Sentences with phrase «of solo exhibitions worldwide»

Work by Ofili has been the subject of solo exhibitions worldwide, including recent shows at the New Museum, New York (2014), travelling to The Aspen Art Museum (2015); The Arts Club of Chicago (2010); Tate Britain, London (2010 and 2005); kestnergesellschaft, Hannover (2006), The Studio Museum in Harlem, New York (2005), and Serpentine Gallery, London (1998).

Chen Wei's work has been the subject of solo exhibitions worldwide, including 2016 cacooca Art Exhibition: think, Wrong Gallery, Taipei, Taiwan (2016): JNBY Festival No. 1 — Chen Wei; Noon Club, JNBY Headquarters, Hangzhou, China (2016); Chen Wei: In the Waves, Chi K11 Art Museum, Shanghai, China (2015); Chen Wei: The Stars in the Night Sky are Innumerable, Australia China Art Foundation, Sydney, Australia (2014); Tight Rope, Yokohama Creative City Center (YCC), Yokohama, Japan (2011) and The Fabulist's Path, Platform China Contemporary Art Institute, Beijing, China (2008).

His work has been the subject of solo exhibitions worldwide, including Photography Autocracy, Klein Sun Gallery, New York, NY (2017); Fountain 泉, Klein Sun Gallery, New York, NY (2016); Off Target: Cai Dongdong, Charles Chu Reading Room, Connecticut College (2016); Image Uterus Production Power, Gallery 55, Shanghai, China (2013); Draftsmanship, Mattias Kuper Galleries, Stuttgart, Germany (2012); Tea Garden, UNIDEE Art Foundation, Biella, Italy (2011); and 51m2: 6 # Cai Weidong, Taikang Space, Beijing, China (2010).

His work has been the subject of solo exhibitions worldwide, among them shows at the Petach Tikva Museum of Art and the CCA in Tel Aviv.

Althoff has been the subject of solo exhibitions worldwide, including at the Vancouver Art Gallery; Institute of Contemporary Art, Boston; Museum of Contemporary Art, Chicago; Kunsthalle Zürich; and Simultanhalle, Cologne.

Not exact matches

In his lifetime, Kelley held solo exhibitions at numerous institutions worldwide, including the Musée du Louvre, Paris; Institute of Contemporary Art, London; Tate Liverpool; Museum Moderner Kunst, Vienna; Los Angeles County Museum of Art; Whitney Museum of American Art, New York; and Hirshhorn Museum and Sculpture Garden, Washington, D.C, among many others.

Samaras has been the subject of numerous solo exhibitions and his work is included in more than forty public collections worldwide.

She has shown work in over thirty solo exhibitions and in museums worldwide, including the Tokyo Metropolitan Museum of Photography, Japan; the Musée de l'Elysée in Lausanne, Switzerland; Musée Ken Damy, Brescia, Italy; 21c Museum, Louisville, Kentucky and the Art Gallery of Ontario in Toronto, Canada.

About the Artist Thomas has participated in more than three hundred solo and multi-artist exhibitions, and his work has been collected worldwide, yet his career of nearly twenty - five years has yet to be considered in its totality.

He has been the subject of numerous solo exhibitions, and his works are held in the collections of museums worldwide, including the Essl Museum - Kunst der Gegenwart, Klosterneuburg, Austria; Solomon R. Guggenheim Museum, New York; National Gallery of Australia, Canberra; and Shanghai Art Museum, China.

After Hauser & Wirth announced its worldwide representation, the gallery mounted a solo exhibition of Simpson's work at Frieze New York.

Throughout his distinguished career the artist's work was showcased in solo exhibitions worldwide at prominent venues such as The Museum of Modern Art, NY, the Stadtisches Kunsthalle, Düsseldorf, Germany, and the Fundació Antoni Tàpies, Barcelona, Spain, among many other places.

A large portion of the exhibition features works already seen in past solo exhibitions worldwide, for example works such as Grapes (2011), Divina Proportione (2012), and Study of Perspective (2014)-- while this could potentially be perceived by trained audiences as a disappointment, the artist's engagement with the topical refugee issue, in particular his engagement with the group of local photographers, transforms Ai Weiwei at Cycladic into a riveting exhibition.

