If you are a fan
of schlock horror like I am, you might want to check this one out.
A gory, old - fashioned slice
of schlock horror that, by successfully paying homage to one of the greats, puts many of its contemporaries in the shade.
Not exact matches
The former dances the line between science fiction and
horror in Nowheresville, Indiana and the latter tells a story
of schlock and excess in the seedy underbelly
of Los Angeles.
The ensemble is a disappointment, though some truly hardcore
horror fans will like a few
of the casing choices, such as B - movie scream queen Barbara Crampton (Body Double, Re-Animator) as the mother,
schlock writer / director / actor Larry Fessenden (Habit, The Last Winter) as one
of the first victims, and director Ti West (Drinking Buddies, Silver Bullets) as one
of the significant others.
Over at ShockYa, for my latest Blu - ray / DVD column, I take a gander at Tim Burton and Henry Selick's The Nightmare Before Christmas, a bunch
of horror flicks, a pair
of documentaries on men that could scarcely be more different (New York Times society photographer Bill Cunningham and
schlock - meister Herschell Gordon Lewis), and the film that inspired Austin Powers «machine - gun - breasted fembots.
The Amityville
Horror is schlock horror adapted from a misguided book that is only interesting based on the presumption of its
Horror is
schlock horror adapted from a misguided book that is only interesting based on the presumption of its
horror adapted from a misguided book that is only interesting based on the presumption
of its truth.
The Conjuring has amassed an impressive amount
of hype as a classy
horror offering from
schlock director James Wan, the new master
of scare
of the week films Saw, Dead Silence, and Insidious.
One could call The Bye Bye Man inoffensive and even occasionally hilarious in its awfulness, but the truth is that it wasn't fit for theaters; even the most indiscriminate
of horror buffs deserve a little competence with their
schlock.
A remake
of the 1983
schlock horror The House on Sorority Row, this film is too bland to catch our imagination.
A
horror movie in the giallo tradition, The Neon Demon is equal parts art film and B - movie
schlock, with the dreamlike underpinnings
of a fairytale.
Timothy Olyphant (The Crazies)-- Typical
horror schlock elevated into the second best
horror movie
of 2010 (behind Let Me In) by three core performances that bring more to the material than the sort
of movie ever typically receives.
Watchers isn't the worst example
of low - budget
schlock horror that was popular among teen films in the late 1980s, but that doesn't mean it remotely approaches the status
of being good either.
We're talking about Hammer Films, the organization that brought us such cheesy, guilty pleasure,»50s era creepshow treats as
Horror of Dracula and Revenge of Frankenstein, only to find itself increasingly less relevant as a horror film factory in an emerging era of schlock, gore and torture
Horror of Dracula and Revenge
of Frankenstein, only to find itself increasingly less relevant as a
horror film factory in an emerging era of schlock, gore and torture
horror film factory in an emerging era
of schlock, gore and torture porn.
The Amityville
Horror is a film so awful that it begs the question, «Which group is more asinine — families that stay in an overtly horrific haunted house as long as they can or movie studio execs that keep mining from the same empty shaft
of ideas for ways to bombard us with abhorrent, unsavory
schlock we've all seen dozens
of times before?»
It's high concept that devolves into low - grade
horror schlock, resulting in one
of the most predictable and disappointing endings you'll ever see.
But Layers
of Fear is the real deal, a high water mark (with a pricetag just a little bit too high) in sea
of horror schlock.
0 also represents the strongest indicator, to me, that Resident Evil had abandoned its
schlock B - movie
horror charm in favor
of a more fantastical and anime - lite approach.
Combining the influence
of ancient pre-Columbian cultures and Mexican art with modern - day
schlock horror and comic - strip grotesque, Yarber's work, at once disturbing and comedic, trashy and mythical, embodies an eternal contemporaneity.