Sentences with phrase «of rouches»

The last two bloggers are wearing a great pair of rouches trousers by Zara studio, that you can find here.

Not exact matches

many claiming that early fatherhood has given their lives meaning, as well as protecting them from involvement in a range of negative activities (e.g. Rouch, 2005).

Tabatha Rouched Pager High Leg BootsKnee High BootsLow HeelRound toeKnee high bootsUpper - LeatherClean with soft dry cloth Shop At House Of Fraser

Carrie SM Rouched Point Dressy BootsCalf BootsHigh HeelBlock HeelPointed toeUpper - SuedeClean with soft dry cloth Shop At House Of Fraser

Beacon SM Flat Rouched Pull On BootsCalf BootsFlatRound toeCalfUpper - SuedeClean with soft dry cloth Shop At House Of Fraser

Novela SM Block Heel Rouched BootsCalf BootsRound toeCalfUpper - SuedeClean with soft dry cloth Shop At House Of Fraser

The style of this bathing suit with the rouching top has a very slimming effect.

All three of these options give the illusion that you have a tiny waist whether it be through color blocking, a change in pattern or strategic rouching.

I usually don't buy these kind of tops with the unnecessary pleating and rouching, but when I am wearing one plain shirt because of the temperature, I would like to get some assistance in covering some of the curves.

Sleeveless but with an exageratted double layer of ruffles at the shoulders, rouched fabric wrapped...

It's also great for disguising a larger midsection (notice the rouching) and the little bit of sleeve will help hide heavier arms.

Specifically, the piece came a year after Depardon's police film Faits divers (1982), and Rouch's questions are mainly dealing with the production of Depardon's most recent work.

The late - career, breezy documentary short Portrait de Raymond Depardon from anthropologist filmmaker Jean Rouch consists of the director simply following and interviewing French photographer and direct cinema pioneer Raymond Depardon.

Gallant Journey (William Wellman, 1946) / Buffalo Bill (William Wellman, 1944) Starman (John Carpenter, 1984) / Prince of Darkness (John Carpenter, 1987) La pyramide humaine (Jean Rouch, 1961) / Horendi (Jean Rouch, 1972) Les aventures de Robert Macaire (Jean Epstein, 1925) / Pasteur (Jean Epstein, 1922) Trás - os - Montes (António Reis & Margarida Cordeiro, 1976) / Jaime (António Reis, 1974) Shadow of a Doubt (Alfred Hitchcock, 1943) / Murder!

Rather as Jean Rouch had done in Moi, un noir (1959), Gorin invites his subjects to collaborate actively in his representation of them, most evidently in some obviously acted scenes, but more subtly as well, as in apparently spontaneous but actually scripted monologues.

Rush to Judgment Emile de Antonio, Ingmar Bergman, Jan Kadar & Jean Rouch interviews U. S. Information Agency Film on JFK, Years of Lightning, Days of Drums Japanese underground film D.W. Griffith

HOME MOVIES Cinema spun, streamed, and beamed Wormwood by Nicolas Rapold, Acts of Vengeance by R. Emmet Sweeney, Casa de Lava by Ela Bittencourt, The Legend of the Holy Drinker by Michael Sragow, Lost Horizon by Farran Smith Nehme, Love with the Proper Stranger by Michael Koresky, The Sea Wolf by Steven Mears, Eight Films by Jean Rouch by Paul Fileri Plus: 20 discs to watch and 20 titles to stream

In his insert essay for the Criterion Collection's recent Blu - ray release of Barbet Schroeder's seminal General Idi Amin Dada: A Self - Portrait, J. Hoberman compares Schroeder's chilling examination of its eponymous Ugandan dictator to Jean Rouch's -LSB-...]

