Sentences with phrase «of social narrative»

By refusing to adhere themselves to a set of truths, the material instead provokes a question of what is, in fact, believable, revealing the delicate bonds of social narrative and trust in a collective idea of history.

His insistence on the Black artists» freedom to investigate pure abstraction without the intervention of social narrative continues to nourish my commitment to abstract painting.

Not exact matches

«We conquered Reddit and drive narrative on social media, conquered the [mainstream media], now it's time to get our most delicious memes in front of Americans whether they like it or not,» one of the group's members posted to Reddit.

Tournament and money standings aside, the new - age way to gauge standings of a player, and to attract the next generation of fans, lies in their social narrative.

First of all, many social media home runs actually do occur very quickly, and secondly (and more importantly) this narrative is much more appealing.

With millennials consuming more and more of their media through mobile devices and social platforms, executives at Indigenous Media bet that Snapchat users would warm quickly to the idea of following a narrative story posted in regular installments to social media, as opposed to the traditional theatrical experience.

Once you can pull narrative into a social media context, others can then truly become a part of your story.

Sixty - seven percent of consumers use social media for customer service inquiries, so make sure that you become a part of that narrative so that you can direct it to a positive outcome.

«By making this shift they clearly prioritized one over the other, and are potentially a bit nervous about the current (really negative) narrative about the negative impact of social media on society.»

CA also used digital ads, nearly 1000 organic social media posts and television ads to strategically counteract the news and happenings of the campaign to strongly influence the narrative their principal audience was being exposed to.

As an industry content leader, Participant annually produces up to six narrative feature films, five documentary films, three episodic television series, and more than 40 hours of digital short form programming, through its digital subsidiary SoulPancake — all aimed at entertainment that inspires social awareness and engaging audiences to participate in positive social change.

There is no narrative that sets out the longer - run economic and social challenges, and there is no discussion of how these challenges are interrelated Eliminating the deficit has been the cornerstone of the government's fiscal policy since 2010.

Developing a buyer (or marketing) persona is a good idea for social media marketers who are unsure of how to create a compelling brand narrative.

There is no narrative that sets out the longer - run economic and social challenges; there is no discussion of how these challenges are interrelated; and, there is no commitment to put aside ideologies and consider what is best for the country.

Over time the idea is to change the narrative of business to address social and environmental externalities.

Social media and mainstream reporting are both shaping dangerous and misleading narratives that, in the long run, are slowly causing the erosion of the real work of journalism.

Not to beat a dead horse, but buyer personas must continue to move from a misunderstood practice of profiling to a practice of understanding the narrative of the social buyer.

You can not tell the narrative of the social buyer artfully without the prerequisite of the uncovering attained by science.

Narratives have long been an interpretative component of the social sciences as a way of presenting as well as recasting research findings.

The Narrative project includes some of the team from Social Strata, the company behind customer engagement applications such as Hoop.la.

The actual archetypical buyer personas that are created serve as an interface and a narrative to social, cultural, and behavioral research of buyers within organizations as well as in individual environments.

Nonetheless, she is surely correct that conversion narratives (such as, most famously, Augustine's Confessions) are of little help in plotting these social changes and that Christianity was indeed influenced by the values of aristocratic culture.

Knust shows absolutely no awareness of Biblical exegesis, hermeneutics, genre, social and historical context, or even a rudimentary understanding of what's prescriptive or descriptive text in some of the historical Biblical narratives.

In the revolutionary narrative, some irresistible spirit of progress «speaks,» while a courageous group of social rebels» not theologically trained ascetics» shows us how it's done, medieval style.

The most obvious manifestation of the illicit, involving the crossing of boundaries set by social mores and norms, is found in the persistent adulterous character of the narrative.

Particular attention is given to the kinds of content that is communicated through such narratives (cognitive, social and emotional, information processing skills, implicit messages, and modes of learning), and to the processes and potential of learning from television and film.

Again and again such thoughtful writers as Alasdair MacIntyre and Robert Bellah tell us that moral rectitude, fundamental truthfulness, and all of the other virtues and skills that make us human depend upon society: upon our having a lifelong place within a social order and contemplating the historical «narrative» that defines the social order.

