Their work has a directness that short circuits concept and fashion, and encourages an engagement with the materiality of the work and the felt experience of it; they are John Eaves RWA, from Bath; Frank Bowling RA, OBE, who works in London and New York; Patrick Jones, based in the Exmouth area, and John Bunker, from London Curated by Nick Moore, Bristol - based painter, musician and writer, the title of the exhibition derives from associations such as deep, profound, personal, direct, close; all words one could use to describe the qualities
of these small abstract paintings.
Brandon Opalka will show a series
of small abstract paintings made with oil and spray paint.
Dynamic images fragment into mosaics
of small abstract paintings, in which there is no longer a distinction between background and foreground.
Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range
of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.
Not exact matches
There are more than a dozen works on view in Trump's apartment, including a series
of prints by conceptual artist John Baldessari, a massive work by art - market juggernaut Christopher Wool, a
small piece by the up - and - coming artist Will Boone, prints by photographer Mariah Robertson, and a
small, colorful
abstract painting by the young art - world star Alex Da Corte.
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Basketball - obsessed Indiana and its 1954 state champions from
small - town Milan were the real - life inspiration for this stirring sports drama, set in an
abstract terrain
of painted court lines and clean - cut grass, a place where second chances can happen.
But that was just one
small element
of his long career producing
abstract paintings and print work for the likes
of the ICI, the Arts Council, the Institute
of Contemporary Arts and the Robert Fraser Gallery.
In leaving the exhibition, my thoughts keep returning to the three
small paintings and how
abstract painting has uniquely developed through the guidance
of creator.
Brooklyn - born painter Walter Price stands out as particularly impressive in this context, with a selection
of small skewed and
abstracted figure - in - landscape
paintings.
And Lewis's «Alabama II» (1969) deploys a
small, barely visible line
of marching stick figures on a searing expanse
of sunset pink, hinting at the struggle for civil rights while still insisting on being read as an
abstract painting.
Also included are a collection
of small works on panel, that seem to quote from the complex non-linear narrative
of Hackett's
abstract paintings.
Blue Mountain Gallery presents new
abstract paintings by Janet Sawyer in a group
of works on canvas and
smaller works on paper.
A
painting I have never been able to see or find an image
of since remains in my memory: a large work though made
of relatively
small shaped fragmented parts arranged in the shape like a giant
abstracted question mark.
From a distance, David Allan Peter's
small - scale
abstract paintings appear to buzz with dashes
of vibrant color.
It also shows a
small selection
of Riley's seminal
abstract paintings, illuminating the ways in which the artist developed her radical style.
I was made aware
of this helpful piece
of writing by renowned photographer Carl Chiarenza, whose work is included in a
small group exhibit
of abstract paintings and photographs currently on view at Main Street Arts Gallery.
Although a critical force within the group, the artist's contributions to Memphis — in the form
of graphic patterns — were only a
small segment
of her career; as the ICA show makes clear, Du Pasquier is a multifaceted artist, and she became particularly interested in
abstract and figurative
painting.
Hopefully this burst
of intimately scaled creativity by Joanne Greenbaum — as 1612, her first iteration
of small - size
abstract paintings at D'Amelio Terras (on exhibit through November 12th)-- is just the beginning.
Contributed by Leora Lutz «Lampblack» (and the show title
of the same name) is a new perfume created by Bruno Fazzolari in conjunction with a series
of small,
abstract paintings on appropriated...
The lyrical abstraction
of these
paintings is contrasted with
smaller geometric
abstract paintings, rigid in structure and form, but handmade, with deliberately imperfect and variably weighted lines, in an ironic and humorous way.
Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount
of work that is put into every aspect
of each
painting that make it look so realistic and
abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality
of the defined lines that are portrayed through every
painting (piece) and every
small detail in the
painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the
abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.
Consigned by the New York gallery Luhring Augustine, the material for sale includes vintage photographs from the 1960s
of teenagers shooting up and hooking up and the so - called «Heroin» series from 2014 —
abstract oil
paintings into which
small plastic bags used for drug storage are embedded.
Becky Yazdan's
small paintings have become incrementally more
abstract over the four years or so since I first saw her work, but they remain anchored by precise composition, balanced line, and subtle choice
of color.
THIERRY GOLDBERG Looking at Stas Volovik's
small,
abstract paintings, you might guess that they were made in the 1930s by a previously unknown follower
of Kandinsky's late work.
