Sentences with phrase «of sonic performance»

For a reasonable $ 99 (about # 72, AU$ 127) you get a lot of sonic performance wrapped in a durable chassis.

Take any metric of sonic performance and the Carbo Tenore excel: the soundstage is wide and deep, detail retrieval is excellent, and the sound balance is basically perfect.

Not exact matches

Sonic Forces had a lot of issues, including poor 2D and 3D controls, bad physics, and bad performance on some systems.

He's lauded as much for the visual element of his live performances as the sonic, so prepare for a spectacle.

That world can seem like a secret society to those who don't understand Spanish, but you'll see during Bello's performances that the lyrics double as another flight of exploration as they float like wisps of smoke through the sonic spaces carved out by her collaborators.

Sonic Youth provide an inspired original soundtrack of atmospheric instrumental tracks that make for a fitting backdrop to some great performances from the young cast, in particular Selma El Mouissi, who plays Laetitia, the punk with a heart.

To celebrate Corvette Racing's 19th consecutive appearance at the 24 Hours of Le Mans, SONIC Tools USA is now offering major discounts up to 50 % on the popular Corvette Performance Toolbox and Toolkits!

Sonic Boom Concept is a sound system - based concept that delivers high performance of an auditory type, designed with Kicker.

One of the Sonics was loaded with genuine GM Performance Parts.

Campbell was quick to point out that 60 % of the 50 new Chevys featured at the SEMA Show were Sonics and Cruzes and represent the company's emphasis on making small cars cool with personalization and performance upgrades.

Unlike most turbos, the Sonic's is not so much a performance upgrade as a fuel - economy upgrade, as it nets EPA ratings that are 2 - 4 mpg better than those of the standard engine.

Cor of Hofland Automateriaal BV along with Ed and Ted of V.D. Lans Auto's BV arranged for seven of twenty Sonic Corvette Performance Toolboxes destined for the European market to be delivered to V.D. Lans Auto's BV in Monster.

The Chevrolet Sonic can be found in hatchback and sedan body styles, and the RS version of the car adds a few extra performance goodies to the mix.

The Sonic B - Spec competition kit will go on sale in the first quarter of 2013 through Chevy Performance dealers.

Chevrolet showed off previews of five performance - oriented concepts its hauling out to SEMA November 4 through 7 in Las Vegas, including the SS Sport, Sonic, Impala and Cruze.

The Sonic isn't exactly what you think of when you think «Chevy Performance,» but the Performance concept has a lot going for it including:

The Sonic Performance concept lives up to its name with a 10 - hp, 15 - lb - ft bump in output through the use of a cold - air induction kit, performance exhaust and an ePerformance concept lives up to its name with a 10 - hp, 15 - lb - ft bump in output through the use of a cold - air induction kit, performance exhaust and an eperformance exhaust and an engine tune.

Upgrade the look and performance of your Sonic with the Performance performance of your Sonic with the Performance Performance Air Intake.

Listeners will get a kick out of the reggae spin on Tetris, the ska version of Kirby, the smooth jazz rendition of Sonic the Hedgehog, the swingin» jazz arrangement of «Jump Up, Super Star» from Super Mario Odyssey, the heavy metal violin take on Pokémon Sun & Moon, and the ambient orchestral performance of Pokémon Red & Blue.

Join the official team from SEGA who are building Sonic's future as they give you an update on last year's strong performance of Sonic Mania and Sonic Forces, as well as the world - exclusive first look at what comes next for the fastest blue hedgehog.

Visitors at this year's Summer of Sonic will also be treated to another performance from Zonic, the dance sensation who's music is inspired by Sonic the Hedgehog soundtracks.

Sonic Forces had a lot of issues, including poor 2D and 3D controls, bad physics, and bad performance on some systems.

-- Live performances by Sonic musicians Jun Senoue, Tomoya Ohtani, Ted Poley and Tony Harnell — Sonic the Hedgehog trivia, Costume Contest, and Giveaways — Playable demos of Sonic Boom: Rise of Lyric for Wii U and Sonic Boom: Shattered Crystal for Nintendo 3DS

The new Sonic Mania is stirring up lots of nostalgia for the original Sonic the Hedgehog games from the Sega Genesis era, and what better way to celebrate those timeless classics than with a Video Game Live performance off the group's Level 2 album of the credits theme from the original Sonic the Hedgehog?

From the poor performance of Sonic Boom to this year's restructuring and layoffs, former industry giant Sega is hitting some hard times.

- We are planning a few performances for 2016 to commemorate the anniversary of Sonic.

It's an amazing performance of a great Sonic theme and it features live drummer Act and live bassist Shoyo.

Conceived as part of Africa Utopia 2014, Digital Africa brings together sonic experiments, video works presented on 3 screens, and a live performance by artists working in Africa and the Diaspora.

