Sentences with phrase «of several group exhibitions»

In the late 1960s, he participated in two exhibitions titled «False Image» at the Hyde Park Art Center, Chicago, one of several group exhibitions which followed the «Hairy Who» shows.

Ytterstad has also been part of several group exhibitions, amongst others at the National Museum of Art, Oslo; UKS Biennale, Oslo; Henie Onstad Art Center, Høvikodden; Buro Empty, Amsterdam; Pollock Fine Art, London and Kunstnernes Hus, Oslo.

Rocklen has been part of several group exhibitions as well as solo shows at UNT / TLED in New York, Bernier / Eliades in Athens and LA's Black Dragon Society.

The last two decades have witnessed a resurgent interest in Stone's art, which has been a part of several group exhibitions in New York City and was the subject of two solo shows at the Michael Rosenfeld Gallery (2002 and 2006).

Not exact matches

And check out Dolphin Gallery's group exhibition «Push» which features several NAP artists, including a favorite of ours, Michael Krueger.

As well as participating in several group exhibitions in the United States and abroad, she has held solo exhibitions at the Contemporary Art Museum St. Louis, the Museum of the African Diaspora (San Francisco), and, most recently, the Whitney Museum of American Art (New York).

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

He returned to his artistic practice in 2005, and has since exhibited in several group exhibitions including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.

There are currently several small one - person and group exhibitions of women artists and installations of discrete works by women artists scattered around MoMA although perhaps secreted might more accurately reflect the stealth approach to the serious engagement with curation, presentation, and acquisition of works by women artists that the museum is currently engaged in.

Coventry habitually works in series and the exhibition will showcase several important new groups of work.

In 1966, several years after his stark, expansive «black paintings» stole the show in a group exhibition at New York's Museum of Modern Art titled «Sixteen Americans,» Frank Stella said of his work, «What you see is what you see.»

Additionally, his work has been included in several group exhibitions including Ocean of Images: New Photography 2015 at The Museum of Modern Art, America Is Hard to See at the Whitney Museum of American Art, and Shine a light / Surgir de l'ombre: Canadian Biennial at the National Gallery of Canada.

Several of Berriolo's lyrical books, which combine watercolor, sewing and text, are on view through June 22 in «Paper Goods,» a group exhibition curated by Kara L. Rooney at Susan Eley Fine Art.

Ephemera installed throughout the exhibition by Allison Rudnick, the department's assistant curator, supplied a sense of material culture on the home front: a group of nine chromolithographic postcards from several nations shows zeppelins looming cartoonishly over iconic landmarks, and two examples of printed cotton toiles de guerre from 1916, combining French patriotic and military motifs with a classical ornamental vocabulary.

Since graduating from Wimbledon College of Art in 2007, he has had his work shown in several group exhibitions in London including at the Hannah Barry Gallery, The Mall Galleries and the Serpentine Gallery.

The collection of works defy the standard structure of a curated exhibition or the trend to have several small solo groupings presented under one roof.

He was involved in several exhibitions: in Los Angeles (USA) where he also organized a group exhibition (within the context of a residency at the 18th Street Art Center Of Santa Monica), in Poland at the Gotycka Museum Of Szczecin, in France at the «FRAC Aquitaine» within the context of the whim of play (Caprice des jeux) exhibition in Bordeaux, at the Article Gallery Birmingham Institute of Art and Design in the UK, and at the Goethe Institute of Bordeauof a residency at the 18th Street Art Center Of Santa Monica), in Poland at the Gotycka Museum Of Szczecin, in France at the «FRAC Aquitaine» within the context of the whim of play (Caprice des jeux) exhibition in Bordeaux, at the Article Gallery Birmingham Institute of Art and Design in the UK, and at the Goethe Institute of BordeauOf Santa Monica), in Poland at the Gotycka Museum Of Szczecin, in France at the «FRAC Aquitaine» within the context of the whim of play (Caprice des jeux) exhibition in Bordeaux, at the Article Gallery Birmingham Institute of Art and Design in the UK, and at the Goethe Institute of BordeauOf Szczecin, in France at the «FRAC Aquitaine» within the context of the whim of play (Caprice des jeux) exhibition in Bordeaux, at the Article Gallery Birmingham Institute of Art and Design in the UK, and at the Goethe Institute of Bordeauof the whim of play (Caprice des jeux) exhibition in Bordeaux, at the Article Gallery Birmingham Institute of Art and Design in the UK, and at the Goethe Institute of Bordeauof play (Caprice des jeux) exhibition in Bordeaux, at the Article Gallery Birmingham Institute of Art and Design in the UK, and at the Goethe Institute of Bordeauof Art and Design in the UK, and at the Goethe Institute of Bordeauof Bordeaux.

