Sentences with phrase «of slow films»

: Fans of slow films that pay off in time.

Hear Schrader discuss some of the techniques and attitudes of slow films in Transcendental Style in Film Revisited.

«Waltz with Bashir» one of the slowest films ever?

Not exact matches

There's outrage around the world over a surveillance video filmed last month that captures the horrific scene of a toddler getting crushed by a slow - moving S.U.V..

Because the Church is often slow to address realities that the culture is first to voice — whether through arts, film, music and, unfortunately, through stories of pain and tragedy in the news.

In this obscure indie film, two little read - comic books come together in a subtle, dialogue - heavy character study that plays out like a slow - burning portrait of good and evil in the modern world.

As we can speed up or slow down the film, likewise we can conceive of the series of instants as running on faster or slower into the future — nothing in the nature of the series excludes this possibility.

Interestingly, some of the younger students later confessed that they found the film plodding, slow and languishing within the limited linear storyline of a casket traveling across country.

It is our first one since I returned from filming in LA, and I slow - roasted tomatoes with garlic and red wine vinegar earlier in the week as part of the base for one of the two pots of chili I'm making.

I'm hoarding 2 squares of this in my freezer at the moment for just the perfect morning... like tomorrow Cracking in to the top of the crumb and then the soft moist cake with your fork (or spoon) is one of those moments that should be captured on film and made in slow motion.

I don't know how much of a delay «Top Chef» has between filming and broadcast, so even if they took up the school lunch challenge, Congress might have already acted * — Agweek says that Sen. Lincoln (D - AR) hopes to hold a markup session in the Senate Agriculture Committee on March 26 (via Slow Food USA) and it is not inconceivable that the new legislation could pass quickly.

There's something organic about shooting film that feels like a pleasant match to me with time spent in the quiet, slow, and calm of nature.

** Author's Note ** The 1983 film «Doctor Detroit «really marked the beginning of Dan Akroyd's slow decline as an actor.

This is one of the best cheap 4K video drones and ideal for slow - motion filming.

Some cameras were designed to zip through hundreds of feet of film within a couple seconds, capturing every detail of massive fireballs in stunning slow motion.

«Leonardo was consumed by the dynamics of flight,» he says, speculating that Leonardo's drawings suggest he possessed «preternatural vision» that allowed him to see birds «as we would in slowing down a fast film to a flicker.»

Myhrvold's irreverent advice was just one of the cutting - edge food science and cooking tips that he shared during his talk, all the while dazzling the audience with film clips of wine glasses shattering, orange zest vaporizing, and a kernel of popcorn exploding in slow motion (as illustration of the kernel's «structural failure» to illustrate how water in food can become a «steam rocket» as the latent heat of the water builds up).

The script of the film stays the same but the director — the histone mark — can choose to eliminate, slow down or speed up certain scenes or dialogues, altering the film for better — cancer cell death — or worse — cancer cell survival.»

To sidestep the slow production, Cornell University's Jiwoong Park used Mo (CO) 6 or W (CO) 6 as precursors in a chemical vapor deposition process to form films of MoS2 and WS2, respectively, that were only three atoms thick but covered an area of about 65 cm2 (Nature 2015, DOI: 10.1038 / nature14417).

Our solution to this problem was to film without music and then add the music back to the video scoring the music to the movement and exercise as best as can be done until the rep speed drastically slows down because of fatigue.You will notice how the music ebbs and flows with the intensity of the exercise and even the breaks between exercises have their own special music that is much calmer in nature.

Despite the amazing vintage clothing and decor I didn't like either of the characters and found the whole film to be stiff, and painfully slow.

The opening scene, in which the two friends share a Christmas Eve donut because they're too broke to afford one for each of them, unsentimentally suggests the high - wire act that making a living on the streets can be without the film ever slowing down its electronica - soundtracked strut.

It really works the momentum of this film moves quick and only mildly slow when it needs to explain science to the people who don't understand much about it.

As you may have suspected from an additional 30 minutes of footage, the pace of the film is slowed down considerably.

And while the film is at times scarily atmospheric — a hunt in the cramped sewers under Baltimore, a horse chase through a foggy wood — it too often abandons the stony, old - timey horror that should be its main motif, because despite all the nonsense it works, in favor of slow - motion bullets and a super villain-esque masked crusader who is capable of impossible feats of speed and marksmanship.

