Sentences with phrase «of set decorators»

Not exact matches

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It's a set decorator's version of a biologist's home: old brass microscopes, an ostrich egg on the mantle, tottering piles of research papers, and thousands of books heaped on groaning shelves.

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That's not to take away from Ann Roth's ratty and exquisite period costume design, or to detract from how immaculately set decorator Rena DeAngelo recreated the smokey thrum of the old Washington Post newsroom.

Under the banner The Final Climax, we find nine featurettes that fill 32 minutes, 39 seconds with notes from director James Foley, production designer Nelson Coates, set decorator Carolyn «Cal» Loucks, costume designer Shay Cunliffe, director of photography John Schwartzman, producer Marcus Viscidi, author EL James, screenwriter Niall Leonard, and actors Dakota Johnson, Jamie Dornan, Eloise Mumford, Victor Rasuk, Rita Ora, and Eric Johnson.

Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors, David Burrows, Chris McKay; music, Mark Mothersbaugh; production designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman; sound (Dolby Digital / Datasat), Brannon Brown; supervising sound editor / designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald; animation supervisor, McKay; feature animation, Animal Logic; head of animation, Rob Coleman; FX supervisor, Carsten Kolve; special effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.

Remembering J. Michael Riva: The Production Design of Django Unchained lasts 12 minutes, 50 seconds and involves Savone, Foxx, prop master Hope Parrish, production designer J. Michael Riva, supervising art director David Klassen, producer Reginald Hudlin, set decorator Leslie Pope, and actor Walton Goggins.

These fill a total of one hour, 56 minutes and 32 seconds as it provides comments from Wick, Fisher, production designer Alec Hammond, 2nd AD / VFX supervisor James Madigan, author Veronica Roth, set decorator Kathy Lucas, screenwriters Brian Duffield and Akiva Goldsman, supervising art director Alan Hook, producer Pouya Shahbazian, stunt coordinator Darrin Prescott, transportation coordinator Denny Caira, 2nd unit stunt coordinator Wade Allen, executive producers Barry Waldman and Todd Lieberman, fight coordinator Jeremy Marinas, special effects coordinator Bruno Van Zeebroeck, armourer Gregg H. Bilson Jr., property master Sean Mannion, composer Joseph Trapanese, and actors Shailene Woodley, Theo James, Octavia Spencer, Kate Winslet, Miles Teller, Ray Stevenson, Jai Courtney, Ansel Elgort, Jonny Weston, Maggie Q, Keiynan Lonsdale, Zoe Kravitz, Naomi Watts, Daniel Dae Kim, Emjay Anthony, Suki Waterhouse, and Ashley Judd.

Like Edmund Halley, who died just a couple of years before seeing his prediction come true about the date when the comet bearing his name would return, the sad note about the film is that Rad (listed as director, producer, writer, editor, composer, production designer and set decorator) died in 2007 before he saw it gain new life.

Best Production Design: Production Designer: Sarah Greenwood; Set Decorator: Katie Spencer (Beauty and the Beast) Production Designer: Dennis Gassner; Set Decorator: Alessandra Querzola (Blade Runner 2049) Production Designer: Nathan Crowley; Supervising Set Decorator: Gary Fettis (Dunkirk) Production Designer: Paul Denham Austerberry; Set Decorators: Shane Vieau, Jeff Melvin (The Shape of Water)

This tightly - knotted mood owes a great deal to production designer Anne Ross, a frequent collaborator of Coppola's, as well as art director Jennifer Dehghan and set decorator Amy Beth Silver...

Costume Designer Colleen Atwood, production designer Dante Ferretti and set decorator Francesca Lo Schiavo comment on the look of the film «Designs for a Demon Barber» (9 minutes).

Blade Runner 2049 — Dennis Gassner (Production Designer); Alessandra Querzola (Set Decorator) Dunkirk — Nathan Crowley (Production Designer); Gary Fettis (Supervising Set Decorator) Murder on the Orient Express — Jim Clay (Production Designer); Rebecca Alleway (Set Decorator) Phantom Thread — Mark Tildesley (Production Designer); Véronique Melery (Set Decorator) The Shape of Water — Paul Denham Austerberry (Production Designer); Shane Vieau, Jeff Melvin (Set Decorators)

It fills 20 minutes, 58 seconds with info from Mangold, producer Cathy Konrad, production designer Andrew Menzies, set decorator Jay R. Hart, writer Michael Brandt, director of photography Phedon Papamichel, key armorer Thell Reed, 2nd unit director / stunt coordinator Freddie Hice, special effects coordinator Ron Bolanowski, costume designer Arianne Phillips, and actors Christian Bale, Russell Crowe, Logan Lerman, Luce Rains, Kevin Durand, Gretchen Mol, Peter Fonda, Dallas Roberts and Ben Foster.