January Dog Day Afternoon (1975, Sidney Lumet) 35 mm — 5.6 Always Shine (2016, Sophia Takal)-- 6.1 The Other Side (2015, Roberto Minervini)-- 6.7 Silence (2016, Martin Scorsese) DP — 8.6 Hidden Figures (2016, Theodore Melfi) DP — 3.9 Lumière and Company [segment](1995, Zhang Yimou) + Café Society (2016, Woody Allen)-- 6.2 [up from 5.7] Valley of Love (2015, Guillaume Nicloux)-- 6.0 Happy Hour (2015, Ryûsuke Hamaguchi)-- 7.6 + Moonlight (2016, Barry Jenkins) DP — 6.8 [up from 6.4] Red Sorghum (1987, Zhang Yimou)-- 6.7 Live by Night (2016, Ben Affleck) DP — 4.4 Paterson (2016, Jim Jarmusch) DP — 7.2 Don't Think Twice (2016, Mike Birbiglia)-- 3.6 A Monster Calls (2016, J.A. Bayona) DP — 4.9 + Silence (2016, Martin Scorsese) DP — 8.7 [up from 8.6] Indignation (2016, James Schamus)-- 5.9 + Elle (2016, Paul Verhoeven) DP — 7.3 [same] Split (2016, M. Night Shyamalan) DP — 5.8 Ju Dou (1990, Zhang Yimou)-- 7.0 Chronicle of a Summer (1961, Jean Rouch & Edgar Morin)-- 6.9 + The Nice Guys (2016, Shane Black)-- 5.8 [down from 5.9] Hunt for the Wilderpeople (2016, Taika Waititi)-- 5.2 + Cemetery of Splendour (2015, Apichatpong Weerasethakul)-- 7.4 [up from 7.2] Throne of Blood (1957, Akira Kurosawa) 35 mm — 7.0 20th Century Women (2016, Mike Mills) DP — 6.9 Tampopo (1985, Juzo Itami) DP — 6.2 Swiss Army Man (2016, Daniel Scheinert & Daniel Kwan)-- 3.1 The Bad Sleep Well (1960, Akira Kurosawa) 35 mm — 7.0 The Mermaid (2016, Stephen Chow)-- 6.0 Black Girl (1966, Ousmane Sembène)-- 7.0 Christine (2016, Antonio Campos)-- 4.4 Resident Evil (2002, Paul W.S. Anderson)-- 6.3 Resident Evil: Apocalypse (2004, Alexander Witt)-- 5.4 Resident Evil: Extinction (2007, Russell Mulcahy)-- 6.6 Resident Evil: Afterlife (2010, Paul W.S. Anderson)-- 6.9 Resident Evil: Retribution (2012, Paul W.S. Anderson)-- 7.3 Resident Evil: The Final Chapter (2016, Paul W.S. Anderson) 3D — 7.2 Raise the Red Lantern (1991, Zhang Yimou)-- 7.2 Julieta (2016, Pedro Almodóvar) DP — 6.5

I think that the addition of Bernadette and Amy, amazingly played by Melissa Rouch and Mayim Bialik respectively, really compliments a lot more to the original cast with added depth.

Michael Powell reconsidered, Jean Rouch by Sam DiLorio, Apichatpong Weerasethakul's Tropical Malady, Adam Curtis's The Power of Nightmares, Kings and Queen by Nathan Lee and Gavin Smith, Andrew Sarris profiled by Kent Jones, Claire Denis's The Intruder, Johnnie To interviewed, We Jam Econo by Chris Chang, My Summer of Love reviewed by Kristin M. Jones

It is no surprise then that influences for the work include Sigmund Freud, Howard Carter's excavation of Tutankhamen's tomb and Jean Rouch's controversial film Les Maitres Fous (1955).

3 Film: Walls Words Pictures Lessons Sat 13th June, 1 — 6 pm Zilkha Auditorium A chance to watch four remarkable films inspired by the exhibition: Peter Kubelka's Arnulf Rainer, Jean Rouch & Edgar Morin's Chronicle of a Summer, Morgan Fisher's Picture and Sound Rushes and Noel Burch & Allan Sekula's The Forgotten Space.

June 18/19: Light Industry at Dia: Chelsea Anthony McCall's Long Film for Ambient Light presented with The Artist's Institute June 26: Light Industry at Soloway Jean Rouch and Edgar Morin's Chronicle of a Summer August 11: Light Industry at the New Museum This Is Marshall McLuhan: The Medium Is the Massage introduced by Alex Kitnick August 23: Light Industry at Audio Visual Arts Geeta Dutt: Playback August 30: Light Industry at Film Forum Black Audio Film Collective's Handsworth Songs September 27: Light Industry at Simone Subal Gallery Films by Constantin Brancusi, 1923 - 1939 presented by Phillipe - Alain Michaud October 4: Light Industry at Cabinet Oscar Micheaux's The Exile introduced by Martine Syms

Jafa was the director of photography on Spike Lee's Crooklyn (1994), Isaac Julien's Darker Shade of Black (1994), A Litany for Survival (1995), Ada Gay Griffin and Michelle Parkerson's biographical film on the late Audre Lorde, John Akomfrah's Seven Songs for Malcolm X (1993), a cinematographer for Stanley Kubrick's Eyes Wide Shut (1999), Manthia Diawara's Rouch in Reverse (2000), Nefertite Nguvu's In the Morning (2014), shot second unit on Ava DuVernay's Selma (2014) and was the director of photography for Solange's music videos Don't Touch My Hair and Cranes in the Sky (both 2016).

Also presented are two programs of rarely screened early work by Jean Rouch, the groundbreaking ethnographic documentarian, one devoted to his films in Niger and Mali and the other to his studies of architecture.

And speaking of that shower curtain, I forgot to tell Kev to snap a full - length picture of it, but he did take a close - up of my favorite part... the rouched, bottom edge:

Rouched blinds and a mixture of pretty florals on cushions, curtains and bedspread are typical of classic French style.