She holds an MFA from the California Institute of the Arts, and her work has been included in solo and group exhibitions worldwide, including most recently a 2013 commission on view at the Blaffer Art Museum in Houston, Blind Spot: Window into Houston Clarissa Tossin.

Joe Zucker's solo museum exhibitions include the Whitney Museum of Art and the Museum of Modern Art, New York; Museum of Contemporary Art, Chicago, as well as numerous gallery shows in New York (including Mary Boone, Leo Castelli, Nolan / Eckman, and Paul Kasmin) and in venues worldwide.

Amer's art has been featured in major solo and group museum exhibitions worldwide, including at the Musee d'Art Contemporain de Montreal; the Brooklyn Museum of Art; Museo d'Arte Contemporanea Roma, Rome; Gwangju Museum of Art, South Korea; and the Museum of Modern Art, New York.

Riley has had solo exhibitions at institutions worldwide including the National Gallery in London, Walker Art Gallery in Liverpool, Musée d'Art Moderne de la Ville de Paris, Sydney's Museum of Contemporary Art, the Art Institute of Chicago, Museum Haus Esters and Kaiser Wilhelm Museum in Krefeld, Germany, and Dia Center for the Arts in New York.

He has been the subject of more than eighty solo exhibitions worldwide.

They have held numerous solo exhibitions in art institutions worldwide, including Serpentine Gallery and Tate Modern in London, Museum Boijmans van Beuningen in Rotterdam, ZKM Museum of Modern Art in Karlsruhe, The Power Plant in Toronto, MUSAC in Léon, and Kunsthalle Zürich.

Callum Innes is one of the most significant abstract painters of his generation, achieving widespread recognition through major solo and group exhibitions worldwide.

He holds a Ph.D. in Music Composition from Princeton University (2013) and has held multiple solo exhibitions worldwide, including the Kunsthalle Düsseldorf, Goethe - Institut, Hong Kong and Hiroshima City Museum of Contemporary Art, Japan.

Grasso's work has been exhibited extensively worldwide, notably in solo exhibitions at the Hirshhorn Museum and Sculpture Garden, Washington DC; Kunstverein Arnsberg, Germany; Centre Georges Pompidou, Paris, France; Palais de Tokyo, Paris, France; Saint Louis Art Museum, Missouri; and the Samsung Museum of Art, Seoul, Korea.

His work has been included in solo and group exhibitions worldwide, includingCanon at Museo Experimental El Eco in Mexico City in 2012; In other words at NGBK + Kunstraum Kreuzberg, Berlin Germany in 2012; El horizonte del topo at Centre for Fine Arts in Brussels Belgium in 2010; Aftermath at Taka Ishii Gallery in Kyoto Japan in 2010; One foot apart at Leme Gallery in Sao Paulo, Brazil in 2009; Hecho en casa at the Museum of Modern Art, Mexico City in 2009; and in Declaraciones at El Museo de Arte Reina Sofia in Madrid, Spain in 2005 among others.

The success of the show led to an extraordinary string of major solo exhibitions worldwide: with Gagosian in Los Angeles, Bischofberger in Zurich and the Galerie Delta in Rotterdam, as well as Achille Bonito Oliva's Transavanguardia show in Modena.

His work has been the subject of numerous solo shows worldwide, including exhibitions at National Portrait Gallery, London (2016); Forte di Belvedere, Florence (2015); Zentrum Paul Klee, Bern (2014); Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); The State Hermitage Museum, St Petersburg (2011); Kunsthaus Bregenz, Austria (2010); Hayward Gallery, London (2007); Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989).

His work has been exhibited worldwide including New York Photofestivel and Les Recontres d'Arles, with recent solo exhibitions in Gallery of Photography, Ireland, and Impressions Gallery, England.

