Sentences with phrase «of small collages»

Also in the late 1950s, he made a number of small collages from over-painted printed images cut into strips and then rearranged.

[citation needed] From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures.

Τhe monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park and «Lipsticks in Piccadilly Circus, London».

Her painting is distinguished by constant changes, experimentation and development and her works cover such subjects as socio - political portraits, primitive masks, underwater scenes, tropical flowers and wild animals, as well as including a number of small collages.

He showed a number of small collages at a two - man exhibition, together with Marc Ratliff, at Judson Gallery.

In the adjacent galleries, a series of smaller collaged works on paper expand upon imagery found in Forevermore.

Not exact matches

«Thanks to all of you, near and far, old and young, who joined the Cassini mission in marking the first time inhabitants of Earth had advance notice that our picture was being taken from interplanetary distances,» said Linda Spilker, Cassini project scientist at NASA's Jet Propulsion Laboratory, Pasadena, Calif. «While Earth is too small in the images Cassini obtained to distinguish any individual human beings, the mission has put together this collage so that we can celebrate all your waving hands, uplifted paws, smiling faces and artwork.»

Lastly, the killer antique mirrored console table with statement stools topped with a smaller collage of framed art from Minted serves as a great piece to house books, the cutest little gold lamp, and most likely a necessary DVR.

The collage below is just a small sampling of the many different styles and colors of ethically - made leather bags that Sseko Designs offers in their Leather Bag Collection.

I ended up with enough for two t - shirts... there's a small pic of the second one in the collage.

Jenkins» gorgeous collage artwork and impeccable design sense combine to give children a tantalizing, comparative view of creatures large and small, with petite critters depicted alongside cropped portions of much larger beasts.

As an extra artistic note, small scraps of text (newsprint, fiction, reference books, textbooks) are collage - style tucked under colorful storefronts and buildings.

These small collages are composed by the painter as studies for her larger canvases, but it's hard to imagine that their successors could trump them in terms of spontaneity or sheer joie de vivre.

They were relatively small wood panels, no more than 18 × 15 inches, which had collage elements sort of like Kurt Schwitters.

A smaller grouping of five collages utilized the sleeves for 45 rpm records, combined with colored paper to create hidden or revealed color combinations.

She poured the wax onto the panels, and then submerged small collages made of paper ripped and torn from earlier work.

High and wide enough to house Katz's corporate lobby - scale paintings, it makes an awkwardly capacious venue for the current show, which is made up of 65 mostly small paintings, collages, and cutouts.

I'm pleased to announce that an essay of mine is included in the catalogue accompanying «Joseph Fiore: Small Collages», an exhibition currently on display at Meredith Ward Fine Art.

The tears running down the subject's face are small collaged portraits of the murdered teen.

This show of 50 small - scale drawings, photographs and collages, free from the shadow of its myth, allows us to consider DeFeo's wry improvisations and neo-Surrealist approach.

Among a selection of her small scale collage paintings, you'll see three fabric - based modular books she made for her recent exhibition at the State Silk Museum in Tbilisi, Georgia.

They are small and in one sense quite delicate, I get the impression that they could easily be damaged, yet the paint handling (these collages appear to be made of cut - up paintings) is so sturdy and confident, that the works also look robust.

The exhibition includes mixed - media painting as well as small - scale works on paper, collage, and a new piece of writing.

Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.

The scope of Michael Meads» work is large, and wandering from room to room in «Bent Not Broken» at the Ogden Museum of Southern Art, his range of mediums and forms is awe - inspiring: acrylic paintings, charcoal drawings, papier - mâché masks, screen - printed images overlaid on gessoed wood panels, vivid sculptural triptychs, a small bound book of collages.

There, there were a few memorable highlights, such as mirror paintings by Michelangelo Pistoletto from the 1970s and 80s, shown by the Repetto Gallery; striking portraits and still - lifes by Wayne Thiebaud, shown by Allan Stone Projects; small paintings by Gerhard Richter and Alexej von Jawlensky in the Galerie Ludorff's booth; and Yayoi Kusama's glittering collages, reminiscent of precious stones, shown by Omer Tiroche Gallery.

In Small Archive of Images (1986/1996 -1999), viewers confront a wooden chest of drawers that may be opened to reveal small paintings, photographs, and collSmall Archive of Images (1986/1996 -1999), viewers confront a wooden chest of drawers that may be opened to reveal small paintings, photographs, and collsmall paintings, photographs, and collages.

Nevertheless Robert Motherwell; Early Collages, which runs through January 5, is well worth seeing and these works, placed today in a small gallery on the Lower East Side, in the guise of having just come out of the studio of some young artist, would appear completely viable and credible as contemporary works because there are so many artists today, here in New York showing on the LES and Bushwick as well as elsewhere in the United States and Canada and perhaps globally, still working in the orbit of the aesthetic consensus of post-War formalism.

