Sentences with phrase «of short films shot»

Wilhelm Sasnal has emerged in the last decade as one of Europe's most celebrated figurative painters as well as a prolific maker of short films shot on 8 mm or 16 mm camera.

They've all appeared in the «Speechless Without Writers» series of short films shot by George Hickenlooper, Oscar winner Paul Haggis and Rod Lurie.

Not exact matches

Beautifully shot and intelligently crafted these short films are fragments of Christian teaching for the iPod generation.

Among the content to look forward to, Malibu and Ne - Yo completed a commercial shoot in Spain that will provide a variety of brand assets — from videos and short films to behind - the - scenes images.

I've found it difficult to produce a short video with less than a half - day of shooting — usually that's a mix of interview, and filming in the lab or field.

But it's good to know that I'm not alone in my horror: Director Luke Gilford has skewered the extreme ends of «wellness» in his new short film Connected, starring Pam Anderson as Jackie, a lonely spinning instructor who wants to feel more, well, connected — so she joins a wellness cult and gets wifi shot into her brain so that Jane Fonda (no, really, she does a voiceover cameo) can tell her how «limitless» she is all the time.

«Room» is an offshoot of «Seances,» an interactive online menu of short films imagined from the titles of various lost silent - era features, shot with separate (but sometimes overlapping) casts in Montreal and Paris.

He was adamant that the story premise of Free Fire could not be done as a feature film and was, at best, the sort of material for a 20 - minute shoot - em - up short.

There's a certain kind of film I see at many festivals: oblique, short on narrative and incident (or filled with repetitive incident), shot in a style that favors long (distance and time) shots of people doing nothing, or doing mundane things like crossing the street in real time.

While several of the Angulo brothers have camera credits on The Wolfpack, this collaboration doesn't for the most part inform the filmmaking in any noticeable way, and only in these final moments, when under the credits we see a short film that Mukunda, now an aspiring filmmaker, shot with the help of his family, can they be seen to assert a style of their own onto the film.

A Bad Moms Christmas, shooting one day shorter than Bad Moms» 35 days and taking advantage of Atlanta, GA film tax credits, only cost a net $ 8M more than Bad Moms.

I think that the mix of the really short shoot (miraculously, Prince Avalanche was filmed in 16 days), with what an action - packed shoot it was, in terms of the amount of scenes we did every day, and the comedic dynamic of the character was something that I never explored before.

The film opens with a stunning, high - angle shot of an amateur football match that, had it been screened as a stand - alone short film, would have been a highlight of the fest.

A brief yet action packed little story that looks at what happens to the Chitauri weapons following the events of AVENGERS, it's a fun little bonus, though unlike the previous Marvel One - Shots from the THOR & CAPTAIN AMERICA Blu - ray releases, it does suffer due to the lack of Clark Gregg as agent Phil Coulson, who previously helped bridge the gap between the feature films and the shorts.

Based on Edgar Allan Poe's short story «The System of Doctor Tarr and Professor Fether,» the film relocates the action from Poe's France to a remote corner of England, though the movie was actually shot in Bulgaria, which might look more like England if England looked a little more like Bulgaria.

As for «Short Circuit, «the film quickly disappoints after a cute opening sequence in which we see the army present a new breed of mechanical soldier able to dish out laser shots and withstand any firepower.

Director Paul W.S. Anderson (Resident Evil, Alien Vs. Predator, and a lot of films like those two) shoots for the sensory overload of a Michael Bay movie and falls short.

A win by either of those films over Spotlight or PGA winner The Big Short would be a shocking upset and an undeniable shot fired over the bow at the Oscars.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

That of course brings to mind a short film, akin to the «Marvel One - Shot: Item 47» shown last year.

The film stars John Hawkes as a private detective and is divided into five short stories, each consisting of one, uninterrupted shot.

Extras: New interviews with Coppola, Lachman, actors Kirsten Dunst and Josh Hartnett, author Jeffrey Eugenides, and writer Tavi Gevinson; «Making of The Virgin Suicides,» a 1998 documentary directed by Eleanor Coppola and featuring Sofia Coppola, Eleanor and Francis Ford Coppola, actors Dunst, Hartnett, Scott Glenn, Kathleen Turner, and James Woods, Eugenides, and more; «Lick the Star,» a 1998 short film by Coppola; official music video for Air's soundtrack song «Playground Love,» directed and shot by Coppola and her brother Roman Coppola; trailer; an essay by novelist Megan Abbott.

From the Steven Soderbergh drama, «Unsane,» starring Claire Foy, to the Oscar - winning documentary «Searching for Sugar Man,» here is a list of feature films and shorts shot either partially or entirely with iPhones.

Thor: Ragnarok co-writer Eric Pearson wrote several of Marvel's «One - Shot» short films including the original Agent Carter, and has now said that there's talk of new shorts being done - a surprise given the last one was 2014's «All Hail The King» with the Iron Man 3 Blu - Ray release.

When I shot one of my first 16 mm short films as a student, the light meter that I checked out from school was broken.

The Native Filmmakers Lab, now in its second year of providing dedicated support for short film projects, allows Fellows to identify and break down challenging scenes from their scripts, rehearse with actors, shoot test scenes, edit footage and present for constructive critiques.

With a modest budget and a short shooting schedule, there wasn't time for the 30 - year - old Evans to hit any local bars or restaurants or do much of anything other than the film.

