Sentences with phrase «of slide film»

To make another work, a long horizontal light box, he rigs a still camera to shoot a time - based scene in one elongated exposure that spans an entire roll of slide film, thus destabilizing the concept of perspectival space.

Not exact matches

If people saw enough movies and slide films and paintings and photographs of oil and oilmen perhaps they would begin to understand (and like) the industry.

Makkonen says that one of the key observations in VTT's research is that of friction melting the ice when the temperature rises to form a water film between the ice and the sliding material.

As Gore shows with a litany of statistics, maps, and charts — not to mention the film's stark images of drowning polar bears, crumbling ice caps, a Katrina - lashed New Orleans, and drunken trees sliding sideways on melting permafrost — global warming is really happening.

The slipperiness, caused by films of water spread over large areas, helps ascertain how quickly a melting ice sheet will slide into the sea as the climate warms — and thus how quickly sea levels will rise.

This forms a so - called transfer film between the low friction coating and the object through which surfaces can slide with the minimum of friction.

He melted a few specks of the compound to form a thin film between two glass slides.

They coated one side of a 4.5 - millimetre - diameter lens with a gold film 30 nanometre thick, and laid the lens — gold - side down — on a flat glass slide which was also coated with film of gold.

It will also remove the film off of a new yoga mat so that you aren't slipping and sliding all over the place during your practice!

The sunscreens I've tried are usually very thick, and leave a greasy film on my skin which makeup slides right off of!

I could let that slide if the film had slightly more of a point and weren't gruesome basically for the sake of it.

Unfortunately, the film does not fulfil its potential and slides into a predictable, formula ending, but the skillful direction and the good performance of Busey make this film well - worth viewing.

The film opens with the sliding up of the garishly - decorated garage door of the Tennessee State Headquarters of the independent (Replacement Party) candidate Hal Phillip Walker.

The film slides into its situation in a clever, fresh way, and the balance of wit and horror is well maintained throughout, though Sayles's decision to divide up the protagonist's chores among four main characters costs him something in the intensity of audience identification.

Cameron Crowe's film about a blacklisted sports agent was arguably Cruise's first great performance as a grown - up, a supremely nuanced turn expressing love and loss — with a layer of slick professionalism that slides on and off at will.

When the scene unspools in the film, it's a jolt of pure terror, with the masked man sliding into frame, then slowly moving out of it.

Ed Gonzales, Slant Magazine: Butler, whether sliding out of a car door to shoot at a pursuer or jumping from scaffolding and into a nearby building, is as fleet on his feet as Najafi is in his sculpting of the film's flurry of action.

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Watch for the way that outer space (visited more often here than in the previous films combined) dissolves into the glow stars that still cling to Clark's childhood ceiling; the way that baseball is resuscitated America's central pastime; or the way that Singer cuts every cornball moment with a little humour at the expense of our childish hunger for it (like Lois sliding down a plastic slide, or a little boy's asthmatic wheeze off - camera).

But if the construction is awkward, the film's balancing of tones is surprisingly deft; what begins as a raucously funny rom - com for the «Sideways» set gradually segues into a more melancholy study of what it takes to make relationships work, in or out of marriage, before the third act slides effectively into unisex weepie territory.

Occasionally, it veers into fantasy, with hand - drawn illustrations on top of the film stock when the narrative slides toward musical numbers, often comical covers of songs like the Talking Heads» «Psycho Killer» and Iggy Pop's «The Passenger» staged on public transit.

Bad, bad sweet young thing, or so the film says as she is rewarded by not being able to deal with one of those rock slides that are inherent in the canyons.

Like the traditional fairy tales from which the film takes its title, Once Upon a Time in Venice has a storyteller, in the form of John (Thomas Middleditch), a nerdy intern / protégé for ex-LAPD cop Steve Ford (Willis), a not - very - successful private - eye sliding further into the underworld morass he mostly frequents.

«Later, a number of films just flat - out stole the concept,» she recalls, giving the side - eye to Sliding Doors and Run Lola Run.

They go to the effort of sourcing different music for the trailers, generating titles but then suddenly stop the creativity to show a slide deck of the films most memorable shots.

Mimicking the serene moments of Joshua, the 16x9 title menu is animated with sliding glass panes and accompanied by the same Beethoven Sonata featured prominently throughout the film.

Look at the care Wiseman lavishes on a sequence in which Lori slides across a floating elevator and in through an access panel: there's more timing and invention in those few seconds of film than in the entirety of Total Recall's bombastic, senseless finale.