The exhibition, the artist's fourth show at the gallery, will include approximately 100 small paper mounted on canvas paintings as well as 25 collage constructions and a set of sketches in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.

These drawings and paintings form only a small part of Mammen's oeuvre, however, with her later work expanding to include sculpture — clearly influenced by the likes of Henry Moore, with an interest in the permeation of mass and space — and various styles of abstract painting, incorporating both a Picasso-esque period and a later phase of collage and childlike strokes, calling to mind the likes of Paul Klee and Joan Miró.

Despite being the smallest piece in the show, this rectangular amalgamation of oil paint, acrylic paint, household paint, varnish and mixed media collage on canvas (then mounted on board) had that rare feeling of monumentality.

His photographs explore removing the traditional sense of masculinity inherent in the superhero narrative, a process that Alario and Keyes enacted literally within the small collages included in the show.

Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.

Instead of revising her initial marks in certain areas, Wylie has collaged pieces of canvas over the paint, introducing texture and small flecks of color that together lend the work an organic nature.

* Known for the free eroticism of her small, representational drawings and paintings, the impact of Rama's large rubber - on - canvas abstract collages from 1970 and 1971 is just as great.

While the work clearly recalls Stella's iconic series of black and aluminum paintings, with their repeating monochrome bands, this piece is in fact a small collage of metal foil applied to Masonite, and it has a wonderfully handmade quality that's perfectly in line with his early Minimalism.

Eric Wall dismantles and re-imagines the possibilities of painting through large freestanding and small scale works made from collaged fabric.

Not to be missed are the four small collages from «The Aegean Series» (1983) including the translucent cut paper with drawing overlays of «Samos # 19» and the almost - Klee - like iconography of «Samos # 28.»

Since then, Tuttle has presented prominent and influential series in the history of contemporary art such as the cloth pieces, which he installed dyed and cut canvas on the wall, and were both pictorial and three - dimensional, and the wire pieces, which consisted of wire and its shadow and pencil lines, and small - scale collage pieces among others.

In these smaller works, he collaged international newspapers, old magazines and mail order catalogues transformed by bold strokes of paint into dynamic compositions.

Her solo show at Max Hetzler titled «Bet Your Sweet Life» features Scale of Things (to come)(2010) an interactive staircase made of metal chains and tubes which will offer a view of the gallery space from above, the video No Head Man (2009), photographs, collages and different series of small spray - drawings and large scale drawings from the series Hurricane and Other Catastrophes.

THURSDAY, MAY 2 NOON LUNCH, 12:30 - 1:30 P.M. PROGRAM FACULTY BIENNIAL ARTIST TALKS: Kirsten S. Johnson and Kathryn Van Steenhuyse Multiplicity with Kirsten S. Johnson, Associate Professor in Graphic Design Inspired by the collages of Ernst, Picasso, Matisse and Schwitters» Merz Pictures, Johnson creates small and large - scale photomontages.

1986 Fetish Art: Obsessive Expressions, Rockford Art Museum, Rockford, IL Collagen, Kunsthaus Zug, Zug, Switzerland Paper Variations, Lever - Meyerson Gallery, New York, IV Sommerausstellung, Galerie Gilbert, Remetschwiel, Germany Jewish Themes / Contemporary American Artists II, The Jewish Museum, New York, NY; Spertus Museum of Judica, Chicago, IL; National Museum of American Jewish History, Philadelphia, PA Small Format, Lang & O'Hara Gallery, New York, NY Fifth Anniversary Exhibition, Roger Ramsay Gallery, Chicago, IL For the Holidays, Collages, Forum Gallery, New York, NY

The latter contributes a number of scrappy, colorful collage works; Gahl has a small painting of flowers and a larger canvas that incorporates an enlarged image of a house painter that the artist has scavenged from his own childhood drawings.

The early paintings in this group, from 2011, show a direct connection to the still life paintings in that they are larger versions of the small pieces used to create the oil collages.

Site - specific installation overvew: 17 collaged dry - wall panels with collaged elements, canvas with torn edges, photo transfers, acrylic, text, 9 1/2 ft high at highest point; 5 bronze elements, underground cable, and 1 tall and 2 smaller broken border posts with barbed wire from the former East German Border, 5 curved broken sections from the top of the former Berlin wall

Critics have often noted that his collages rank among his highest achievements, and few of the works at the Parrish or the late paintings at Ameringer McEnery Yohe in Chelsea compare with collages or the small collection of assemblages that appeared at New York University's Grey Art Gallery under the exhibition title «Concrete Improvisations.»

Locally Sourced features over 200 small works and multiples in a variety of mediums, including drawing, painting, hand silk - screens, digital prints, photography, collage, sculpture, video, and more.»

A large photostat projection adapted from a small collage, the work is featured in «Project Gallery: Romare Bearden,» an exhibition of 21 black - and white - works the artist produced in 1964, which is on view through June 26.

Toukhy's dense, hand - drawn collages are composed of small and large - scale figures built with Islamic and camouflage patterns, suggesting layered histories.