She has held numerous solo exhibitions throughout Europe and the United States, and her work has been included in several group shows at the Museum of Modern Art in New York, Documenta XI in Kassel, and the Museum Ludwig in Cologne.

There she organized the first comprehensive solo museum exhibitions of Cory Arcangel (2010) and Claire Fontaine (2010), and several acclaimed group exhibitions including The Possibility of an Island (2008), Convention (2009), The Reach of Realism (2009), Modify, as needed (2011).

I shall have several works as part of a group exhibition at Dell Pryor Gallery in Detroit, Michigan.

He has participated in several international group exhibitions including 10 Mexican Photographers: A Select End - of - the - Century Generation (Lehigh University Art Gallery, Pennsylvania), Never Odd or Even (Marres Center for Contemporary Art, Revolver Archive F, Aktuell Kunst, Germany), Master Humprey's Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, Netherlands), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin), and Third Guangzhou Triennial in China.

So although I did several group exhibitions at Thread Waxing Space that I feel really proud of, exhibitions that were in conversation with exhibitions that had come before, such as Christian Leigh's I am the Annunciator, I wanted to talk back to certain curatorial strategies.

Several galleries, notably Pierre Matisse and Julien Levy, began showing the work of European Surrealists on a regular basis, while major group exhibitions, such as Fantastic Art Dada and Surrealism at the Museum of Modern Art in 1936, brought it to the attention of a larger audience.

The following year, Vézelay was invited to join the group Abstraction - Création and exhibited in several significant pioneering exhibitions of non-figurative art in France, Italy and Holland and this work demonstrates her move away from the Surrealist influence of her former partner, André Masson, towards pure non-objectivity.

The work in this exhibition is collated into several groups of graphic matter derived from a source assortment of elements that are variously reproduced, displaced and situated as a display.

By his death in 1998, D'Arcangelo was the subject of many one - man shows at such influential institutions as the Albright - Knox Art Gallery (Buffalo), and the Institute of Contemporary Art (Chicago), as well as in several group shows at the Whitney Museum of American Art (New York), the Hirshhorn Museum (Washington D.C.), and the Museum of Modern Art (New York), where Pegasus was shown in their 1965 - 66 exhibition, Around the Automobile.

She has participated in several group exhibitions, most notably at Elmhurst College and College of DuPage.

TPG artists gained notoriety with their participation in several landmark exhibitions, including the Golden Gate International Exposition in San Francisco (1939), the New York World's Fair (1939), and a 1940 group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.

Mellors has been featured in several important group exhibitions including: Taipei Biennal 2014, Taiwan; British Art Show 7: In The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, London.

In addition to paintings by several Gutai members, including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the exhibition includes examples of the Gutai journal and other publications; documentation of the 1958 Gutai exhibition at the Martha Jackson Gallery in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 1964.

In 1934, Vézelay was invited to join the group Abstraction - Création and exhibited in several significant pioneering exhibitions of non-figurative art in France, Italy and Holland.

He has participated in several international group exhibitions including Video Zone at the Herzliya Museum of Contemporary Art, Israel (2004), Tokyo Wonder Site, Tokyo (2005), and the 9th Istanbul Biennial (2005).

In 1933, his paintings were include in several high - profile group exhibitions, including A Century of Progress at the Art Institute of Chicago, Contemporary Black Artists in America at the Whitney Museum of American Art, and Exhibition of Works of Negro Artists at the National Gallery of Art in Washington, D.C..