Neshat has had numerous solo exhibitions at galleries and museums worldwide, including: the Detroit Institute of Arts (2013); the Stedelijk Museum, Amsterdam (2006); Hamburger Bahnhof, Berlin (2005); the Walker Art Center, Minneapolis (2002); Musée d'art contemporain de Montréal (2001); and the Serpentine Gallery, London (2000), among others.

Ai has received numerous arts and humanitarian awards, and his work in sculpture, video, photography, and installation has been the subject of solo exhibitions at museums worldwide, including the Mori Art Museum, Tokyo; Haus der Kunst, Munich; Tate Modern, London; Kunsthaus Bregenz, Bregenz; Hirshhorn Museum, Washington, DC; Art Gallery of Ontario, Toronto; Perez Art Museum, Miami; Martin - Gropius - Bau, Berlin; Brooklyn Museum, Brooklyn; Helsinki Art Museum, Helsinki; Royal Academy of Arts, London; Musée du Louvre, Paris; National Gallery of Victoria, Melbourne; Andy Warhol Museum, Pittsburgh; and Palazzo Strozzi, Florence.

They have held numerous solo exhibitions in art institutions worldwide, including the Museum Boijmans van Beuningen in Rotterdam (2011), ZKM Museum of Modern Art in Karlsruhe (2010), MUSAC in Léon (2009), The Power Plant in Toronto (2006), Serpentine Gallery (2006) and Tate Modern (2004) in London, and Kunsthalle Zürich (2001).

Since then, the artist's oeuvre has been the subject of solo exhibitions at numerous museums worldwide, including the Pushkin Museum, Moscow, the Centre Pompidou, Paris, the Kunsthalle Hamburg, and the National Portrait Gallery, London.

Her work has been included in many solo and group exhibitions worldwide, solo shows include Edwynn Houk gallery, Fifty One Fine Art Gallery, James Hyman and Gagosian Gallery, London among others and group shows include The Museum of Modern Art New York, MoCP Chicago and The Photographers» Gallery, London.

Since 1982, her work has been exhibited in nearly 150 solo exhibitions at museums and galleries worldwide and has been featured in hundreds of significant group exhibitions, including the Whitney Biennial, New York (1991, 1993, 2002); La Biennale di Firenze, Florence, Italy (1996 - 1997; 1998); and La Biennale di Venezia (1993, 1999, 2005, 2009).

Mediengruppe Bitnik's work has been the subject of solo exhibitions at prominent institutions worldwide, most recently at Centre Culturel Suisse, Paris, France (2016); Haus of Electronic Arts Basel, Switzerland (2015); Helmhouse, Zurich, Switzerland (2014).

The success of the show led to an extraordinary string of major solo exhibitions worldwide.

Mendieta's work has been exhibited in solo exhibitions at over 30 museums worldwide, including the Helsinki City Art Museum, Fundació Antoni Tápies in Barcelona, Centro Galego de Arte Contemporanea in Santiago de Compostela, Hirshhorn Museum and Sculpture Garden in Washington D.C., Kunstmuseum Luzern, Whitney Museum of American Art in New York, Museo Nacional de Bellas Artes in Havana, and Museo de Arte Contemporaneo in Monterrey.

The Venice Biennale is a show presented in two parts: Alongside 85 national presentations in which countries present solo shows or thematic exhibitions, a central exhibition takes the pulse of art worldwide.

The artist's paintings and prints have been the subject of an extensive number of major exhibitions worldwide, including Documenta (1972, 1977, 1982); the Whitney Biennial (1979, 1983, 1985, 2004); the Venice Biennale (1993); and over one hundred solo exhibitions at locations including The Guggenheim Museum; the Stedelijk Museum; Akron Art Museum and the Albright - Knox Art Gallery.

She has had twenty - five solo exhibitions worldwide, and her photographs are a part of the collection of The National Theater in Norway, The New York Public Library and The Museum of Modern Art in New York.

Mendieta has had over 30 solo exhibitions worldwide, at museums including the Centro Galego de Arte Contemporanea, Santiago de Compostela; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Kunstmuseum Luzern; Whitney Museum of American Art, New York; and Museo Tamayo, Mexico City.

