Sentences with phrase «of scenes structured»

Porter's new video, Actualidades / Breaking News, uses these trinkets and toys to illustrate a sequence of scenes structured like sections of a newspaper — «Arts and Leisure,» «Fashion and Style,» «World News,» and «Religion,» for example — and features music composed and arranged by Sylvia Meyer.

Not exact matches

The model was born in the U.S. tech scene, where startups adopted flat reporting structures out of lean necessity.

«It's obviously still very early days, but there's tremendous amount of work going on behind the scenes, setting the stage and we're making progress putting in place a new team and structure as well as cascading that structure and accountability down the whole organization,» chief executive Guy Laurence said in a conference call with analysts Thursday.

In a scene structured around pre-existing gang rivalries, crews bang out not for their city or their borough, but for the fifth and sixth digits of their phone number.

The stable, by the way, was probably a cave rather than a wooden structure the way all of the nativity scenes portray it as.

Previous chapters in the book have dealt with the relations of Christian ethics to the culture of our times in reference to family life, economic relations, race relations, political structures, and the problems of war and peace in the international scene.

No Nativity scenes at Christmas, no school prayer, taking In God We Trust out of the nation's government structures... and yet we talk Muslim holidays, placating to Muslims, and giving special priviledges to Muslims.

While Russell promoted a logical and metaphysical view that seemed to stress disconnectedness, nonconstitutive external relations, and the absence of anything resembling inherent order, structure, or community, it is hard to find a more passionately engaged «community figure» in the contemporary philosophic scene.

We do not miss the loyalty of David's mercenary troops (15: 19 - 21); the narrator's conviction of the mature quality of David's faith (15:25 f.; 16:12); the essential gentleness of David in these most wretched hours (16:5 - 14); the brilliant, carnal symbol of Absalom's irrevocable usurpation (16:20 - 22) and its portentous recall of the David - Nathan encounter (II 12:11 - 12); the arch Old Testament realist, the remarkable pragmatist Ahitophel (17: 1 - 23); Joab, who always acts like Joab (18:10 - 15; 19:1 - 7; 20A - 13); David's pathetic concern, implicit throughout, for the defiant son (18:1 - 5); the moving grief of a father's utter brokenness in the loss of his son (18:33); the reassertion in this critical time of the old and always fundamental north - south cleavage (19:11,41 - 43); David's profound and probably chronic annoyance with the crude, brash, «muscular» ways of Joab and his brothers, the sons of Zeruiah (16:10; 19:22; see also 3:34 b; 3:38 f.); and finally, in a kind of pausal summary before the last scene of David's reign in I Kings 1 - 2, the statement of David's very modest bureaucracy (20:23 - 26; cf. the extensive elaboration of this structure under Solomon, I Kings 4:1 ff.).

And he says he had no reason to believe the structure he was consulted on and his nephew built, one meant to represent the nurturing «womb of Mother Earth,» would go on to become a crime scene.

There are a lot of things going on behind the scenes that we don't know, but we DO know that Kroenke interferes with the team structure and the running of Arsenal... he certainly isn't silent Stan behind closed doors, and that could be behind the unrest going on at the moment.

It increasingly looks as though Woodward is just as much a victim of the current structure behind the scenes at United as Van Gaal and all the other agents within the club, working in an usual system where the football doesn't appear to come first at England's most successful football club.

Nicky Butt could be the best thing that's ever happened to United's academy, but based on the club's track record of the last few years — as well as the context of the lack of structure and thoughts into how things are currently set - up behind the scenes at Old Trafford — his appointment looks like another symptom of a distorted value system more concerned with what looks right in a cosmetic sense rather than what needs to be done.

Officials of the works department of the Techiman Municipal and the Ghana National Fire Service (GNFS) were at the scene to try to pull out the debris to ensure that other victims were not trapped under the collapsed structure.

«It was amazing to realize that long before Rivers even opened, before the slot machines and table games were rolled in, even before the company broke ground on the structure, the Hotel Trades Council was working behind the scenes to ensure that I could join a union without fear of management retaliation, and that my job would be a great job,» commented Table Games Dealer Messiah Pompey.

El - Rufai who spoke at the inauguration of the Judicial Commission of Inquiry into the December 12 clashes in Zaria, said he also took measures to safeguard public health and safety by removing unsound structures, and clearing debris from the scene of the clashes.

There were similar reports of NPP supporters arbitrarily taking over public installations across the country, reminiscent of scenes in the aftermath of the 2008 polls won by the NDC, which witnessed some of the triumphant party's supporters taking over the running of public toilets, toll booths, community centres, among other structures.

A coherent scene structure was needed to achieve the highest correlation of activity between viewers in parts of the brain involved in extracting meaning (The Journal of Neuroscience, vol 28, p 2539).

Perovskites have burst onto the solar scene over the last couple of years because it turns out they form near - perfect complex crystalline structures by simply depositing them from ready - made solutions at low temperatures.

For the petite framed, an oversized bag might in actual fact simply be a «large» bag for someone who is a of a more solid structure — so use your fashionable scene and simply work with your own body shape as opposed to copying the buying habits of another fashionista with the same trend in mind.

The simple and classy design of the site with logical structure is easily to navigate even by the newcomers to the on - line dating scene.

The best scene revolves around a conflict with a kinetic structure on an office desk which, like the film, is a lot of seemingly random motion with no apparent purpose other than distraction.