We are looking for four emerging and early career international artists working in the fields of sonic art, performance and installation to undertake a funded 6 week residency at our project space in Teesside, northeast England.

Short's art practice has also been heavily influenced by American music; the blues, sludge metal, punk, which informed many of his projects including; Pirate radio installations, sound performances, sonic based sculpture, and immersive installation.

Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.

Additional programming for Along the Border includes a performance at the museum by Galindo of his original composition Sonic Borders II on March 20, 2018, at 6:00 pm and a workshop on resonance and sonic healing by Galindo on March 21, 2018, from 8:45 - 10:0Sonic Borders II on March 20, 2018, at 6:00 pm and a workshop on resonance and sonic healing by Galindo on March 21, 2018, from 8:45 - 10:0sonic healing by Galindo on March 21, 2018, from 8:45 - 10:00 am.

The new works involving multisensory projection, optical sheeting, reflection, lighting, and sonic composition extend upon her repertoire of live expanded cinema performances, multimedia installations and sound recordings.

Artist Devin Kenny will perform If I don't laugh / Tarda..., a powerful sonic performance incorporating music and spoken word and addressing the role of social media in the widened access to, as described by Kenny, images of «Black suffering that directly results from the machinations of white supremacy the US prison industrial complex and police state, and the aftermath of colonialism and chattel slavery».

And finally, Andrew Hurst, performance / visual artist / composer, will entice the dancers through a series of pieces involving texturally rich film and video projections enhanced by brand new sonic explorations that will feature an array of unconventional live instrumentation.

One of Mike Kelley's first forays into popular culture was his album cover — a bedraggled stuffed orange toy — for the LP Dirty (1992) by Sonic Youth who had previously provided the sound for one of his early New York performances Plato's Cave, Rothko's Chapel, Lincoln's Profile (1986).

Spread Art Summer Group Show VII — Transplant: Bklyn / Detroit / Beyond @ Grattan Str Performance Block Party Spread Art presents two days of Brooklyn and Detroit artists exploring patterns and effects of individual and group migration through site - specific movement, sonic and performance art in Performance Block Party Spread Art presents two days of Brooklyn and Detroit artists exploring patterns and effects of individual and group migration through site - specific movement, sonic and performance art in performance art in the street.

SCREEN COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-...]

This exhibition — his first retrospective in the United States — examines each stage of Graham's career through his photographs, projects for magazine pages, films, architectural models and pavilions, performances, video installations, prints, drawings, writings, and his work with musicians Sonic Youth, Glenn Branca, and Japanther.

Mission Gamelatrons draws on the thousand - year - old sonic tradition of Indonesia — Gamelan — and the emerging field of robotics to create magical, viscerally - powerful, site - specific performances, installations and stand alone art works.

Chinati's presentation of Solange's «Scales» continues a tradition of musical and dance performances throughout the installations at the museum, including residencies and collaborations with Karole Armitage, L.A. Dance Project, Jen Rosenblit, Sounds Modern, Sonic Youth, Yo La Tengo, and the xx.

The exhibition opening is part of Museum Night 2012 which includes (sonic) performances by Florian Hecker, Germaine Kruip, Surasi Kusolwong, Mononoid, Baba Electronica & DJ Lonely + special guests.

Kelley's work ranges from highly symbolic and ritualistic performance pieces to arrangements of stuffed - animal sculptures, to wall - size drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations with artists such as Paul McCarthy, Tony Oursler, and the band Sonic Youth.

Her inventive video and performance works guide audiences towards deeper considerations of their sonic environments.

Other works conjure sonic metaphors: where Charles White's Guitarist suggests the sounds of performance, Edward Hopper's House at Dusk evokes the stillness and quietude of nightfall.

Performances will range from live sonic hypnosis from Yan Jun, a collaborative performance from anGie seah looking at the sensation of «butterflies in the stomach», a ceremonious ritual of conviviality with Amanda Heng and a special installation and screening of work by Li Ran.

Showcasing a new era of «ear love» for its growing circle of friends, the Quiet Music Festival of Portland will feature a variety of performances interpreting low volume, deep - sonic meditations.

Published in conjunction with MoMA's first major exhibition of sound art, Soundings presents an overview essay by Barbara London, Associate Curator in MoMA's Department of Media and Performance Art; a recent history of sonic art by writer Anne Hilde Neset; and a section on each of the featured artists, featuring a brief interview and illustrated with installation shots, field photographs and documentation of performances.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Shot at Pitchfork Music Festival 2010, McGinley closely observes details of the live performances with a fan's adoring eye, his lens awash with atmospheric blurs and kaleidoscopic light amidst the sonic haze of warm, psychedelic guitars and reverb - loaded percussion.