Other solo exhibitions have been staged at a number of institutions worldwide, including the Museo d'Arte Moderna, Rio de Janeiro, Brazil (1965); Stedelijk Museum, Schiedam, Netherlands (1968); Kunsthalle Bern, Switzerland (1969); Kunstmuseum Düsseldorf, Germany (1973); ICA, London, UK (1974); Contemporary Art Museum of Genoa, Italy (1995); Pinakothek der Moderne, Munich, Germany (2003); and Fondazione Zappettini, Milan, Italy (2011); and MASI, Lugao, Switzerland (2016).

Lukova, whose work has been featured in solo exhibitions worldwide and in permanent collections at the MoMA, the Library of Congress, and the Bibliotheque Nationale de France, was listed as number one in a Huffington Post article related to the MoMa exhibition titled «15 Women Artists Who Have Left Their Mark on Modern Design.»

Guez's work has been the subject of over 25 solo exhibitions worldwide, with his most recent at the Institute of Contemporary Arts in London and The Center for Contemporary Art in Tel Aviv.

His work has been included in numerous exhibitions worldwide, including Santa Monica Museum of Art (solo show), California, 2002; Prague Biennial I, Czech Republic, and the Studio Museum, Harlem, New York in 2003; Musà © e International des Arts Modestes, Paris, France, and White Box, New York in 2004; Antiguo Museo de Arte Moderno, Guadalajara, Mexico, and the 51st Venice Biennale, Venice Italy, 2005, the Whitney Biennial, New York, 2008 and Phantom Sightings: Art after the Chicano Movement, at the Los Angeles County Museum of Art (traveled to Mexico City, San Antonio, Phoenix, Guadalajara and New York, 2008 — 2010).

Her art has been the subject of solo exhibitions held at museums worldwide.

Steinbach has held solo exhibitions at major museums worldwide including most recently The Menil Collection, Houston, Texas (2014); Kunsthalle Zurich and Serpentine Galleries, London (2014); CCS Hessel Museum of Art, Bard College, Annandale - on - Hudson, New York (2013); Statens Museum fur Kunst, Copenhagen (2013 - 14); Berkeley Art Museum, UC Berkeley (2005); Haus der Kunst, Munich (2000); Museum Moderner Kunst, Vienna (1997); Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy (1995); Guggenheim Museum, New York with Ettore Spalletti (1993); and CAPC musée d'art contemporain, Bordeaux (1988).

Her work has been the subject of numerous solo and group exhibitions at prominent institutions worldwide, including the 56th International Art Exhibition at the Venice Biennale (2015); The Metropolitan Museum of Art, New York (2013); Palais de Tokyo, Paris (2012); MoMA PS1, New York (2012 and 2005); Collezione Maramotti, Reggio Emilia, Italy (2012); Aspen Art Museum (2011); Whitney Museum of Art, New York (2010); the 7th Gwangju Biennale, Korea (2008); and the Royal Academy of Arts, London (2006).

Solo exhibitions of their work have been presented in art institutions worldwide, including the Museum Boijmans van Beuningen, Rotterdam (2011); ZKM Museum of Modern Art, Karlsruhe, Germany (2010); The Power Plant, Toronto (2006); Serpentine Gallery, London (2006); Tate Modern, London (2004), and Kunsthalle Zürich (2001).

They have held numerous solo exhibitions in art institutions worldwide, including the Ullens Center for Contemporary Art, Beijing (2016); PLATEAU, Samsung Museum of Art, Seoul (2015); Statens Museum for Kunst, Copenhagen (2014); Astrup Fearnley Museet, Oslo (2014); Victoria and Albert Museum, London (2013); Museum Boijmans Van Beuningen, Rotterdam (2011); ZKM Museum of Modern Art, Karlsruhe (2010); Museo de Arte Contemporáneo de Castilla y León (2009); The Power Plant, Toronto (2006); Serpentine Gallery, London (2006); Tate Modern, London (2004); and Kunsthalle Zürich (2001).

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

Dickson has been featured in 7 solo exhibitions and numerous group exhibitions worldwide and his art works are collected by the Heritage Museum of Hong Kong and the City of Montpellier in France.