Sentences with phrase «of several international exhibitions»

He has served as artistic director of several international exhibitions, including the 56th Venice Biennale (2015); La Triennale 2012, Paris; 7th Gwangju Biennale (2008); 2nd Seville Biennial (2006); Documenta 11, Kassel (2002); and the 2nd Johannesburg Biennale (1997).

Not exact matches

From LearningLovers.org we have witnessed the Education Week 2016 hold in Ifema (Madrid, Spain), an annual competition that includes several initiatives focused on knowledge: Aula (International Student Hall) Postgraduate Forum, Interdidac (International Exhibition of educational materials) and Resources for education, ExpoRRHH and Expoelearning, the last one organized by AEFOL.

Rockford Fosgate will introduce several new products in its line of marine grade audio equipment at the 21st Annual International Boatbuilders» Exhibition and Conference (IBEX) show at the Kentucky Exposition Center in Louisville, Ky..

The inaugural exhibition at champagne - heir Richard Taittinger's shiny new space aims to unpick the Lacanian term «sinthome» through the works of several international artists.

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain (2004); Fast Forward.

Enwezor has served as the artistic director of several leading biennials and international exhibitions, including documenta 11, 7th Gwangju Biennale, South Korea, and in December 2013 he was appointed as director of the Visual Arts Sector of the 56th Biennale di Venezia.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

Naturally, the international exposure of his work, widely exhibited in galleries and institutions such as Galerie Jeanroch Dard (Paris / Brussels), Rod Barton Gallery (London), Berthold Pott (Cologne) and in collective exhibitions at the Musée Musée Départemental du Sel (Marsal), Centre Georges Pompidou (Paris), BWA (Wroclaw) and Autocenter (Berlin) is considered, but also his role as a curator in several projects.

He has participated in several international group exhibitions including 10 Mexican Photographers: A Select End - of - the - Century Generation (Lehigh University Art Gallery, Pennsylvania), Never Odd or Even (Marres Center for Contemporary Art, Revolver Archive F, Aktuell Kunst, Germany), Master Humprey's Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, Netherlands), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin), and Third Guangzhou Triennial in China.

He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.

He also wrote some of the most lucid, erudite, poetic, penetrating books, catalogues and essays on the subject of art and artists and curated several crucial international exhibitions.

Several contemporary approaches by young international artists dealing with the spatial development of sculptures are taken up in the exhibition.

TPG artists gained notoriety with their participation in several landmark exhibitions, including the Golden Gate International Exposition in San Francisco (1939), the New York World's Fair (1939), and a 1940 group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.

Mellors has been featured in several important group exhibitions including: Taipei Biennal 2014, Taiwan; British Art Show 7: In The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, London.

He has participated in several international group exhibitions including Video Zone at the Herzliya Museum of Contemporary Art, Israel (2004), Tokyo Wonder Site, Tokyo (2005), and the 9th Istanbul Biennial (2005).

Taaffe has been participating in international exhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dinternational exhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dubexhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, DInternational, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, DubExhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dubexhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dublin (2011).

At the Walker, Raymond cocurated several exhibitions, including, with Philippe Vergne, Kara Walker: My Complement, My Enemy, My Oppressor, My Love, which won the 2008 award for the best monographic museum show from the International Association of Art Critics.

Funarte partnered with Vanessa Teodoro to present a collective exhibition of several national and international artists, including Faile, Lady Aiko, Pedro Zamith, Glam, Paul Neberra and more.

This show at Tomio Koyama Gallery is his sixth solo exhibition, and his major group exhibitions include «VOCA 2008» (2008, The Ueno Royal Museum, Tokyo), «Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art» (2009, Hara Museum of Contemporary Art, Tokyo, traveled to several international museums), «Twist and Shout: Contemporary Art from Japan» (2009, Bangkok Art and Culture Centre), and «Nostalgia and Fantasy: Imagination and Its Origins in Contemporary Art» (2014, National Museum of Art, Osaka).

The gallery host exhibitions that last around two months with an interim installation period of several months, during which SCAI The Bathhouse travels around the world and shows artworks by Japanese artists at international art fairs.

Over the years, La Salle de Bains has produced up to seven exhibitions a year, working with a wide range of international artists, from established names like Thomas Hirschhorn, Jonathan Monk and Nathaniel Mellors, to younger artists such as Magali Reus and Anthea Hamilton, resulting on several occasions in acquisitions by major public collections.

Curiously, though her work has been included in numerous major international group exhibitions and has been the focus of several solo exhibitions, she still manages to slip into obscurity in some countries.

Wim Botha participated in several international groupshows, e.g. at Museum für Moderne Kunst, Frankfurt / M (2014 - 15), at Museum Biedermann, Donaueschingen (2014), at the Venice Biennial (2013) and the Göteborg Biennial (2011), at the Olbricht Collection c / o La Maison Rouge, Paris / F (2011), at the 11th Fellbach Triennial of Small - Scale Sculpture (2010) and 7th Dakar Biennial (2006) as well as at the touring exhibition «Africa Remix «(2004 - 07) and many others.

With them, Jonson participated in several landmark exhibitions including the 1939 Golden Gate International Exposition in San Francisco, the 1939 New York World's Fair, and a 1940 group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.