Bonus: Discs One & Two • Audio Commentary with co - writer / co - producer / director Peter Jackson, co - writer / co-producer Fran Walsh, and co-writer Philippa Boyens • Audio Commentary with production designer Grant Major, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger • Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor Mike Horton, additional editor Jabez Olssen, co-producer Rick Porras, composer Howard Shore, visual effects supervisors Jim Rygiel and Joe Letteri, supervising sound editor Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randy Cook, previsualization supervisor Christian Rivers, visual effects DP Brian Van't Hul, and visual effects DP Alex Funke • Audio Commentary with actors Elijah Wood, Sean Astin, John Rhys - Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Sean Bean, Bernard Hill, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, John Noble, Craig Parker, and Andy Serkis

Art direction Andy Nicholson (production designer), Rosie Goodwin (set decorator)-- «Gravity» WINNER: Catherine Martin (production designer), Beverley Dunn (set decorator)-- «The Great Gatsby» K.K. Barrett (production designer), Gene Serdena (set decorator)-- «Her» Dan Hennah (production designer), Ra Vincent (set decorator)-- «The Hobbit: The Desolation of Smaug» Adam Stockhausen (production designer), Alice Baker (set decorator)-- «12 Years a Slave»

Affleck has master craftspeople like cinematographer Robert Richardson, set decorator Nancy Haigh, and costume designer Jacqueline West operating at the top of their game.

Set Decorators Judy Farr — «The King's Speech,» «Death at a Funeral» Gene Serdena — «The Fighter,» «House of Sand and Fog»

Best Art Direction Production Designer: Kevin Thompson, Set Decorator: George DeTitta Jr., SDSA (Birdman or (The Unexpected Virtue of Ignorance)-RRB- Production Designer: Adam Stockhausen, Set Decorator: Anna Pinnock (The Grand Budapest Hotel) Production Designer: Nathan Crowley, Set Decorator: Gary Fettis (Interstellar) Production Designer: Dennis Gassner, Set Decorator: Anna Pinnock (Into the Woods) Production Designer: Ondrej Nekvasil, Set Decorator: Beatrice Brentnerova (Snowpiercer)

BEST ART DIRECTION Andy Nicholson (Production Designer), Rosie Goodwin (Set Decorator)-- Gravity Catherine Martin (Production Designer), Beverley Dunn (Set Decorator)-- The Great Gatsby K.K. Barrett (Production Designer), Gene Serdena (Set Decorator)-- Her Dan Hennah (Production Designer), Ra Vincent (Set Decorator)-- The Hobbit: The Desolation of Smaug Adam Stockhausen (Production Designer), Alice Baker (Set Decorator)-- 12 Years a Slave

The Best Art Direction category recognizes both the production designer and the set decorator of -LSB-...]

Production designer John Barry, art directors Leslie Dilley and Norman Reynolds, and set decorator Roger Christian shared this award for crafting the realistic, lived - in look and feel of Star Wars: A New Hope.

As a counterpoint to these events, Aurora rummages in a closet and comes up with a roomful of diaries, photo albums, old dance cards, theater programs and journals, which collectively suggest set decorators and prop consultants are on an unlimited budget.

All of the different creatures from Baker are impressive looking, with Sonnenfeld and the set decorator's recreation of the 60s matching them.

The work of production designer Anastasia Masaro, set decorator Caroline Smith and the team of four credited art directors (including Terry Gilliam himself) is playful and self - aware.

The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator makeup and animatronic effects man John Rosengrant of Stan Winston Studios, visual effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual effects supervisor Charles Gibson, special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual effects supervisor Ben Snow, and CG supervisor Pat Conran.

Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.

The disc's primary making - of is «The Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey, sound design & alien vocals Dave Whitehead, supervising sound editor Brent Burge, and film editor Julian Clarke.

It features comments from Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, director of photography Trent Opalach, special effects supervisor Max Poolman, lead set decorator Gary Potgieter, art directors Emelia Weavind and Mike Berg, production designer Philip Ivey, sound designer Dave Whitehead, supervising sound editor Brent Burge, film editor Julian Clarke, and actors Sharlto Copley, Jason Cope, Vanessa Haywood, Mandla Gaduka, and David James.

These feature information from Spielberg, Cruise, Wilson, Muren, Johnston, Wagner, Koepp, Fanning, Chatwin, director of photography Janusz Kaminski, producer Kathleen Kennedy, visual effects supervisor Pablo Helman, production designer Rick Carter, concept designer Doug Chiang, property master Doug Harlocker, stunt coordinator Vic Armstrong, special effects coordinator Daniel Sudick, digital production supervisor Curt Miyashiro, military technical advisor Major Joseph Todd Breasseale, model / miniature supervisor Steve Gawley, actor Tim Robbins, set decorator Ann Kuljian, compositing supervisor Marshall Krasser.

