After combing through a vast library
of science fiction flicks both sublime and ridiculous, your intrepid Bad Astronomer sat down to explain the best and worst of movie science.
Not exact matches
Director James Cameron's 1986 blockbuster follow - up to Ridley Scott's Oscar winning
science -
fiction / horror
flick that became one
of the biggest grossing films
of 1979 asks a good question to a successful hit... How do you make a successful sequel to a film in which much
of the suspense comes from learning about the mysterious monster?
But amazingly for a 50's space
flick its a very intelligent and deep adventure which has become a full top level cult and the quintessential
science fiction film up alongside the likes
of» 2001: A Space Odyssey».
The old Flash Gordon and Buck Rogers serials were not
science fiction, the «alien invaders»
flicks of the 50s were likewise fantasy, and it continues today with such non
science fiction films as Independence Day, Red Planet and Event Horizon trying to claim a genre title
of which they are not worthy.
Tremors is a great action
flick with the perfect balance
of action,
science fiction and comedy.
After fellow Koreans Kim Ji - Woon and Park Chan - Wook launched their English language debut films (The Last Stand and Stoker, respectively) the most nuanced
of the trio
of directorial superstars, Bong Joon - Ho is delivering the largest in scale, the nuclear - winter bound
science fiction flick, Snowpiercer.
Rather than hold The Happening to the standards
of the art house, or Shyamalan's earlier films, it's fairer to compare it to the B - grade
science -
fiction flicks of the 1950s.
Sounds like the trappings
of a decent
science fiction flick, right?
It's that slipperiness
of creation and that psychosis that finds us repeating ourselves by repeating images
of ourselves (Multiplicity is a trickier
flick than given credit for) which informs a trio
of new
science -
fiction films reaching North American movie screens simultaneously (though only one is American in origin)-- we are the world's new cultural / emotional wasteland and the films
of our new millennium reflect that status.
Not unwatchable but often boring, Surrogates may hold the interest
of those accustomed to watching made - for - basic - cable cheapie
science fiction flicks, but those expecting the next Minority Report may find themselves restlessly wondering how a 90 minute movie can seem like three hours.
Caught between straight
science fiction and a monster
flick, Europa Report is about a team
of scientists sent to one
of Jupiter's moons in search for signs
of life.
Six years ago there spiked an irregularity in the heartbeat
of the contemporary
science fiction flick.
Though the Westerns eventually made way for
science fiction flicks to be Westerns in space (the «new frontier»), unfortunately, at least in the case
of Cowboys & Aliens, the elements cancel out one another.
A lot
of noise has been made this year over how fans
of Science Fiction should go see some of the larger studio - produced Sci - Fi flicks like Jupiter Ascending and Chappie if they want to see more «original» science fiction films in theaters in the
Science Fiction should go see some of the larger studio - produced Sci - Fi flicks like Jupiter Ascending and Chappie if they want to see more «original» science fiction films in theaters in the
Fiction should go see some
of the larger studio - produced Sci - Fi
flicks like Jupiter Ascending and Chappie if they want to see more «original»
science fiction films in theaters in the
science fiction films in theaters in the
fiction films in theaters in the future.
Birth director Jonathan Glazer returns with a deeply creepy film that, despite its
science -
fiction premise, is just as much a horror
flick of disassociation.
It is recommended for fans
of post-apocalyptic
science fiction, zombie
flicks, and those who have been disillusioned with the paltry amounts
of intelligent horror films to come out in recent years.
A critic once remarked
of George Romero's seminal 1968 zombie
flick Night
of the Living Dead that it is a
science fiction movie pretending to be a horror movie.
Think
of it as a
science -
fiction slasher
flick or a deep - space old - dark - house thriller with a crew
of likeably blue - collar mopes facing off against a shape - changing menace that's part axe murderer, part wild grizzly, and part serial rapist.
The new movie, which held its premiere here Tuesday night ahead
of its Paramount release this weekend, is alternatively an abduction thriller, monster
flick,
science -
fiction reverie, character comedy, horror pinprick, apocalyptic drama, duct - tape - and - chewing - gum chamber piece and alien - invasion movie.
; other classic mid-century
science -
fiction flicks like When Worlds Collide (1951), It Came from Outer Space (1953), and The Time Machine (1960) were marketed similarly, as Lumière-esque marvels
of film technology.
Among these amazing stories are heart - pounding
science fiction fairytale retellings like CINDER by Marissa Meyer; hilarious adventure
flicks such as MY LADY JANE by Cynthia Hand, Brodi Ashton and Jodi Meadows; contemporary romances like THE PRINCESS DIARIES by Meg Cabot and even nonfiction, with VICTORIA: Portrait
of a Queen by Catherine Reef.
The Festival program will screen all genres
of films: action, adventure, comedy, family movies, chick
flicks,
science fiction, thrillers, true stories, animations, documentaries, there is something for everybody!