Recognizing the different social functions of different kinds of stories offers a route into a more nuanced educational theory of the narrative method.

Yet another theme in the educational literature is that narrative is a source of human consciousness and social critique.

I consider this an ambiguous gift: on the one hand, postmodern tendencies open up spaces for the new perspectives and voices mentioned above; on the other hand, as the social critic Jane Flax notes, a hard - core kind of postmodernity which would postulate the death of history, of the human being and of metaphysics undermines the kind of critical reason that is necessary to counter the «master narrative» constituted by capitalist globalization.

Social historians rejected the conquest model of Israel's entry into Canaan as it is described in the biblical narrative.

The dominant interpretation, derived from Franco - German scholarship of the nineteenth century, emphasized material aspects: political contest and domination in the Near East; the social structures of the Levantine crusader principalities viewed, especially by Francophone scholars, through the lens of modern colonialism; cultural confrontation and exchange through settlement and trade, a topos made familiar by eighteenth - century Enlightenment writers seeking to integrate the Crusades into a narrative of European progress; military adventurism that exposed the mentality of crusaders — heroic, passionate, devout, or misguided according to taste.

The simplistic gospel of being saved from earth for a home elsewhere in heaven has been replaced by a grand narrative of God's redemption story that encompasses social justice, creation care, and a fresh vision of the mission of the global Church.

Rather, the Paraiyars» religion points to an arena of ongoing contestation and transformation of dominant and, sometimes, oppressive cultural and social patterns that are founded on religious narratives (plots?).

What O'Flaherty reports about myth, however, is that using it consciously provides a means of directing the narrative to ordinary social constructions of reality.

Thusly, I do concur that the premise of the cultural paradigm of expressionism holds that art is capable of social comment, but only if the cultural paradigm of the narrative is invalid; if that is not the case, Truth is used to reinforce the status quotient.

«To those defenders of quantitative social science who will denounce my tendency toward a narrative style,» he writes, «I can only reply that, unlike the novelist, who seeks to make the facts conform to his art, I have throughout made my art conform to the facts.

To the degree that members of oldline Protestant denominations participate in this reinstitutionalization of society and in the consequent erosion of deep values, their loyalties will be dispersed over a number of different social worlds, they will exist without what JeanFrancois Lyotard has termed a societal «master narrative,» and they will surely experience lukewarmness with respect to traditional faith.

The quest for inclusiveness in moral education can be pursued only by emptying lived morality of its particularity — those «thick» normative meanings whose seriousness and authority are embedded within the social organization of distinct communities and the collective rituals and narratives that give them continuity over time.

These are identity - forming narratives, and they can easily be mapped onto a social landscape of us versus them, the in - group and the out - group.

They already have an appreciation of culture in its broad sense and of the narrative link to social observation.

Since the shooting, people on social media have been quick to share stories suggesting that there were multiple shooters, that the shooter had ties to terrorist groups, that authorities are purposely hiding information to manipulate the narrative for political purposes or, even absurdly, that this shooting was some sort of «false flag» operation orchestrated by shadow groups to fool the public.

The social location of the man looms larger in the narrative than we may at first recognize.

Social history presents narrative descriptions of peasants, their families, behaviors, roles and the like.

Thus, the premise of the cultural paradigm of expression holds that art is capable of social comment, but only if the cultural paradigm of narrative is invalid; if that is not the case, truth is used to reinforce the status quo.

Further, because human beings see patterns in whatever they analyze, social historians believe that their historical sources provide some sort of narrative pattern to which data can be related.

For a recent example of narrative method employed by a social Scientist see Robert N. Bellah et al., Habits of the Heart: Individualism and Commitment in American Life (Berkeley: University of California Press, 1985).

Several recent books provide an opposite imbalance, emphasizing the congregation's normative relationship to Christian narrative.18 «The social - ethical task of the church,» says one,»... is to be the kind of community that tells and tells rightly the story of Jesus.

The existence of a Church and a teaching tradition to give body to this sharing is both legitimated and necessitated by the intrinsically social, narrative and historical character of revelation.

Accepting the sticky consequences of a particular social commitment and covenant, a church member participates also in narrative reflection and storied praxis.