slightly unexpected sense
of detail emerges once they hit the
road.
Filmed over three years, in their monastery in rural France and on the
road in the USA, this visceral
film is a meditation on a community grappling with existential questions and the everyday routine
of monastic life.
Whether you have a
film like Ex Machina winning the Oscar for best visual effects over
films like Mad Max: Fury
Road or The Hurt Locker taking precedence over behemoth's like Avatar for best picture, independent
films have always had a way
of winning over the hearts
of many viewers.
This remarkable
film from Australia, the debut feature
of writer - director Cate Shortland, moves to the lyrical rhythms and unhurried pace
of a 1970s
road movie.
After sustaining a near - fatal head trauma when bucked from a bronco in competition, Brady spends the rest
of the
film physically rehabilitating and mentally preparing himself for the
road ahead, and what it might look like to leave the rodeo in his rearview mirror.
The resulting
film is a
road movie whose trail spans the remnants
of the western frontier, exploring both the landscape and culture along the way.
From a
road trip to the scene
of James Dean's fatal accident to the making
of The Room, this
film is an inspirational masterpiece that is guided by Franco's performance
of a very driven auteur.
In some ways it reminds me
of Mad Max: Fury
Road, an expert chase
film that establishes its characters naturally as it barrels onward.
For the fourth time» Alvin and the Chipmunks» trashed childhood, since the beginning, was good, but the rest
of the
film has failed, or keep up with the proposal, much less beat «Star Wars: The Force Awakens «and the end is very ruined, did not find the meaning
of descenlace
of» the
Road Chip».
Warner again has more than 20
films lined up for 2015, which should be an interesting year for the studio, with plenty
of films (Jupiter Ascending, Mad Max: Fury
Road, Pan, The Man from U.N.C.L.E.) that could potentially go either way with critics and with moviegoers.
Warner Bros. released two unexpectedly great movies in 2015, and oddly enough both were revivals
of film franchises that launched in the 1970s: Mad Max: Fury
Road, and Creed (part
of the Rocky franchise).
But as with Hillcoat's subsequent
film The
Road, neither the script nor the direction allow a genuine sense
of horror to build, and it becomes more about the journey itself than the meaning behind it.
Daley and Goldstein, who started off as actors, have co-directed one previous feature, the 2015 holiday -
road reboot «Vacation,» but the sign that they're instinctive filmmakers, with a bold sense
of comedy structure, comes in the sequence they stage, with serpentine ingenuity, at the home
of a crime boss (Danny Huston) who has the
film's MacGuffin — a Fabergé egg — locked in his safe.
An almost constantly surprising coming -
of - age
film with a dark twist that manages to take the high
road with what is well - exploited material.
Built as a
road movie in its first hour
of footage, the
film accompanies a truck driver on his way from Kosovo to Belgrade... It's in the whole
of this journey where the
film seems more robust... [Full review in Spanish]
«The Hangover» isn't in the same league by a long shot, but it is an amiably warped romp that suggests what you might have wound up with had Hunter Thompson been hired to do the script for a Hollywood buddy
film: drugs, heavy drinking, a
road trip, Las Vegas — it's even got its share
of fear and loathing.
In this regard, Aitken's
film captures what it means to be on the
road, where life is lived as a series
of moments.