Sentences with phrase «of solo exhibitions at»

Simon's work has been the subject of solo exhibitions at many major museums, including the Garage Museum of Contemporary Art, Moscow (2016); Jeu de Paume, Paris (2015); Museum of Modern Art, New York (2012); and Tate Modern, London (2011).

Porter has been the subject of solo exhibitions at institutions including the Museum of Modern Art, the Museo de Arte Moderno in Bogotá, Panama's Museo de Arte Contemporáneo, and the Museo de Arte Moderno in Cali, Colombia.

His work has been the subject of solo exhibitions at galleries and institutions including Langen Foundation, Art and Exhibition House, Neuss, Germany (2010); Axel Vervoordt Kanaal, Antwerp, Belgium (2004); Hubertus Schoeller Gallery, Dusseldorf, Germany (1997); Gallery Edith Wahlandt, Stuttgart, Germany (1994); Kunstmuseum Dusseldorf, Dusseldorf, Germany (1973); Musee Cantini, Marseille, France (1972); Belgian House, Cologne, Germany (1969); Aujourd» hui Gallery, Palais des Beaux - Arts, Brussels, Belgium (1964).

[8] His work was the subject of solo exhibitions at MUSAC, León, Spain (2008); [9] Schirn Kunsthalle, Frankfurt, Germany (2008); [10] the Whitney Museum of American Art, New York (2007); [11] Kunsthalle Zürich, Switzerland (2006); [12] and the Vienna Secession, Austria (2005).

David Noonan's work has recently been the subject of solo exhibitions at the University of the Arts, Philadelphia, PA, USA (2015); Contemporary Art Museum, St. Louis, MO, USA (2011); Australian Centre for Contemporary Art, Melbourne, VIC, Australia (2009); Chisenhale Gallery, London (2008); and Palais De Tokyo, Paris, France (2007).

Over the past decade, Douglas» work has been the subject of solo exhibitions at prominent institutions worldwide, including the Canadian Cultural Centre, Paris, 2013; Minneapolis Institute of Arts, Minnesota, 2012; The Power Plant, Toronto, 2011; Staatsgalerie Stuttgart and Württembergischer Kunstverein, Stuttgart, 2007; The Studio Museum in Harlem, New York, 2005; kestnergesellschaft, Hanover, 2004; and the Serpentine Gallery, London, 2002.

Calame's work has been the subject of solo exhibitions at the Albright - Knox Art Gallery, Buffalo, NY; Art Gallery of Ontario, Canada; Fruitmarket Gallery, Edinburgh, Scotland; Indianapolis Museum of Art, IN; Institute of Contemporary Art Philadelphia, PA; Kunstverein Hannover, Germany; Monterey Museum of Art, CA; Museum of Contemporary Art Cleveland, OH; Museum of Contemporary Art Jacksonville, FL; and the Savannah College of Art and Design Museum, GA..

Ruff's work has been the subject of solo exhibitions at prominent venues internationally.

A Mid-Career Artist has had a significant number of solo exhibitions at significant galleries and museums, located nationally or internationally, rather than locally.

His work has been the subject of solo exhibitions at Freedman Fitzpatrick, Los Angeles, CA, USA (2016); Neue Alte Bruecke, Frankfurt, Germany (2015); Svetlana, New York, NY, USA (2015); and Kunstverein Munich, Munich, Germany (2014).

His work has been the subject of solo exhibitions at various institutions including at the Museo de Arte Contemporáneo de Oaxaca, México (2017); Jeu de Paume, Paris (2016); the CAPC, Bordeaux (2016); Museo Universitario de Arte Contemporáneo (MUAC), Mexico City (2012); and MoMA P.S. 1, New York (2012).

She has been the subject of a solo exhibitions at the Indianapolis Museum of Art, the Museum of Contemporary Art, Cleveland, INOVA, The University of Wisconsin, Milwaukee; Ulrich Museum, Wichita, Kansas; and University Galleries, Illinois State University, Normal.

