Sentences with phrase «of sculptural practice»

His drawings are explorations in their own right, integral to the overall concerns of his sculptural practice, and unique intuitive explorations within their own established criteria.

Responding to notions of public space and the conventions of sculptural practices, applicants will be challenged to create an innovative and engaging proposal within an open critical framework.

This exhibition brings together works that expand the conventional ideas of sculptural practice.

«Like Life: Sculpture, Color, and the Body (1300 — Now),» at The Met Breuer, New York, examines 700 years of sculptural practice through a selection of works from 14th - century Europe to the present day, including Emma (1970).

The Irreverent Object examines the subversive nature of sculptural practice employed by European artists from the 1960s through the 1980s.

Comprising works from four different series — Mont Ventoux, The Blind Leading the Blind, Gorgo, and Mute Witness — the presentation outlines various fundamental aspects of his sculptural practice while at the same...

Comprising works from four different series — Mont Ventoux, The Blind Leading the Blind, Gorgo, and Mute Witness — the presentation outlines various fundamental aspects of his sculptural practice while at the same time addressing recent developments.

The artists invited to participate in Nasher XChange — Lara Almarcegui, Good / Bad Art Collective, Rachel Harrison, Alfredo Jaar, Liz Larner, Charles Long, Rick Lowe, Vicki Meek, Ruben Ochoa, and Ugo Rondinone — represent a range of sculptural practices in contemporary sculpture locally, nationally, and internationally.

Pangolin London provides a platform for Eastwood - Bloom to show his most recent work which is at the fore - front of sculptural practice.

The legacy of Last Ladder was the emergence of a sculptural practice far more focused on the ability of material itself to convey meaning and message to the viewer, and the highly streamlined and minimalist approach to form evident in Andre's later work.

His essay «Specific Objects, first published in the summer of 1965, constitutes a radical redefinition of sculptural practice, and remains central to the analysis of the new art developed in the early / mid - 1960 s.

Together, this collection comprises a snapshot of an important moment in the extensive legacy of the Los Angeles contemporary art scene, which has seen significant expansion in the possibilities of sculptural practice.

[1] It is therefore not much of a surprise that the solemn presence of her sculptural practice vastly rests on the simplicity and bareness of the materials of which the objects are made out of.

As Gates told Chicago magazine in an interview earlier this month, «There's room inside of a sculptural practice to re-imagine what the raw material is, so that we can re-imagine what the end sculptural work looks like.»

From August 25 to September 22, the Toronto public will have the opportunity to view the largest exhibition of contemporary Toronto sculpture ever held, and the first to focus on this city as a major centre of sculptural practice.

The late Colombian conceptual artist Miguel Ángel Cárdenas moved to Holland in 1962, became Michel Cardena, and immediately started to shed his deep - seated image of the body as shameful and indecent in favour of a sculptural practice that incorporated the use of genetilia, tubes, zippers, spongy materials and bold colours.

The Met Breuer will present «Like Life: Sculpture, Color, and the Body (1300 - Now),» showcasing 700 years of sculptural practice.

Seven hundred years of sculptural practice — from fourteenth - century Europe to the global present — are examined anew in this groundbreaking exhibition.

The exhibition, which contains around 120 works, examines seven hundred years of sculptural practice; from fourteenth - century Europe to the global present.

On view at The Met Breuer now seven hundred years of sculptural practice — from 14th - century Europe to the global present — examined anew in the groundbreaking exhibition Like Life: Sculpture, Color, and the Body (1300 — Now).

Seven hundred years of sculptural practice — from 14th - century Europe to the global present — is examined anew in this groundbreaking exhibition.

«Examining the past 8 years of sculptural practice, this show draws on the key moments from 3 solo shows and countless group shows while introducing new works,» says Bergeron.