These drawings and
paintings form only a
small part
of Mammen's oeuvre, however, with her later work expanding to include sculpture — clearly influenced by the likes
of Henry Moore, with an interest in the permeation
of mass and space — and various styles
of abstract painting, incorporating both a Picasso-esque period and a later phase
of collage and childlike strokes, calling to mind the likes
of Paul Klee and Joan Miró.
The artist uses the technique
of automatic drawing to create the
small painting, which is an
abstract drawing made in a short period
of time and in a spontaneous manner.
This exhibition consists
of twenty extremely detailed,
small - format,
abstract paintings executed between 1989 and 1992.
On the other hand, we were greeted by the strange miniaturist refinements
of Kai Althoff, who made a very powerful impact with a group
of small paintings and drawings, some
of them
abstract.
* Known for the free eroticism
of her
small, representational drawings and
paintings, the impact
of Rama's large rubber - on - canvas
abstract collages from 1970 and 1971 is just as great.
Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body
of abstract paintings for which he selected
small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series
of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work
of this influential but sometimes - overlooked artist in the first museum survey
of her work since 2001.
From further away, all
of those
small individual
abstract paintings join together to make a face.
David
Small's extravagantly coloured, ever - expansive (yet finely controlled)
abstract paintings will be exhibited upon the severe optic disruptions
of Jeremy Willett's black and white wallpapers, themselves
abstracted from photographs
of brutalist urban wallscapes.
Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body
of abstract paintings for which he manipulated
small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series
of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work
of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work
of this influential but sometimes overlooked artist in the first museum survey
of her work since 2001.
A
small, flat silhouette in the shape
of a vessel is
painted on one side with a nude female Venus figure, and on the other side with
abstract patterns in washy colors — a careful method with a quick look inherited from Modern
painting masters.
This will be an interesting chance to get a closer look at the process
of a prolific
abstract painter in a
smaller, gallery setting, as the New Work show will be an assortment
of gouache color studies, 2D drawings, and large - scale
paintings.
This show is a collection
of abstract acrylic
paintings on paper - some very large and others quite
small.
It also features
abstract works, for which Richter draws from a changing repertoire
of forms and colors to produce both
small and monumental
paintings.
This Artwork is represented by FRED.GIAMPIETRO Gallery, New Haven, CT I make both large - scale patterned wall murals and
smaller abstract paintings of forms and rhythms.
Although he may be better known for his larger - than - life - sized, grisaille, figural
paintings, Alfred Leslie spent the 1950s working in an
abstract expressionist vein, creating
paintings of explosive color as well as
small - scale
abstract works on paper.
Below is a
small selection
of his
abstract paintings...
There are some fine non-Soutine
paintings, like Avigdor Arikha's picture
of colorful socks on a wood surface; Frank Auerbach's
small, thickly
painted, nearly
abstract urban streetscape; and Lucien Freud's
painting of backyard shrubbery.
Occupying two
small rooms at the rear
of Maja Marx's impressive and concurrent showcase
of cartographical - like
abstract paintings, entitled «Glare», the highlight
of Smith and Zwelendaba's diffuse presentation is Scrap for Africa (2016).
Formally Goodman is
painting large areas against
small passages, thick against thin,
small figures against hulking
abstract forms, raw emotion against the sheer material sensuality
of the
paint.
Susanna (1993), a
painting in which Gallagher uses the disembodied iconography
of minstrelsy — grins, goggle eyes and rubber lips — to create an
abstract surface
of small circles, dots and curves.
The handful
of small drawings and oils from the 1960s looked as layered as Old Masters, as flashy as «action
painting,» and as rigorously
abstract as one expects for
Abstract Expressionism.
Cheim and Read Cheim and Read displays four
abstract oil
paintings and one bronze in a
small all - female collection reflective
of the gallery's widely respected curatorial reputation.
Perhaps most known for founding the Galería de Arte Color - Luz, Loló Soldevilla (1901 — 1971) produced only a
small but considered body
of work, spanning kinetic sculpture, hard - edge
painting, and geometric collages that reveal her sustained and thoughtful engagement with historical and contemporaneous
abstract tendencies.
She has countless
smaller works from D'Metrius John Rice, a large
abstract painting by Seth Adelsberger, and dozens
of works from other artists I hadn't known.
Doyle has also created a series
of smaller paintings, simultaneously
abstract and process - based, that are a departure from his figurative style and further the theme
of nature / human equilibrium.