But by concentrating on the lives being lived outside of the celebrations, and the personal narratives that led seven very different kids into the scene, Kiki keeps the focus on the value of a safe space, of a community that provides structure and purpose for youths battling homelessness, illness, and prejudice.

Twiggy Pucci Garçon (who co-wrote the film with Jordenö) and Chi Chi Mizrahi, two prominent leaders on the Kiki scene, introduce us to the structure of this ballroom community's various houses, where LGBT youth form makeshift families — complete with house mothers and house fathers, who are typically not much older than their adopted children.

Luckily, the film is happy to forget this feint of a plot for long stretches, and instead structures itself around a handful of lavish vacations and sex scenes.

Anyway, even if the battles are well structured, the gameplay is strongly iterative and texts always overwhelm images, to the detriment of cut scenes of more epic narrative solutions.

By prioritizing imagery over structure, however, «Under the Skin» fails to flesh out and fully develop the potential drama of these scenes.

The film is structured around conflicting accounts of the same events told by Harding and her former husband, Jeff Gillooly (Sebastian Stan), with occasional interruptions from Harding's pitiless, abusive mother, LaVona, brilliantly played by Allison Janney, who can strike terror (and steal scenes) with little more than a long pause or the wily crook of her half - grin.

It zeroes in on the very personal, sometimes the pornographic (real blow job scenes galore), only to reveal the rottenness of structures that go way beyond the gender and social politics of Serbia and that certainly pre-date the digital.

Abrahamson adopts the bifurcated structure of his source material, dividing the running time between a harsh, rigorously contained two - hander and later scenes of mother and son trying to acclimate to the aftermath of their ordeal.

But the structure of Let the Sunshine In — a series of fragments, like Barthes's inquisition — calls for Isabelle to engage in multiple tête - à - têtes; with her deft scene partners, Binoche's more flamboyant instincts are tempered, or at least tethered.

Coxon and Hooper struggle to to find multiple points of entry into the subject, as the whole middle section is structured of scenes repeating the same story beats without elevating the conflict or raising the stakes.

Mind you, it has other good things going for it, too — a taut, intelligent and cleverly structured screenplay by Anthony McCarten, who brought us The Theory Of Everything, top - drawer direction from Joe Wright, whose 2007 wartime drama, Atonement, comes repeatedly to mind, and a scene - stealing but exquisitely judged supporting performance from Kristin Scott Thomas as Clementine Churchill.

There is no new footage, as director Kapadia collects terrific clips from a variety of sources (including behind - the - scenes meetings and home movies) and assembles them into a narrative structure that tells Senna's story chronologically, accompanied by Antonio Pinto's moody score.

This lucid drama about the start of the current economical collapse is gripping, even if its structure feels stagey: basically a lot of scenes of people talking in offices.

Yes, the structure of the original is there, and even some of the visuals seem to be a bit mirrored — particularly in the early scenes of Josh Brolin's character's imprisonment — but once it gets rolling, Lee seems to be making his own impression on the story.

The centerpiece of Renoir's intricate structure, the pivot on which the action turns, the symbolic core of his critique of French society, is the hunt, the scene that most clearly reveals the volcano that seethes beneath the dancers.

The cast members are all exceptional; while the movie's incredible roster of acting talent suggests an ensemble piece, the structure of the movie patiently presents a series of scenes between two or three characters (Adam Driver also has a role as a co-worker of Maria's, and acquits himself stolidly).

First off, as alluded to above, the film adheres very closely to its predecessor in terms of its story structure, so if you've seen the 1976 film, you'll likely be bored in seeing the same scenes play out in ways that are vastly inferior.

Having somehow amassed an embarrassingly overqualified cast, director David Frankel (The Devil Wears Prada, Marley & Me) embraces the schematic structure: Howard gets two scenes with each of the out - of - work actors (introduction, confrontation), each of the actors is paired up with one of Howard's partners, and so on and so forth.

The play is structured as a series of linked scenes: One - half of the couple in one scene would appear with someone else in the next scene.

Unfortunately, the film lacks even the most banal of structures, meaning that it's a hodgepodge collection of scenes that don't flow well at all.

Fincher talks about some of it in his commentary, but there are no major new scenes and the structure and storytelling are essentially the same.

It has a traditional play's pacing and structure, with the focus forever shifting among its principals and with members of the ensemble left to sit there looking on while the others have their major scenes.

Terry Notary's daring work as a man living as a monkey (not too far - fetched considering his past roles in «Kong: Skull Island» and «War for the Planet of the Apes»), is the film's most enthusiastic and earnest scene that can stand brilliantly as a short film rather than a part of the film's ultimately flawed structure.

The story, as structured by Hawke, plays like a series of extended flashbacks within flashbacks, and that's a very smart strategy, because it keeps the rambling scenes poised and alive.

It's also similiar in structure to «Raging Bull» where the fight scenes are secondary to the struggle of the man himself.

Sony's Blu - ray Disc reproduces the look of 16 mm in a 1.85:1, 1080p transfer that preserves the apparent grain structure across every shot, especially in darker scenes.

It often takes hearing a screenplay read by actors to see how the characters come to life and to see which scenes play well and which are problematic, as well as to experience live how the structure of the screenplay builds the story or where it doesn't engage the audience.

But the performance and the structure of the scene, as well as the shooting and editing, provoke a soulful response, and when the payoff arrives, it's immense.