Sentences with phrase «of seeing these film on the big screen»

The film noir slate was particularly rich as was the experience of seeing these film on the big screen — the lighting, the compositions, the close - ups all popped in a way that just doesn't happen when you watch these titles on TV.

Not exact matches

Amidst all the hype and debate surrounding this year's flood of faith - related films — Noah, God is Not Dead, and Heaven is For Real — a quiet Oscar winner from 2013, recently released to DVD, provides the most compelling story of faith I've seen on the big screen in years.

PG - 13 films account for nearly two - thirds of the smoking scenes adolescents see on the big screen, according to the two - year study, which surveyed roughly 5,000 children ages 10 to 14 about the movies they'd seen and whether they'd ever tried a cigarette.

With the rise of Hollywood films and the modeling industry, people began to look towards these famous ladies they saw on the big screen for fashion and beauty inspiration.

A couple of months ago now, the world was finally treated to the superhero film every comic book fan had been waiting decades to see on the big screen: Batman v Superman.

While those who enjoyed the Brooks book will likely be chagrined at seeing little of what they enjoyed show up on the big screen, taking World War Z on its own terms as a Hollywood blockbuster, there's still enough entertainment value to be had for those who are OK with the fact that the film doesn't represent the book.

He is currently filming Baz Luhrman's new Netflix series THE GET DOWN and will be seen on the big screen in Terrance Malick's upcoming KNIGHT OF CUPS.

But there's one Science Fiction film that towers above all others of the genre, as well as all other films, and that is Stanley Kubrick's 2001: A Space Odyssey, which Warner Brothers barely released in time to actually be seen on a big screen during the relevant year.

But it's unfair to judge on a book on its cover (or title) and after seeing Matthew Vaughn's film adaptation which releases this weekend, I can honestly say that Kick - Ass is much better than I first expected and Vaughn's big - screen version of the graphic novel features sharp writing, brilliant performances, and of course, indulgent action sequences and story - telling.

He continues to be seen on television and on the big screen in a variety of projects including an episode of Battlestar Galactica (2006), the film Changeling (2008) with Angelina Jolie, recurring roles in the series 24 (2009) and The Listener (2009), and in the miniseries The Borgias (2011) as a 15th - century cardinal.

As you might expect of a Godzilla film, it's something worth seeing on the biggest possible screen you can find, with the biggest possible audience you can find.

«But you work according to the medium you're working in, and some of this film is explicitly designed to be seen on a big screen.

I've always wanted to see Carrie on the big screen hope it's the 2nd film of the night.

I would recommend seeing it on big screen to induce vertigo due to most of film taking place on the 21st floor of a hotel (that being said, if you are afraid of heights, you may want to skip it).

We got our first official still from Guy Ritchie's big screen take on the classic spy series The Man from U.N.C.L.E. earlier this week [see here], and now we have another image from the film featuring the two leads Henry Cavill (Man of Steel) and Armie Hammer (The Lone Ranger)... Set against the backdrop of -LSB-...]

This is your chance to see Hollywood's best and worst dressed, watch the Academy Awards broadcast on the big screen with a bunch of other film nerds, drink to -LSB-...]

He is one of my favorite directors, so I always think it's a treat to see his films on the big screen whenever opportunity arises.

Warner Bros» wants to remind us that this offshoot ties in with what they've planned so far in their mad rush to catch up with the Marvel films and their jam - packed universe of already beloved characters, but we've never really seen any of these new Suicide Squad characters on the big screen before.

It's a love letter to the Muppets, written by fans, for fans, and, given the critical and commercial success of this film, certainly not the last time we'll see them on the big screen.

Most fans of the video game and first film reject this sequel soundly, although the insatiably curious will probably find it interesting on a purely speculative level, seeing more of the characters from the games and how they are «brought to life» in a big screen manner.

Some might say that it's a good excuse to see the film on the big screen, but considering the way that Smith has been marketing «Red State» (taking the show on the road and charging big bucks to see it), the whole thing stinks of a last - ditch effort to bleed more money from his fans.

The last film Bruce Broughton worked on that was released in cinemas was the 1998 big - screen retelling of Irwin Allen's tv show Lost in Space, with Gary Oldman, William Hurt and Matt le Blanc; sadly for Broughton, who surely saw the movie as a way of gaining more exposure and therefore more work, it tanked and became as critically - lambasted as other event movies from the time like Batman and Robin and The Avengers.

Maybe it's a nostalgia thing, but when I start up a movie on Blu - ray and see an old - school Columbia Pictures logo that's dancing with the sort of golf - ball - sized film grain I remember seeing on the big screen at the Cooper Theatre downtown, well, it makes me feel good inside.

In a year made of horror films that have delivered more unintentional laughter than genuine scares, As Above, So Below fits the bill as exactly the kind of low - budget, lower - quality flick you'd see released on the big screen for the Labor Day weekend.

While Latifah, long the film's shepherd, has expressed gratitude at the opportunity to grow as an actress before officially taking on the role, it's hard to imagine — given the destinations of «Candelabra» and «Normal Heart» — that a film unwilling to shy away from its black female protagonist's bisexuality would have ever seen the light of day on the big screen.

At the Cinefamily Silent Theater in Los Angeles, the unprecedented success of the screening invited an impromptu Carax restrospective — seeing Motors on the big screen in the same week as something like his 1986 film, Mauvais Sang had to be one of the most exciting weeks I had in the theater this year.