He has been the subject of solo exhibitions at the Kemper Museum of Contemporary Art in Kansas City; the Tubman African American Museum in Macon, Georgia; and the Mint Museum of Art in Charlotte, North Carolina.

His work has been the subject of solo exhibitions at Michael Lett, Auckland, New Zealand (2017); Jeffrey Stark, New York, NY, USA (2016); Maccarone, Los Angeles, CA, USA (2016); Untilthen gallery, Paris, France (2015).

Karla Black's work has been the subject of solo exhibitions at Museum Dhondt - Dhaenens, Deurle, Belgium (2017); Migros Museum für Gegenwartskunst, Zurich, Switzerland (2016 - 17); David Zwirner, New York, USA (2016); Galerie Gisela Capitain, Cologne, Germany (2015); Irish Museum of Modern Art (IMMA), Dublin, Ireland (2015); Kestnergesellschaft, Hannover, Germany (2013); Institute of Contemporary Art, Philadelphia, PA, USA (2013); Gemeente Museum, The Hague, The Netherlands (2013); Dallas Museum of Art, Dallas, TX, USA (2012); Schinkel Pavilion, Berlin, Germany (2012); Gallery of Modern Art, Glasgow (2012); Kunsthalle Nürnberg, Nuremberg, Germany (2010); Modern Art Oxford, Oxford (2009); Kunstverein Hamburg, Hamburg, Germany (2009); and Migros Museum für Gegenwartskunst, Zurich, Switzerland (2009).

He also enjoyed a number of solo exhibitions at venues such as: Castlefield Gallery, Manchester (1988); Wolf at the Door Gallery, Penzance (1988); West Cork Arts Centre (1991); Butler Gallery, Kilkenny (1992); Crawford Art Gallery, Cork (1994).

In 2006 her work was the subject of solo exhibitions at the University of Rennes and in 2007 at the Worcester Museum of Art.

Markus Amm (b. 1967, Stuttgart, Germany) has been the subject of solo exhibitions at Kunsthaus Baselland, Basel, Switzerland (2017) and Kunstmuseum Stuttgart (2010).

Vance has also been the subject of solo exhibitions at the Bowdoin College Museum of Art, Bowdoin, ME; the FLAG Art Foundation, New York; and, with Ricky Swallow, at the Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA.

Anthony Pearson (b. 1969, Los Angeles) has been the subject of solo exhibitions at the Contemporary Art Museum, St. Louis (2012) and Midway Contemporary Art, Minneapolis (2008).

Recently the subject of solo exhibitions at the San Francisco Museum of Modern Art, the MUAC Museum in Mexico City, and the Museum of Contemporary Art in Sydney, he was the first artist to officially represent Mexico at the Venice Biennale with a solo exhibition at Palazzo Soranzo Van Axel in 2007.

Sensory Spaces is the title of a series of solo exhibitions at the Willem van der Vorm Gallery, the freely accessible exhibition space in the entrance area of the museum.

A 2015 Artnews article by National Academy Museum chief curator Maura Reilly revealed that women artists made up only 20 - 30 percent of solo exhibitions at U.S. museums since 2007, and a recent count of the permanent exhibition displays at MoMA counted 7 percent of works on view were by women.

Taking a cue from the recent circulation of gallery breakdowns — including revisitations of the Guerilla Girls» original gallery report card and the Art Newspaper's findings that one - third of solo shows in the US go to artists represented by five galleries — we began to look into the demographics of solo exhibitions at Canadian public institutions.

According to the 2012 Waging Culture report, women constitute 63 % of living artists, yet they only account for 36 % of solo exhibitions at these Canadian institutions since 2013.

The third in a series of solo exhibitions at Ingrid in which artists are invited to negotiate the setting of a private apartment without stripping it entirely of its inhabitants» proof of existence.

His work has been the subject of solo exhibitions at Galeria Fortes - Vilaça, São Paulo; the Aspen Art Museum, Aspen; Jack Hanley Gallery, San Francisco and White Columns, New York.