Nickel's clay works have been featured in several group and solo exhibitions including Cup: The Intimate Object IV, Fort Wayne, ID; HALIZO Art Festival, Norfolk, VA and The Ohr - O'Keefe Museum of Art, Biloxi, Mississippi.

In conjunction with the exhibition, the Ruth Kanner Theatre Group will present several live performances inside the exhibition, featuring recited segments of the interviews Azoulay conducted.

His own work was exhibited the same year together with that of the Das Junge Rheinland group, at Galerie Feldman in Cologne, and then in several group exhibitions in 1913.

In her previous post as the Associate Curator at North Miami Museum of Contemporary Art (MOCA), she organized several solo and group exhibition including «The Reach of Realism» (2009), the first museum retrospectives of Cory Arcangel and Claire Fontaine (both 2010).

This show at Tomio Koyama Gallery is his sixth solo exhibition, and his major group exhibitions include «VOCA 2008» (2008, The Ueno Royal Museum, Tokyo), «Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art» (2009, Hara Museum of Contemporary Art, Tokyo, traveled to several international museums), «Twist and Shout: Contemporary Art from Japan» (2009, Bangkok Art and Culture Centre), and «Nostalgia and Fantasy: Imagination and Its Origins in Contemporary Art» (2014, National Museum of Art, Osaka).

Innes has recently been included in several group exhibitions including: Sphere (loans from nvisible Museum), Sir John Soane's Museum, London; FRESH: Recent Acquisitions, Albright Knox Art Gallery, Buffalo, NY and Heads and Hands, Loans from the nvisible Museum, Washington Project for the Arts, Corcoran Gallery of Art, Washington, DC.

In 2014 her work is included in several group exhibitions including: Reductive Minimalism at the University of Michigan Museum of Art, Ann Arbor, Michigan and Coloring at the Atlanta Contemporary Art Center, Atlanta, Georgia.

Curiously, though her work has been included in numerous major international group exhibitions and has been the focus of several solo exhibitions, she still manages to slip into obscurity in some countries.

With them, Jonson participated in several landmark exhibitions including the 1939 Golden Gate International Exposition in San Francisco, the 1939 New York World's Fair, and a 1940 group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.

After graduating, her work was exhibited in several group shows, including at Debs & Co., New York in 1999, which also hosted her first solo exhibition the following spring, entitled «Buster - Jangle», a collection of paintings based on photos of atomic bomb tests from the 1950s that Garnett found on the web after they were released by the US government under the Freedom of Information Act.

Included in numerous Canadian group shows, he had several retrospective exhibitions including in 1996 a full career retrospective at the Art Gallery of Ontario and in 1982 represented Canada at the Venice Biennale.

Next to that his work was exhibited in several group exhibitions, such as in the Museum Valkhof in Nijmegen in 2011, the New York Photo Festival in 2010, the Fotomuseum Den Haag in 2008, the National Center of Photography in St. Petersburg in 2007 and the Maison Europeenne de la Photographie in Paris in 2006, amongst others.

She is a recipient of the Paula Rhodes Memorial Award and has participated in several international group exhibitions including «239 Days» at Allegra LaViola Gallery in NY, «Octet» at the Pera Museum in Istanbul, and «Dürer war auch hier» at the PAN Kunstform in Emmerich, Germany during her residency there in 2008.

-- Artists understand that their work is one component of a large group exhibition, which includes several historic works.

This group exhibition investigates the genesis of the Bay Area Figurative movement and features several generations of artists, including contemporary artists working locally and internationally

In his third solo exhibition at Corbett vs. Dempsey, Philip Hanson unveils a group of new paintings and drawings incorporating poetry by several writers, primarily Emily Dickinson but also William Blake, William Shakespeare and Gerard Manley Hopkins.

That work, and several others, found its way into 2008's inaugural exhibition of «30 Americans,» a group show that the Rubell's Web site claims focuses on «the most important African American artists of the last three decades.»