The evocation of that old film noir feeling is hugely effective here: Dad telling his freshly - bribed son «You can't buy dignity,» the fantastic slow zoom on a love scene reflected in a two - way mirror, even the beguiling torch singer.

There's no denying that when George Clooney wants to be an «artist,» he's more than capable of making some lovely art films, and that's clearly the case here, but there's no valid reason why he should spend his money producing a painstakingly slow travelogue set in the Italian countryside like this and allow it to be disguised as some sort of «thriller.»

This is a slow film, quite realistic I might add, and I feel that most of the actors played their role to the best possible level.

House of Sand and Fog is a ponderous, slow moving film which, if you allow yourself to take the time and let yourself fall into the excellent characterizations by Connelly and Kingsley, becomes a ponderous film with a killer ending that, even if you see it coming a mile away, is still a killer ending worth sitting for.

Critic Consensus: Decidedly slower and less limber than the Olympic runners at the center of its story, the film nevertheless manages to make effectively stirring use of its spiritual and patriotic themes.

Sure, the film is generally entertaining, or at least not as dry as it could have been, but there are still those fair deal of slow spells that throw you off and give you time to think about how the film is, well, kind of aimless.

This is a slow moving film, about a mess of a man doing up things.

While the first film focused on creating an atmosphere of pure tension, this sequel is much more action - oriented, even if its first hour is actually very slow - and instead of one alien, Cameron has now a horde of goo - spewing, acid - blood creatures to scare the audience to death.

Hostiles is grim and slow - burn to a fault in its deconstruction of the American West's violent legacy, but strong performances keep the film on track.

An intelligent and scary horror film that makes a more than welcome commentary on the horrors of war and gender oppression in Iran, using a lot of symbolism and keeping us in an increasing state of anxiety as it moves in a deliberate, slow - burning pace towards a terrifying climax.

This Mexican film, loosely based on Egyptian author Naguib Mahfouz's 1940's book, traces the slow and painful collapse of a Mexican family after the sudden death of the father.

With shadowy, black - and - white production, a slow - burning jazz soundtrack, and a wide ensemble of characters that runs the gamut of crime movie archetypes, Dick Hopper serves as a love letter to film noir, even as it skewers the genre with no mercy.

Critics Consensus: Decidedly slower and less limber than the Olympic runners at the center of its story, the film nevertheless manages to make effectively stirring use of its spiritual and patriotic themes.

Since winter is a slow time of year for finding big money movies, now is about the best time to release an independent film.

Their best known films — Room with a View, Howards End, The Remains of the Day — tend to have that slow, melancholy reflexivity that Izzard ridicules.

It's certainly not a bad setup, and director Yuthlert Sippapak initially imbues the film with a sort of slow - paced sense of dread - something he completely abandons at about the 30 - minute mark.

Harry Potter and the Deathly Hallows: Part 1 is slower and stranger than any of the previous films, simultaneously raising hopes for a haunting finale while dimming hopes for a magical one.

If you've caught any of the media blitz for the film you've seen the episode in which Ferrell's character swings at Galifianakis» and accidentally slugs a baby, but it's still funny to watch the characters» horrified reactions, smartly played in slow motion while we hear «My Country «Tis of Thee.»

But even at a scant 90 minutes, the film manages to cover a lot of ground, hopping around from interviews to live footage, the highlights of which are a live studio take of «Higgs Bossom Blues,» a 9 minute epic whose slithering slow build plays out uninterrupted and the finale, a blistering live performance of «Jubilee Street» featuring a string section and children's choir, intercut with scenes of Cave onstage over the years.

The only negatives is the strong language, an adult film for sure and that sometimes the flow of events is a little slow but when you start to relax the film always manage to suprise you.

Now, the direction of this film is rather slow.

When the freedom of the press is most directly addressed, largely in the climactic scenes, the film's rocketing momentum slows to a crawl and gives way to hoary declamation.

Though the film occasionally assumes the airs of a slow - burning thriller, the overall product remains a firmly intellectual exercise.

A torpidly slow epic with a script that moves at the speed of light, the film is pockmarked with incidents that never cohere into a clear narrative.

McKenzie has effectively drawn us in, although lack of narrative makes the film frustratingly slow in spots.