Not exact matches
If what you say is true, then why is it that I see
billboards,
roadside signs, TV, print and onlineadvertisements EVERY day in which religious groups try to force their particular brand
of religion on everyone, yet on the rare occasion that an atheist does the same, it makes national news.
Its 71 degrees now... A trip across state this morning found the leaves red, orange and yellow... dancing in the light wind... Pumpkins were in abundance at the
roadside stands, apple spicy lattes on the
billboards and fashionistas defying the temp wore ankle booties and blanket scarves... Hey, its just what you imagined when you thought
of fall... all
of that fall stuff... Have an apple....
Think a dash
of Chinatown's noir sprinkled over Boogie Nights, and you're in the ballpark, with Nixon on the cover
of Forbes, Jaws 2 decorating
roadside billboards and exquisite period details shining on every corner.
Those three
billboards of the title — blood red with stark black letters, rising out
of the finely realized mist and mood
of Ben Davis» cinematography — stand in a field by the
roadside, asking questions and hurling accusations.
Driving along the lately unused stretch
of country tar that leads to her isolated cottage, her character Mildred Hayes pulls over and contemplates a trio
of gaping, tattered
roadside billboards — ungraced by advertising, we're told, since 1986.
The exhibition currently on view at Baxter Street at the Camera Club
of New York (CCNY), titled «Deep Shade,» is the result
of what happens when you take images made for fast consumption (think speeding by a
roadside billboard or flipping through instagram) and remake them within the conventions
of more considered viewing.
For whatever mayhem may take place within the confines
of his simple church, the public aspect
of his project is pure
roadside carnie, as his lawn sprouts
billboards with messages like «God Loves Fags» written in Hebrew, a «Crucify thy Selfie» made
of quotations from three famous art - history crucifixion paintings with a hole to stick your head through, and a lion's cage made
of an old hay wagon.
In Ruscha's work, language and architecture are used to build pictures that radiate with the optimism
of 1950s highway
billboards — heavenly
roadside visions as tempting and fleeting as a mirage.
Inspired by Mike Kelley's observation that «the mass art
of today is the folk art
of tomorrow,» The Spectacular
of Vernacular reflects an expanded view
of the vernacular posited in Denise Scott Brown, Steven Izenour, and Robert Venturi's Learning from Las Vegas (1972), one that embraces the spectacle
of the street and the stylistic cacophony
of the strip — the totems,
billboards, and neon signs
of roadside America.
Inspired by Mike Kelley's observation that «the mass art
of today is the folk art
of tomorrow,» The Spectacular
of Vernacular reflects an expanded view
of the vernacular posited in Denise Scott Brown, Steven Izenour, and Robert Venturi's Learning from Las Vegas (1972), one that embraces the spectacle
of the street and the stylistic cacophony
of the strip - the totems,
billboards, and neon signs
of roadside America.
The Rocket Skates: Similar inadequacies in the Acme Rocket Skates caused him to lose control and collide «with a
roadside billboard so violently as to leave a hole in the shape
of his full silhouette.»
Instead
of cutting back and focusing on core services, he contracted to place 64 million messages on digital
roadside billboards.