Sentences with phrase «of single artists whose»

Darling also served as an assistant curator at the Los Angeles Museum of Contemporary Art beginning in 1998, where he organized Superflat, in collaboration with the artist Takashi Murakami (2001); Seattle artist / architect Roy McMakin's first museum survey (2002); and Painting in Tongues, a survey of single artists whose practices span many mediums (2006).

Not exact matches

Indeed, the similarities allow a different path to understanding many contemporary artists, whose output makes use of systems and structures — similar to the notations and instructions of sheet music — that attempt to remove the hand of the maker, yet also present these variations under the guise of a single name.

The artist's single - channel video works of the past ten years are more allusive and poetic, addressing political and theoretical concerns obliquely via densely constructed image - sound montages whose explicit subjects range from the relationship between Maria Callas and Pier Paolo Pasolini (Come Lontano, 2010) to the life of Charlotte Brontë (CB, 2011).

In this regard, the position of the classical composer is not so different from that of the conceptual artist, whose work makes use of systems and structures to remove the hand of the maker, yet also resolve a varied output of work under the guise of a single name.

In Light Readings, Chris Darke associated Donegan with a «new generation» of performance and video artists whose work uses the «formal strategies» of 1970s video performances (e.g., «low - tech», «single - take» videos about «process, duration, and repetition» from artists like Bruce Nauman and Vito Acconci).

The installation — which the artist has interpreted as a metaphor for time, where the trail of all memories is condensed on a single point in space — synthetizes the core points of the artist's research, that is, the presentation of suggestive situations whose narrative must be completed by the viewer; the simultaneity of different temporalities; and the game between reality and representation.

They — along with many other artists whose works could easily have fit in this exhibition — are vernacular cosmopolitans of a kind, moving in - between cultural traditions, and revealing hybrid forms of life and art that do not have a prior existence within the discrete world of any single culture or language.

Ground Floor brings together work by Chicago's most promising emerging talent, offering a single destination to discover the spectrum of artists whose work demands to be seen and supported.

McKenzie writes that the exhibition «brings together artists whose work explores the possibilities opened up by the cubists» removal of the restriction to a single viewpoint perspective.

The second is a solo devoted to a single artist, the contemporary Brazilian photographer Caio Reisewitz, whose big color images of threatened tropical rain forests offer a lush antidote to urban grit — Manhattan's included.

Another artist whose aesthetic evokes the single - minded labor of the stereotypical outsider artist, Étienne - Martin, is being shown by Paris's Galerie Bernard Bouche.

Grace Weir, A Reflection on Light, 2015 A meditation on time and the nature of light «A reflection on light» consists of a seemingly single long take that weaves together events from different histories and disciplines that orbit a painting whose subject is light by the Irish Cubist artist Mainie Jellett.

No artist can be fully understood or appreciated within the context of a single page, especially not someone like Megan O'Beirne, whose painting and fine - art photography reflects her immense energy as well as a deep concern about the world around her.

For this show, however, he has also created sculptures that include delaminated OLED screens playing illustrations the artist creates algorithmically (a maze, for example, morphs into a tree - like form), and a Light and Space - inspired installation whose black scrims make you feel as if you've stepped into a single square inch of one of Zheng's paintings.

Key participants in American conceptual art include: the avant - garde composer John Cage (1912 — 1992) who created the controversial musical composition» 4 - 33», whose three movements contain not a single sound or note of music; the sculptor Sol LeWitt (b. 1928) noted for his influential essay «Paragraphs on Conceptual Art» (1967); the artists Allan Kaprow (1927 - 2006), John Baldessari (b. 1931), Edward Kienholz (1927 - 94) and Joseph Kosuth (b. 1945).