Sentences with phrase «of script»

Much of the script sprung from the Batman stories «The Long Halloween,» «The Killing Joke,» «The Man Who Laughs,» as well as some early appearances of the Joker in the 1940s.

I loved my role in it and the Vietnam story in the sequel was the best written part of the script, I think.

Director Nik Arcel has finished his first draft of the script, and, says Heyman, is now collaborating with Jane Goldman.

For the sake of Segel and Stoller's reputations as writers, we are going to hope that they went into production with Angelo's draft of the script, only to have Segel and Stoller punch it up once they realized it wasn't working, and then realizing that there wasn't enough time to get it completely right, so they settled for this.

Editing is starting from a page one rewrite of the script, and sometimes you must change the structure in the editorial process.

WS: «Ultimately, we couldn't find the right combination of script and director and, also at the time, we were so far ahead of the game in the thinking, the technology wasn't there to do what they had already created in the comic book.»

Depending on the strength of the script by Rhett Reese and Paul Wernick (who have a ton of other projects lined up as well) who knows if Sony will pony up the significant budget bump it's going to take to get the band back together.

He doesn't show a knack for action sequences, and he frequently stumbles in the comedy as well, which is more an indication of a script in need of tweaking than an indictment of talent involved.

Though Boyle masks a lot of the script's problems with some nifty visuals and the same kinetic energy prevalent in his other films, the frantic pace only lasts so long before the story grinds to a halt, suffocated by a never - ending series of twists and red herrings that makes it almost impossible to discern what's real.

That iteration of this script contained moments that I saw so clearly, but it was like a string of visual vignettes that inspired me.

Obviously families who don't appreciate occult themes will want to steer clear of this script that views witchcraft as a «special gift.»

The stroke of genius however is the mature, honest touch of the script to express that people aren't born racist, and that personal experiences in life, along with misguided upbringings, shape them into who they are.

«Argo» added another prize to it's list of wins, with screenwriter Chris Terrio sharing the 25th Annual USC Libraries Scripter Award with the two men responsible for the source material of his script: journalist Joshuah Bearman, who wrote the article «The Great Escape» for Wired Magazine, and Antonia J. Mendez, who penned the autobiography «The Master of Disguise.»

The delays were due to a new director search after Rupert Wyatt's exit, a round of script rewrites and more than likely scheduling conflicts for Channing Tatum and director Doug Liman, who are busy bees themselves.

According to a previously released summary of the script, Evans» Dracula has a wife and child and becomes a vampire in the process of protecting them.

And in Superbad's constant dick jokes (care of a script by namesakes Seth Rogen and Evan Goldberg), we had an accurate representation of the way we all talked, maturity be damned.

«The Wolverine» co-writer Mike Bomback explains how early versions of the script had Rogue included and why she was written out.

Baird nearly makes up for John Logan's wisp of a script.

In Johnson's freshman effort — which starred Mark Duplass (Your Sister's Sister), who on this new film is the Executive Producer — the writer / director already demonstrated a strong understanding of script structure and a fine way with actors, but here he takes it to a whole new level.

Dan Aykroyd's original version of the script began with the Ecto - mobile flying out of Ghostbusters HQ, but director Ivan Reitman suggested that it would be better to show how the team got started.

I hear what you say about the emptyness of the script but it doesn't do justice to the essence of the film.

I think the second half is no less intriguing than the first, though certain elements of both script and direction are worth debating.

Apparently Arndt's departure was because of his script's focus on the next generation of heroes, while Abrams wanted to focus at least one more time on the main trio of heroes from the original Star Wars movies.

The beats were different, and of course I wanted to make them my own, so that evolved, but there was always a big, insane - o ending in that very first version of the script that I read.

So, just to be clear, in the original version of the script, George does not wake from his dirt nap.

Yeah, it became clear to me in the writing of the script that although the central relationship is between Minnie and Monroe and their affair, in a lot of ways the catalyst for the whole story is the relationship between Minnie and her mother.

I hear that was not something Hawke — coming off an Oscar nomination for Boyhood — was interested in pursuing, so the alternate version of the script was greenlighted to pilot.

Apart from a nice time - lapse bit in Times Square, director Rocky Powell delivers a fairly straightforward and blandly shot interpretation of the script.

Former documentarian Michael Campus (Christmas Cottage, Z.P.G.) takes a more personal approach to Robert J. Poole's oft - revised, oft - improvised - off - of script, showing these characters as fully realized people, each with his or her own strengths and weaknesses, all a bunch of gray areas instead of the black and white, both figuratively and literally, of other Black cast films to come out at the same time.

That absurdity is also where a lot of the script's pitch - black humor is born, and it works for the most part thanks to the chemistry between the four leads.

Director Miguel Arteta had been set to develop the project for Searchlight with Ol Parker writing the most recent version of the script.

There's been a lot of talk concerning his own movies that a lot of script is non-existent and he sometimes makes up scenes / dialog on the set.

The quality of the script is awesome.

The accomplished writer is Simon Beaufoy, who most recently adapted «127 Hours» and «Slumdog Millionaire» into scripts, and even he chose to leave that tiny detail out of the script.

Among the prizes in Super Troopers 2 «s Indiegogo campaign are such affordable buy - ins as a digital copy of the script for $ 10 and a digital download of the film for $ 30.

Pacino does not compel as consistently or fully as you'd suspect from a read of the script or, presumably, Roth's novel.

The Artist wins three Golden Globes: actor, score and best motion picture musical or comedy and countless more Oscars, but the absence of a script that does more than sketch faintly Stanley Donen and Gene Kelly's 1952 Singin» in the Rain pushes Jean Dujardin's performance as George Valentin to centre stage to fill the void.

Plus, seeing as how this is based on an earlier version of the script, there's no scene of Bumblebee peeing oil on John Turturro.

At least part of the credit belongs to screenwriter Diablo Cody, who seems to have set out to write a greatest - hits Jonathan Demme movie — complete with full - length live musical numbers, kitsch décor, and a wedding — while taking another go at the basic premise of her script for Young Adult: the story of a nobody returning to nowhere.

While Boyd expanded the movie from a short film, he has left some important elements out of his script.

With all due respect to our critic (who disliked the inaccuracies of the script), this fable of the West worked completely for me when I saw it at Sundance and even more when I programmed it for the Chicago Critics Film Festival.

I'm not going to sit here and spell out the dynamics of the script.

We'd already heard that a previous draft of the script was thrown at actors like Brad Pitt and James Franco, which suggested that the Albert Hughes - directed film is going to go pretty far off - book.

I think it depends on your definition of script.

The mean - spirited tone of script feels like it's coming from a position of a person with an axe to grind rather than a historian searching for the truth or offering a alternative theory of events.

He says more in a single look than a dozen pages of script could convey.

Like so much in Blue Night, it's an element of the script that never amounts to much when it's performed.

And I wrote the first draft of the script during that time,» says Haigh, who also came to the Bay Area to shoot the HBO series «Looking.»

Part 1 (18 minutes), deals with the origins of the script and how Weir and his crew molded it into the film we have today.

I enjoyed Krantz's effort to inform his audience about locations (the film was shot in Spokane, Washington) and production challenges, chatting up the trials of his low budget and the complexity of the script.