Sentences with phrase «of slow motion feel»

Not exact matches

«Not because simply Haiti needs it, but we feel that it would be in the interest of both countries as Haiti is putting in motion its development plan based on the catastrophe of the Earthquake in 2010 and a set of other issues that came up along the way that has slowed down our reconstruction process.»

Sometimes it feels as though we're in slow motion while we watch people quickly come in and out of our lives.

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«All eyes are on you and it feels almost like you are in slow motion,» Shayne said of the state finals setup.

For example, whenever Johnsonlaunches into a five - minute explanation of what he was feeling in the car as itentered a turn — including information such as throttle position, brake pressureand how the steering handled — Knaus will visualize in slow motion what's goingon inside the car as it rolls through the turn.

It just felt like one of those nights where you were watching a car crash in slow motion.

You should move in slow, controlled motions, not zipping back and forth quickly; do it from your knees until you feel confident and stronger to try it standing; and start with only rolling a distance of about 1 - 2 feet with a wall in front of you to stop yourself, and work your way up gradually to longer extensions.

That muggy feeling your brain is operating in a puddle of mud and life is moving in slow motion.

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Some of her other books are Main Street Vegan: Everything You Need to Know to Eat Healthfully and Live Compassionately in the Real World, The Good Karma Diet: Eat Gently, Feel Amazing, Age in Slow Motion, Fit from Within, The Love - Powered Diet, and Creating a Charmed Life.

It felt like much of the hand - to - hand combat was moving in slow motion for a purpose.

Along those lines, a slow - motion nightmare of war violence that plagues Georges in his sleep feels out of place compared to the understated calm that marks the rest of the film.

Perfectly encapsulates the slow - motion, frustrated feeling of early adulthood, when longing and inchoate desire easily outnumber actual transformative events and achievements.

Everything about this film oozes class; the 60's setting is beautifully captured with it's attention to detail and strikingly rich photography by Eduard Grau; the slow motion scenes with overbearing sound effects; the subtle changes of colour saturation providing an excellent technique in developing the mood and feeling of Firth's character and a fitting soundtrack to accompany the lush imagery.

Fresh: Perfectly encapsulates the slow - motion, frustrated feeling of early adulthood, when longing and inchoate desire easily outnumber actual transformative events and achievements.

To that end, I was actually relieved to see a degree of restraint in his usual tics in Man of Steel; overly - slick slow - motion speed - ramping antics normally attributed to him are gone, replaced with an earnest if hurried style that feels like an amalgam of several influences.

The ending feels abrupt and rushed, which is actually a bit bizarre as Gosling moves so turtle like that you mistake many of his scenes to be in slow motion.

In the middle part of Anderson's career (circa «The Life Aquatic» and after), some critics began to complain about the familiar stylized elements of his films being a crutch and formula, diorama - like to the point of aestheticizing the emotions of the story (to be fair, some prescribed elements — the slow motion endings, that Futura font, the expected Kinks or Rolling Stone song — were starting to feel a little mechanical at a certain point).

This includes all of the original's stylistic choices, from the color scheme to the slow motion / fast forward fights (seriously, played at normal speed, I feel like this movie is a half hour long).

Slow motion is a visual technique where time seems slowed down and the movement that appears in front of the camera achieves a stylized shape that always feels unique.

Forgiving a few moments of over-contemplative slow - motion and two or three scenes too many establishing that Oscar has a heart, Coogler has some brilliant moments that highlight intimacy on a warm, cozy level that feels hard to deny.

The film lingers on the consequences of celebrity and fame, and the cruelty of the public eye — but does so in its own voyeuristic way that feels like watching a train wreck for a second time, in slow motion, and with commentary.

Even its gorgeous cinematography, which won a prize from the Tribeca jury, feels like less than meets the eye; the frequent use of slow motion lingers past haunting until it becomes just plain draggy (not a great quality in an 80 - minute movie).

On the other hand, the almost wall - to - wall techno music (reminiscent of Run Lola Run in its quieter moments), the arty slow - motion and slow - burn pacing of much of the film, and the enigmatic characterization of the main character, known only as «The Driver,» lend a surreal feel to the city I know.

The surrounding traffic feels like it's moving in slow motion, and you are a blur of color.

It hung around in my car, making more of itself, piling on, the feeling of its dead weight slowing me down, drawing out the drama of expectation and allowing me to witness each potential calamity in slow motion until, eventually, I arrived on the other side, astonished and safe.

This is an industry grappling with potentially gigantic changes that may be forced on it by technological advances, and as someone who works in both the journalism and technology fields, I get the feeling that I've seen some version of this same slow - motion train wreck before.

Whatever it takes to - But the larger of the men took three paces forward and in what felt to Rowena like slow - motion (she had time to smell stale sweat and wet leather and unwashed hair, to see the small dark eyes and big head, the pores around his nose) raised the butt of the shotgun and smashed it into her face.

Basically in NG3 when you fight and you execute «Steel on Bone», the game will go in a «slow motion» to give off a more realistic feeling of you actually cutting into someone's body.

A dragging movement speed combined with sparse attack attempts from the Akrid make it feel sort of like battles play out ever so slightly in slow motion.

When you are jumping in slow motion and shooting guys down you feel like you are playing the evolution of the Max Payne franchise.

There is no feeling like the view of hundreds of different kinds of monsters, be them big, small, or really big, all making a bee line straight to you in the most intimidating slow motion Reservoir Dogs style walk.

Movement is still a little imprecise and janky, but the shooting itself remains ultimately satisfying, especially with the inclusion of the Kill - cam that initiates slow motion x-ray replays of well placed shots — a tool that not only feels rewarding, but can be pretty comical if aimed in less orthodox places.

Everything feels slow instead of deliberate, jumping often doesn't work because characters are slow to turn the direction being pushed, and when you do manage to complete a jump and start attacking the beast above you, your motions look stilted and separate instead of flowing together to form a stylish combo.

Another new feature is the presence of a dynamic «Kill Cam» which shows the killing bullet in slow motion, permitting players who prefer to play in real - time to experience the same cinematic feel of V.A.T.S..

«I filmed them in slow motion so the viewer relishes in the passage of time and can imagine the tangible feeling of the liquid covering each living sculpture.»

Recreating the feeling of dizziness and confusion by letting the paint blur and allowing shapes to dissolve, Alexandra suggestions motion in order to slow down the scene and capture the fleeting moments, which tend to be forgotten.