Production designer Mark Freidberg, set decorator Lydia Marks and costume designer Catherine George have fashioned a setting in their shared home that is an extension of both characters, representing his neatness, her mania for monochrome, and one bonus element: a scene - stealing English bulldog named Marvin (played by the now deceased canine performer, Nellie).

Production Designer Suzie Davies, along with Set Decorator Charlotte Watts, construct an alluring atmosphere of time and history.

Set decorator is Oscar - nominated Hamish Purdy (The Revenant) and stunt coordinator is Paul Jennings (Game of Thrones, San Andreas, The Dark Knight).

Newcomers include actors Orlando Bloom, Treva Etienne, Geoffrey Rush, and Jonathan Pryce, executive producer Bruce Hendricks, a huge special effects team from Industrial Light and Magic, set decorator Larry Dias, art director Derek R. Hill, sword master Bob Anderson (who also worked on the original Star Wars Trilogy and The Lord of the Rings), and costume designer Penny Rose, among many other crew members.

There's a bold film score from Oscar - winning Italian composer Dario Marianelli (Atonement) and the set decorators and costumers deserve praise in recreating key locations such as the inside of Buckingham Palace and the House of Commons.

Back in 1997, in the first «Hard - Boiled Gazetteer,» I wrote, «Today we've come to expect mysteries, cozy as well as hard - boiled, to place a high priority on vivid settings, but many crime writers use a sense of place mainly to create ambience, with landmarks strewn about in the manner of an interior decorator selecting wallpaper.

The simple, natural interiors of the rooms don't feel far off from what set decorators might choose for a young Jedi.

«Most decorators and designers avoid loud, bright colors,» continues Heyman, «as [they can] distract from the action in the scene... You don't want background set decoration that jumps out of the background too much.»

While there, she approached the show's set decorator and asked whether the production might be interested in buying a piece of her art for use on the show.

Whether it's a painting hanging in the leading man's swanky bachelor pad or a sculpture on the coffee table of some villainous businessman's corner office, film and television set decorators have got to get their artistic accoutrements from somewhere.

Art rental companies — like Los Angeles» Film Art LA (www.filmartla.com) or the New York - based Art for Film (www.artforfilmnyc.com)-- assist set decorators in their hunts for high - quality art by assembling a curated selection of work culled from artist submissions.

Event designers, set decorators, and prop stylists can access our collection of thousands of rugs, including Persian, Indian, Moroccan, Oriental rugs, and so much more.

«As a decorator, I love the strong sense of symmetry that comes from a set of twin beds,» says Jessica, who had these hard - to - find spindle - framed beds for one of the rooms shipped from the US.

How decorator Cynthia Weber fashioned a fresh farmhouse porch worthy of its stunning rural setting.

White Parson desk $ 299 from West Elm ** Round Coco sunburst mirror $ 199 from West Elm ** Aqua glass table lamp $ 502 from Layla Grayce ** Grant Wing Back Chair in Ivory w / Nail head trim $ 999 from Home Decorators ** Reflections white storage shelf $ 349 from Home Decorators ** 9 drawer mirrored dresser $ 1,963 from Layla Grayce ** Paris Flea market collection champagne chandelier $ 700 from Layla Grayce ** Distressed metallic pillow $ 48 from DwellStudio ** Gold Leaf Cade table lamp $ 179 from Home Decorators ** Gold table clock $ 74 from Layla Grayce ** Glossy red boxes — set of 3 $ 79 from Dwell ** Small wire basket $ 13 from Crate & Barrel ** Yellow laquered magazine storage $ 22 from West Elm ** Pearl box $ 48 from West Elm ** White washed weaved storage bins $ 39 from West Elm ** Trina gold corkboard $ 49 from Home Decorators ** Owl Coin bank $ 10 from All Modern ** Bold Black & White Stripped rug $ 399 from Overstock ** Metallic Gold Leather Moroccan Pouf $ 199 from Overstock

Rubino, who was also the set decorator on Nancy Meyers» It's Complicated and Something's Got ta Give, outfitted the interior with vintage accents and cozy textures to foster a sense of nostalgia.

3350 Sacramento St. WHERE TO SHOP: Big Daddy's antiques A shop for interior designers, set decorators and design enthusiasts alike, Big Daddy's has an endless supply of cool one - of - a-kind antiques for both indoors and out, as well as reproductions of items from around the world.

Set just 12 feet from the cliff's edge, the one - story house feels, Turner says, like it is floating on the sea's waves, and the decorators capitalized on that sensation with a palette of serene blues, greens, grays, and creams.

After deciding on sisal I found lots of sisal used in elegant room settings in decorator magazines.