I would be cheating my own rules for this annual exercise if I were to crown Howards End as my film of the year - I have in fact seen it many, many times before and loved it for a long time (although never before was I able to enjoy the finesse of its narrative structure, and admire its sumptuous mise - en - scene and art direction - actually delivered on a shoestring budget - on a big screen).

Perhaps saddest of all is that the only place in all of Australia where audiences will be able to see this multi-award winning film starring some of the biggest names in the business on the big screen is at Cinema Nova in Melbourne.

Even if the big - screen revival of the HBO series about a movie star (Adrian Grenier) and his posse does technically qualify as a film, it's still questionable whether writer - director Doug Ellin has ever seen any other movies, given the Mortal Instruments - level movie - within - the - sorta - movie that he presents not as a goof on Hollywood hubris but as an uncompromising masterpiece that eventually makes half a billion dollars at the box office.

At the 2014 TCM Classic Film Festival, I attended the world premiere restoration of The Best Years of Our Lives (1946)-- the first (and only) Fredric March film I've seen on the big screen.

The Girl Who Played with Fire is much more of a thriller than a traditional murder mystery — a pity since one of the reasons I liked the first film was that I hadn't seen a straight murder mystery on the big screen for quite some time.

It begins with actor Robert Downey Jr and director Jon Favreau revealing their initial concern whether or not the audience will accept a superhero from Marvel Comics onto the big screen and how their worry vanished when they saw the fan craze on the red carpet of the first Marvel film — Iron Man a decade back.

Yes, the visuals are a huge part of this film, though we in India will not be able to see this film on the big screen.

Collectively we — Kurt Halfyard, Matt Brown, Matthew Price, Ryan McNeil, Bob Turnbull, Mike Rot, Ariel Fisher and Sean Kelly — saw almost half of the 350 films shown at the festival and hopefully this post can act as a «rough guide» for films that will be finding distribution on some platform, whether on the big screen, or small internet enabled screen, in the next 18 months.

Winner of the Audience Award and Best Canadian Film prizes at Hot Docs Canadian International Documentary Festival, this is a film I saw twice on the big screen this past year (and was moved to tears both times, I proudly attest) and one that eloquently makes its case early in the film when an early Charley Patton recording is played and lands like lightning.

Fourteen of the most prominent print critics from the Puget Sound area have voted on the best in the film year, perhaps naively believing that movies should be seen on the big screen anyway.

It's not a film that needs to be seen on the big screen, but Life of the Party is more light - hearted and jovial than most other movies playing in theaters right now (independent and big - budget films alike) and should please the steadfast members of McCarthy's fanbase.

While a few of the songs are tuneful enough and the supporting cast features a raft of musical theater veterans including Alexander, James (The Book of Mormon) and Cheyenne Jackson (Damn Yankees, Finian's Rainbow), the musical numbers are staged with an awkwardness not seen on the big screen since the likes of the 1974 film fiasco Mame.

The new image hints at the scale of the Legendary Pictures film, which director Jordan Vogt - Roberts promises will depict «the biggest Kong that you've seen on screen.»

In addition to confirming «Doctor Strange» — with a release date — it gave subtitles to the next «Captain America» and «Thor» films and heralded the coming of two heroes Marvel fans have been aching to see on the big screen: Black Panther and Captain Marvel.

If you missed it in its brief Varsity run (where, I'm told, the print had a severe scratch running through the entire film), you owe it to yourself to see this celebration of cinema on the big screen.

This may not be the movie to see if you're with the young «uns on Christmas but for most of us, everything you'd want such a film to be is on the big screen.

ANGELINA Jolie, who will next be seen on the big screen in the film «Maleficent,» is Hollywood's highest paid actress with estimated earnings of $ 33 million in the last year, according to Forbes.

Of course, true film lovers believe an epic World War II era drama deserves to be seen on the big screen, and since Mudbound will be shown in select cinemas, I suggest you make the effort to see it there if you can.

From a technical standpoint, the film was one for the ages (this was one of those increasingly rare movies that cried out to be seen on the biggest screen possible and was even one of the few to make intelligent use of 3D technology) but what was even more surprising was how effective it was from a dramatic standpoint as well, thanks in no small part to the career - best work from Bullock and the deft use of Clooney's glib star quality to help orient viewers for what might have otherwise been an off - putting experience).

«I personally don't perceive the Palme d'Or [should be] given to a film that is then not seen on the big screen,» Almodóvar told the room full of press, a comment which seemed to suggest the two Netflix films in competition this year, Noah Baumbach's The Meyerowitz Stories and Bong Joon - ho's Okja, have no shot at winning because they don't yet have a French theatrical release planned.

This is one of the bigger films that I haven't seen yet, but I've got a ticket to a screening on Tuesday and I'm very excited to see it, as I trust that Searchlight knows a fantastic film when they see one.

First, the novelty of seeing Marvel's heroes come together on the big screen has worn off now that we've already seen the first Avengers film, and given that this sequel couldn't replicate the critical reception of The Avengers, the interest amongst casual viewers may have been diminished slightly.

The last decade or so has seen a number of young adult novel series come to life on the big screen in the form of blockbuster film franchises.

The sumptuous cinematography, thrilling music and all - around excellent cast make this one of the year's best films; and it is currently playing everywhere, so see it on the big screen if you can