With her character becoming an instant favorite after the film's release, it was no surprise Marvel asked her to appear in one of their One Shot short films, Agent Carter, which was included on the Iron Man 3 Blu - ray.

Marvel Studios hasn't released one of their «One - Shots» in a while, but these short films about unsung Marvel heroes were a highlight of DVD extra menus.

That would be enough to tide over fans anticipating the upcoming definitive release, but there are also shorter featurettes on costume design, theatrical lighting, and film editing; a selection of auditions and screen tests (though, it must be noted, not including Jennifer Hudson's — I guess some things had to be saved for later); an extensive still gallery; and, most intriguingly, pre-visualization sequences for the musical numbers shot with dancer stand - ins.

«The Making of Moonrise Kingdom» consists of an 18 - minute featurette shot on the set of the film plus four storyboard animatics and narrator tests, five minutes of screen tests of the child actors, and a short piece on the miniatures used in the flood sequence.

The Blu - ray's all - HD extras begin with Last Chance Lloyd (10:19), an original short film seemingly composed largely from footage shot for the film (most of it deleted and some of it used).

Beautifully shot on Red, Loughner has delivered an incredible short film that creates an atmosphere of dread on this quiet subway train that moves underneath the city.

DAVID CRONENBERG»S EARLY WORKS: BLU - RAY DISC 3 AND DVD DISC 4 [LIMITED EDITION EXCLUSIVE]: • High Definition Blu - ray (1080p) and Standard Definition DVD presentation of four Cronenberg films • Transfer (1966) & From the Drain (1967), Cronenberg's previously unavailable short films newly restored by the Toronto International Film Festival [7 & 12 mins] • Stereo (1969) & Crimes of the Future (1970): Cronenberg's early amateur feature films, shot in and around his university campus, prefigure his later work's concerns with strange institutions (much like Videodrome's Spectacular Optical) as well as male / female separation (Dead Ringers) and ESP (Scanners).

The film also takes shots at celebrity / fame culture, but pushing aside the earlier predatory male character in favor of a «women eat each other alive, but literally» story makes it fall short for me.

Featuring iconic shots from dramas like the «Star Wars» films and comedies like «Bruce Almighty,» as well as short deliveries from the likes of Edward Norton, Scarlett Johansson,

Featuring iconic shots from dramas like the «Star Wars» films and comedies like «Bruce Almighty,» as well as short deliveries from the likes of Edward Norton, Scarlett Johansson, Dustin Hoffman, Sam Rockwell, Leonardo DiCaprio, Uma Thurman, Will Smith, Clint Eastwood, and others, this video proves as entertaining as it does nostalgic.

Other extras include «Judy,» a short film by fansite webmaster Jeff Hayes that follows up on Karen Fields» bully and largely proves that it's a blessing that «80s schlock at least had the entry barrier of professional shooting and editing equipment.

Best known previously for Paddy Considine «s short «Dog Altogether» (the basis for «Tyrannosaur «-RRB- and Samantha Morton «s «The Unloved,» he shoots the film with the perfect mix of urban grit and sci - fi sheen, with some of the most striking lighting of the year.

Extras include an illustrated paper foldout on the film including informative text and an essay by novelist Megan Abbott, New interviews with Coppola, DP Ed Lachman, actors Kirsten Dunst and Josh Hartnett, author Jeffrey Eugenides, and writer Tavi Gevinson, The Making of «The Virgin Suicides» (1998 documentary directed by Eleanor Coppola) featuring Sofia Coppola; Eleanor and Francis Ford Coppola; actors Dunst, Hartnett, Scott Glenn, Kathleen Turner, and James Woods; Eugenides; and more, Lick the Star, a 1998 short film by Coppola, the official (and odd) music video for Air's soundtrack song «Playground Love,» directed and shot by Coppola and her brother Roman Coppola and an Original Theatrical Trailer.

However, for the most part, many of the short films are nice, and very beautifully shot, but don't always strike as distinctly Parisian in nature.

Meanwhile, the presence of a calm, emotive ship computer voice as well as the filming of outer space scenery and efforts all hark back to 2001: A Space Odyssey, only with shorter shots and more attention to plot.

The DVD and Blu - ray are both released on single disc and two - disc sets, that latter with the usual making of featurette and deleted scenes, plus a short featurette on the film's set design and locations and a brief «Shooting Diary,» all in Cantonese with English subtitles.

In Lebanon, where the film is set, I started to plan the shoot alone, with a miniscule budget, minimal crew, and a handful of actors — just as I had made my short films.

They started collaborating on shorts in film school, and Ihre has shot all of Trier's features to date.

At the Lab, these fellows worked with a cast and crew to practice shooting scenes from their short films under the expert creative mentorship of Program alumni, Creative Advisors and Program staff.

During the Lab, Fellows work with a cast, crew, and supervising producer to shoot workshop versions of scenes from their short films under the expert creative mentorship of Program alumni and other established industry professionals and Program staff.

At the Lab, these fellows worked with a cast, crew to practice shooting scenes from their short films under the expert creative mentorship of Program alumni, Creative Advisors and Program staff.

Because of our experiences with the iPhone — Sean did Tangerine, and then we shot a short film together, also on an iPhone — it was just a natural [fit].

«It can make money by creating anticipation,» Anthony Russo continues, «elaborate versions of trailers for instance, that are shot specifically for online that will never appear in the movie but that may appear as a kind of short film for a movie in the same way that a trailer does.»