Born in the Belgian Congo, Kingelez gained international renown following his participation in the landmark 1989 exhibition Magiciens de la Terre at Centre Georges Pompidou and the Grande Halle of the Parc de la Villette, and since that time, his work has been included in numerous global surveys and in several solo presentations.

She is a recipient of the Paula Rhodes Memorial Award and has participated in several international group exhibitions including «239 Days» at Allegra LaViola Gallery in NY, «Octet» at the Pera Museum in Istanbul, and «Dürer war auch hier» at the PAN Kunstform in Emmerich, Germany during her residency there in 2008.

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

He has exhibited several times with the Gagosian Gallery and has been the subject of several international museum exhibitions.

As part of the run of the New York exhibition, there will be several events, including a book launch for the new monograph Shinkichi Tajiri: Universal Paradoxes (University of Chicago Press, 2015), as well as a book launch and discussion with Jacqueline de Jong, an artist, publisher, and founding member of the Situationist International.

Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).

He is also the director and curator of Proyecto GAM at Galería de Arte Mexicano where he has organized and curated several exhibitions with Mexican and international artists.

Beveridge has also participated in several group exhibitions at Off Vendome (New York), Spinello Projects (Miami), Galerist (Istanbul), Glasgow International (Glasgow), Hayward Gallery (London) and at the Arnhem Museum of Modern Art (Arnhem).

The gallery will be inaugurated with a series of four separate exhibitions in the ground and first - floor galleries: Since its foundation in 1983, Galerie Thaddaeus Ropac has specialised in international contemporary art representing around 60 artists as well as several renowned estates.

This book catalogues several exhibitions that focused on contemporary video works made by both Israeli and international artists, with a focus on linking work made in the 1990s to work made in the 1970s via the common thread of the body as a central element.

During his life Hajas took part in several international exhibitions which included the 3rd Biennale of Sydney in 1979.

He has exhibited in Documenta IX, The Corcoran Biennial, The Whitney, PS 1, New Museum, several large European Museums, and over 50 solo and hundreds of national and international group exhibitions.

Several international museums have marked this occasion with exhibi - tions on the idealist, utopian, and radical art that proliferated in the 1910s and 20s, before the Marxist experiment went awry and Stalin clamped down on free expression.1 The Art Institute of Chicago's Fall 2017 exhibition, entitled Revoliutsiia!

«Matt Mullican is one of the most challenging american artist of the 80ies and was represented in several international exhibitions in the last 30 years.

Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.

In addition to numerous exhibitions, he has completed several public art commissions including permanent installations at the Hartsfield - Jackson Atlanta and Jacksonville International Airports and a series of outdoor sculptures at a fire station.

Several recent exhibitions have tackled topics of space exploration and colonization, most notably Space Is the Place, a 2006 — 08 exhibition that traveled to multiple venues throughout the US (Alex Baker and Toby Kamps, curators and editors, Space is the Place, Independent Curators International and Cincinnati Contemporary Arts Center, 2007), and Space: About a Dream, a 2011 exhibition at Kunsthalle Wien (Cathérine Hug, curator and editor, Space: About a Dream, Verlag für Moderne Kunst Nürnberg, 2011).

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Contemporary Art Gallery, Vancouver (2009); Sympathy for the Devil, Museum of Contemporary Art, Chicago (2007); Istanbul Biennial, 9th Istanbul Biennial, Istanbul (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian (2004); Institute of Contemporary Art, London (1999), among others.

Anahita Razmi studied at the Pratt Institute (NY) and Academy of Fine Arts (Stuttgart) prior to her institution - laden exhibition history of her video and performance works, including the 55th Venice Biennale, Kunstmuseum Stuttgart and MAK Center for Art and Architecture amongst numerous others, has received several international art grants and is in the permanent collections of several Internationalinternational art grants and is in the permanent collections of several InternationalInternational collections.

Her oil and beeswax paintings have been featured in several one - person exhibitions, including the Plains Art Museum, Illinois Central College, The Art Institute International Minnesota, the University of Minnesota, the Saint Cloud State University, Augsburg College, Rochester Museum and Art Center, and the Minneapolis Institute of Art.

His work has been widely included in international exhibitions and is the subject of several monographs.

His curation projects have included several international exhibitions, most notably «Transplantation: a Sense of Place and Culture», a significant exhibition of work by Australian and British jewellery artists which is currently touring Australia until August 2015.

He has also organized several international exhibitions including Otherwise Black (2014) for the 1st edition International Biennale of Contemporary Art in Martiinternational exhibitions including Otherwise Black (2014) for the 1st edition International Biennale of Contemporary Art in MartiInternational Biennale of Contemporary Art in Martinique (BIAC).

Nasr has participated in several international group exhibitions including, Thessaloniki Biennale, Greece (2011); Picha Encounters 2010: Lubumbashi Biennial, Democratic Republic of the Congo, Ghosts of Self and State, Monash University Museum of Art (MUMA), Melbourne, Australia (2006); Sharjah Biennial 7 (2005), the Busan Biennale, South Korea (2004); São Paulo Biennial, Brazil (2004) and the Venice Biennale, Italy (2003).

His work has been exhibited in several group and solo exhibitions in venues such as Southwest Arts Center; International Center for Photography in NY; Dalton Gallery, Agnes Scott College; and the Arts Festival of Atlanta.