Sentences with phrase «of sculptural language»

With an acute understanding of sculptural language, Woods» interpretations shift between figuration and abstraction imbuing this central tension with volume, weight and interior mystery.

29 March - 10 June 1994 Galleries 1, 2 and 3 This exhibition surveys the visual lexicon of Serge Spitzer, who over the past twenty years has devised a kind of sculptural language.

The works of Guy Martin, John Gibbons, Ian Dawson and John Wallbank all demonstrate the different ways in which the evolution of sculptural language has been negotiated.

This understanding of sculptural language and a preoccupation with forms in space, translated into two - dimensional images, underpins her pictorial practice.

But Genzken has few contemporary rivals in her command of sculptural language — of solid and void, light and shadow, form and surface, and interior and exterior.

Not exact matches

Ultimately, the needs of the student are met by the Waldorf curriculum itself; in addition to the class teacher, the students experience continuity and expertise through involvement with subject teachers who teach handwork, movement and games, a world language, eurythmy, sculptural arts, gardening, music, and fine arts.

For example, the concave element below the rear lamp expresses the 3 dimensional and sculptural aspect of the Hyundai design language.»

Typical of SEAT's design language are the highly defined outlines to the lamps, which at the same time are integrated perfectly into the Ibiza's sculptural form.

«The interior space of the 200C EV concept vehicle is defined by a modern, sculptural form and language that doesn't sacrifice an open and spacious feel,» said Ryan Patrick Joyce, Chrysler 200C EV Lead Interior Designer.

«We wanted the Astra GTC to be the ultimate expression of Opel's design language «sculptural artistry meets German precision» and to embody our passion for the automobile,» says Mark Adams, Vice President, Opel / Vauxhall Design.

Referencing elements of the brand's contemporary design language, Vanquish Zagato Concept features One - 77 inspired wing mirrors and a sculptural rear end similar to DB11 «s aerodynamic profile, complete with retractable spoiler and rear hatch for access to the luggage compartment.

Whilst some artists, such as Kosuth or Emin, are more concerned with text and language others, including Eddie Peake, Mai - Thu Perret or David Batchelor, use neon as an extension of the drawn line, or for its three - dimensional sculptural or colourful qualities.

This exhibition is the first large - scale installation of Simmons» ongoing Index series, photographic works whose core are found in the language of the sculptural.

The Serpentine Sackler Gallery was populated by a diverse mix of sculptural forms that demonstrated Tayou's unique visual language based on archetypes, made and found objects and traditional craft.

Recent sculptural installations, such as Cracks in the Clouds (2010) at New York's Seagram Building and At Least They Died Together (2014) at the Brant Foundation, Greenwich, CT, imbue the spare language of Minimalism with emotional depth.

This informal conversation between London - based artist Francis Upritchard and German - born jeweller Karl Fritsch will explore the artist's unique sculptural language and the multiplicity of artisan and craft traditions Upritchard has incorporated into her practice, including collaborations with UK fashion house Peter Pilotto, Karl Fritsch and Italian designer Martino Gamper.

«This exhibition will mark a distinctive change of visual and sculptural language within my work.

The strategy of the post-modern Memphis studio was to challenge and subvert Modernist conventions of good taste, with a visual language dominated by flamboyant pattern, bold colour, graphic sculptural form and, frequently, humour.

Her exhibition Nowhere Else, 2017 explored the transient quality of language interpreted through sculptural, textual and bodily expressions.

Adam Brent's large - scale sculptural installation, The Ballad of Crook Horn Road, employs the slick language of suburban architecture to explore ideas of domesticity, memory and childhood.

Featuring over 35 sculptural, sound, language - based, conceptual, and immersive artworks by artists who include Terry Adkins, William Anastasi, Sophie Calle, Felix Gonzalez - Torres, Joseph Grigely, Ann Hamilton, Glenn Ligon, and Lorna Simpson, Second Sight explores the notion of sight, representation, and ability as social concepts.

Exemplifying a strong resurgence in material practices across the UK, the three artists produce sculptural works exhibiting precise languages of process, material or contextual manipulation.

Within these installations, Dean plays with the slipperiness of language, combining words and the sculptural possibilities of typography.