Alvarez has been the subject of solo exhibitions at The Kitchen, New York, and the Art and Culture Center of Hollywood, Florida.

The artist's work has been the subject of solo exhibitions at prominent venues internationally.

Riedel has been the subject of solo exhibitions at institutions including the Schirn Kunsthalle in Frankfurt, the Kunstverein Hamburg, the Städel Museum in Frankfurt, and the Kunstraum Innsbruck.

The artist has also been the subject of solo exhibitions at the Phillips Collection, Washington, D.C. (1967 and 2011); the Corcoran Gallery of Art, Washington, D.C. (1969, 1983 and 2005); the Museum of Modern Art, New York (1971); the Philadelphia Museum of Art (1975); the Studio Museum, Harlem (1982); and the Whitney Museum of American Art, Philip Morris Branch, New York (1994), among other museums.

His work has been the subject of solo exhibitions at international venues, including the Museum of Contemporary Art, Sydney (2007); Getty Center, Los Angeles (2007); Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2001); and Massachusetts Museum of Contemporary Art, North Adams (2000).

His work has been the subject of solo exhibitions at the San Francisco Museum of Modern Art; the Cartier Foundation, Paris; and the National Museum of Art, Osaka.

Rauch's work has been the subject of solo exhibitions at prominent institutions internationally, most recently in 2013 at BOZAR — Centre for Fine Arts in Brussels.

He has most recently been the subject of solo exhibitions at DCKT Contemporary, Conner Contemporary, Kavi Gupta Gallery, and Twig Gallery (Belgium).

Levine's work has been the subject of solo exhibitions at prominent institutions worldwide, most recently at Neues Museum, State Museum for Art and Design in Nuremberg (2016); Portland Art Museum, Oregon (2013); Museum Haus Lange, Krefeld, Germany (2010); San Francisco Museum of Modern Art (2009 and 1991); and the Georgia O'Keeffe Museum, Santa Fe, New Mexico (2007).

Since the 1970s, Eggleston's work has been the subject of solo exhibitions at prominent institutions worldwide, beginning with his above - mentioned 1976 show at The Museum of Modern Art, New York (traveled to Seattle Art Museum; Santa Barbara Museum of Art; Fredrick Wright Art Galleries, University of California at Los Angeles; Reed College, Portland, Oregon; and University of Maryland Art Gallery, College Park).

[23] In addition, his work has been the subject of solo exhibitions at a range of international institutions, including the Museo de Arte Moderno, Mexico City (1983); Museo de Bellas Artes de Bilbao, Bilbao, Spain (1985); Museum of Fine Arts, Houston (2004); Tate, Liverpool (2006); and Butler Institute of American Art, Youngstown, Ohio (1986 and 2007).

Since the 1970s, Eggleston's work has been the subject of solo exhibitions at prominent institutions worldwide, beginning with his groundbreaking 1976 show at The Museum of Modern Art, New York (traveled to Seattle Art Museum; Santa Barbara Museum of Art; Fredrick Wright Art Galleries, University of California at Los Angeles; Reed College, Portland, Oregon; and University of Maryland Art Gallery, College Park).

His work has been the subject of solo exhibitions at Secession, Vienna; Aarhus Center for Contemporary Art, Denmark; Raucci Santamaria, Naples; Willfried Lentz Gallery, Rotterdam; Andersen's Contemporary, Copenhagen; Kirkhoff, Copenhagen; and CPH Kunsthal, Copenhagen.

Most recently, her work was the subject of solo exhibitions at Paula Cooper Gallery, New York (2013) the Westfälischer Kunstverein, Münster, Germany (2013); DiverseWorks, Houston, Texas (2013) and Mälmo Konsthall, Mälmo, Sweden (2012).