Everything clicks and sly fox Hitch slides more sexual innuendo and erotic flirtation into the film than most R rated films accomplish, while the breezy smoothness hides an undercurrent of tension and a complete mistrust of authority.

Deadpool 2 will slide into theaters the weekend after, but, given the recent box office staying power of Marvel films like Black Panther and Thor: Ragnarok, it's unclear whether the Merc with a Mouth possesses the kind of cache to tackle Thanos» reign.

The damage of Steve Jobs «box office and the amount of vitriol leveled to the film this week and leeched into the film's ratings here in Best Adapted Screenplay and it slides to # 2.

And speaking of sci - fi, there are a pair of films that could slide in despite genre bias.

«Starred Up» is a film about someone sliding out of society, and kicking, screaming and punching as he does so.

The music in the film is provided by Ry Cooder, who is a tremendous slide guitarist and has worked with some of the all - time greats in the music business — The Rolling Stones, Van Morrison and Neil Young, among others.

It arrives in the form of a parallel plotting device that specifically recalls, of all films, 1998's chocolate box exploration into the butterfly effect, Sliding Doors.

Those who have been captured in the fight or arrested for what they are or what they believe form long lines inside the camp, and then the film cuts to a pit into which piles of bodies slide down a chute and crumple on the ground.

You could take these earlier films, like the new one, as brilliant, unorthodox slide lectures, but they also work as poignant posthumous extensions of the friendships they recount and the careers they review.

For any fan of the actress, who don't mind letting the jokes slide into a secondary need, then this is a must - see film.

But while we await the film to be previewed by being projected onto microscopic slide, there's one more teaser of what we can expect to pass along: this photo, posted to Reddit, of what is reportedly 470 feet of dolly track.

Based on the books «Inside WikiLeaks: My Time With Julian Assange At The World's Most Dangerous Website» and «WikiLeaks: Inside Julian Assange's War On Secrecy,» and penned by Josh Singer («The West Wing,» «Fringe «-RRB-, the film will present Assange as a whistleblower who apparently let power get to his head and let the ethics of his work slide, much to the chagrin of his right hand man Daniel Domscheit - Berg (Bruhl), who also just happened to write that «Inside Julian Assange» book.

Amour means love, and this film could easily have been titled Love and Misery, as strong and indescribable feelings mount when a life partner begins the inevitable slide downhill... a trip which often starts with something as bland as a few moments of blankness at the breakfast table.

Most critiques of Francis Ford Coppola's career interweave film criticism with biography and produce an account of a wasted genius, a failed wunderkind, a director who had a few great years, produced some magnificent movies, but slid further and further downhill as time passed.

You'll love the film when it's being quiet; alas, it begins a slow slide toward cutesy meeting of the minds, which, even in these capable actors» hands, comes off like an indie cliché.

And the heck of it is that it feels like the filmmakers were trying too hard to appease adults as well, sliding sly but pretty crude humor into the film that just does nt really belong in the opening moments of the film, when Rodney is being built, there is a part leftover, the mother asks about it, the father checks to make sure they wanted a boy, then he tells his new son it will only hurt for a second and then theres a scream.

An unnervingly, chilly blend of madness and pathos, the film is a solid, horrifically engrossing portrait of the slow slide into madness, and the ripple effect that psychological disorders can have on families.

A memorable sequence involving a slide projector evokes specific memories of the Spielberg - produced / Dante - directed Gremlins; The Goonies is another Spielberg production that courses through this film's DNA.

The cinephile in me wants to roll my eyes at how pristinely inoffensive Hooper's film is, but the empathetic queer in me kind of wants to let it slide just this once.

Though Martin Freeman is perfectly cast as the young Bilbo, and Ian McKellan effortlessly slides back into the role of Gandalf, the film's real MVP is Andy Serkis, who delivers his best work as Gollum in perhaps the most memorable scene of all four movies.

While the film missed out on an Oscar nod, it can easily be argued that in a year of a «sliding scale» or «straight 10,» Greengrass» film would have easily shown up, considering his own lone director citation.

I decided early this morning to skip the world premiere of Danny Boyle's «127 Hours» in favor of Tom Hooper's «The King's Speech» because I could slide two films in rather than the one.

It's a credit to McEvoy and Levinson that the film smoothly slides from light laughs to heavier material without a hint of awkwardness.