My current show at Honfleur gallery May4 - june 8th consists of a sculptural installation with sound elements, a kinetic interactive sculpture, an immersive scent and light object, and several interstitial castings, along with light - works derived from these castings, mimic and sometimes manipulate viewers» body language by evoking gestural interactions between bodies.

His repeated minimal palette correlates to his obsessive interest in line and form, drawing, and monochromatic and tonal values, while developing a complex language of pictorial and sculptural signs.

His influence — whether through his affectless, task - based performances, his sculptural castings of negative space, or his intermedia mash - ups of language, video and noise — is everywhere apparent in contemporary art.»

Through variegated floor and sculptural installations, works on paper, and wood panel, Rifas uses a concise language of richly contrasted color to alter our perception of space.

«Over the past few years, Bircken has developed an individual sculptural language that reveals a deep understanding of the materials she employs and a sensitive approach to both natural and artificial materials.

The addition of bronze to de Jong's sculptural language represents an engagement with mortality, monumentality and world history that is more nuanced and less visceral than the use of modern synthetic compounds that defined the first 15 years of the artist's practice.

Several artists in the exhibition explore the use of text, light, mixed - media and language in their sculptural works.

At A+P, McMillian, whose artistic practice embodies a wide range of media and techniques, will discuss how he manipulates a multitude of materials, including those found in his everyday life, to create striking sculptural works, paintings, and videos that challenge the relationships between language, aesthetics and content.

The boards lined with neo-woven plastic film fabric, decorated with a grid pattern mark familiar sculptural, architectural and industrial languages and constitute themselves in relation to processes of manufacture.

Spanning the late «40s through the early «60s, these works examine Abstraction based upon oblique evocations of the fragmented body and the influence of the unconscious, with seriality and repetition emerging as essential idioms of a new sculptural language.

Housed within sophisticated sculptural installations, his spoken word performances oscillate between extreme didacticism and poetry, ultimately serving to undermine our belief in language as a form of communication in the age of over-sharing.

The sculptural language of Strong - Cuevas originates from the basic form of the human head.

Mateo's sculptural work makes use language as a tool of narrative and of absurd abstraction, shifting in scale, and exchanging mediums in an attempt find a means a performative production.

Von Rydingsvard has evolved a distinctive, highly personal sculptural language that has become synonymous with cedar, the wood that lies at the heart of her practice.

In his pursuit of a new language, the artist helped to move sculptural practice from the «modern'to the «contemporary.»

Works on view reveal how César challenged traditional notions of form and space, and proposed a fresh and highly personal sculptural language via his pioneering experiments with postwar industrial materials.

A diverse mix of sculptural forms demonstrate Tayou's unique visual language based on archetypes, made and found objects, and traditional craft.

Best known for his artful manipulation of light and shadow, Fred Eerdekens has been creating sculptural shadow - play which examines our understanding of text and language for over thirty years.

For his sculptural bird nests, he has asked people from all over the world to send stories of their youth to him, written in their native language.

In Nathan Carter's fifth solo exhibition at the gallery, the visual language of his two - dimensional abstractions evolves into a multi-dimensional, sculptural stage set.

Using fibers and sculptural manipulation of the canvas as vehicles, the 13 featured artists explore the history of painting, its language, and the process of painting and its relation to the body.

This new, fascinating sculptural language established him as a key figure in the development of 20th century sculpture alongside David Smith, Mark Di Suvero and Richard Serra.

Her films are attempts at weaving together portraits of morally dubious characters or events, and her sculptural practice employs a language of minimalism and abstraction to reformulate familiar objects into a state of ambiguity, navigating between negation and seduction.

Her canvases fuse a sense of classicism with sculptural elements and a post-internet awareness of the ideas of surface, texture and language.

All of the books on display deal with language and explore artists» interest in words in connection with sculptural practice.

«Her images are childlike but too monumental for children, abstract but too full of language to be speechless, pretty but too impolite to please everyone, and hung on the wall but too sculptural to remain there.»

«In many ways, Dimitri's sculpture, like his life, straddled dual cultures, still believing in the vitality and worth of post-Cubist art, insisting that this European legacy did not have to be forestalled by the War, as it had been in America, that there was still something to say in modernist sculptural languages that had their origins in Paris.