Born in 1977, Xu Zhen has been the subject of solo exhibitions at the Kunsthaus Graz, Austria (2015); Long Museum, Shanghai, China (2015); Ullens Center for Contemporary Art, Beijing, China (2014); the Minsheng Museum, Shanghai, China (2012); Kunsthalle Bern, Switzerland (2011); and S.M.A.K., Gent, Belgium (2009); as well as major international group exhibitions such as 20th Biennale of Sydney, Australia (2016); Chinese artists at a time of Turbulence and Transformation, Fondation Louis Vuitton, Paris (2016); Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar (2016) and New Collection, Centre Pompidou, Paris (2015) 15 Rooms, co-curated by Klaus Biesenbach and Hans - Ulrich Obrist, Art Basel (2014); the 12th Biennale de Lyon (2013); Art of Change, Hayward Gallery, UK (2012); Performa07, New York (2007); the 10th International Istanbul Biennial (2007).

Just's work has been the subject of solo exhibitions at the BALTIC Centre for Contemporary Art, Gateshead, UK; the Museum of Contemporary Art, Detroit, Michigan, The Calouste Gulbenkian Foundation, Lisbon, Portugal; the Brooklyn Museum, Brooklyn, NY and the Hirshhorn Museum and Sculpture Garden, Washington D.C.

She has also been the subject of solo exhibitions at The Renaissance Society, Chicago; and the Museo National Centro de la Reina Sofia, Madrid.

His work has been the subject of solo exhibitions at The University of South Florida Contemporary Art Museum, Tampa (2010); The Savannah College of Art and Design, Savannah and Atlanta (2010); The Weatherspoon Museum, Greensboro (2010); Institute for Contemporary Art at the University of Pennsylvania, Philadelphia (2008); Olympic Sculpture Park at the Seattle Art Museum, Seattle (2010); The Fruitmarket Gallery, Edinburgh (2007); and Museum Boijmans Van Beuningen, Rotterdam, The Netherlands (2007); The Contemporary Arts Museum, Houston (2001); The Modern Art Museum of Fort Worth (2001); The Museum of Contemporary Art, North Miami (2003).

Bailey was the subject of solo exhibitions at the New Britain Museum of American Art, New Britain, CT (2004); The Cheekwood Museum of Art, Nashville, TN (2003); Museum of the University of Houston, Houston, TX (2002); Atlanta College of Art, Atlanta, GA; Birmingham Museum of Art, Birmingham, AL (traveled to the Contemporary Art Museum St. Louis, St. Louis, MO)(all 2001); Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, KS; Southeastern Center for Contemporary Art, Winston - Salem, NC (both 1996); The Greenville County Museum of Art, Greenville, SC (1995); and The Mint Museum of Art, Charlotte, NC (1992).

In recent years, Ackermann has exhibited with Andrea Rosen Gallery in New York, and has been the subject of solo exhibitions at Hauser & Wirth in Zurich, the Swiss Institute in New York, and the Ludwig Museum in Budapest, among others.

A pioneer of contemporary installation art, Jessica Stockholder has been the subject of solo exhibitions at Dia Art Foundation, MoMA PS 1 New York, and the Aldrich Contemporary Art Museum, among many other art institutions; and her work has been seen in numerous group exhibitons internationally.

Yuskavage's work has been the subject of solo exhibitions at institutions worldwide, most recently at David Zwirner in New York (2015, and also 2011, 2009, and 2006); greengrassi in London (2013, 2010, 2007, 2004, 2002, and 1999); The Royal Hibernian Academy, Dublin (organized as part of the Dublin Contemporary 2011); Museo Tamayo Arte Contemporáneo, Mexico City (2006); Royal Academy of Arts, London (2002); Centre d'Art Contemporain, Geneva (2001); and the Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2000).

Alvi has been the subject of solo exhibitions at Badischer Kunstverein in Karlsruhe, Germany, 2nd Floor Projects in San Francisco, Cabinet in London, San Francisco's CCA Wattis Institute for Contemporary Arts, and London's Whitechapel Art Gallery