Sentences with phrase «of space trash»

These opening moments, devoid of space trash flechette and the threat of dwindling oxygen, are as genuinely suspenseful as Gravity ever gets.

Not exact matches

To create a more welcoming space for kids and adults, volunteers also built 6 benches, a mural of painted 1» x1» tiles, 4 picnic tables, a «life size» Connect 4, cornhole games, 2 trash and recycling containers, a stage and a chalkboard.
This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits
It takes up the least amount of space in transport, in your pantry, and in your trash can.
With so much trash taking up space in landfills, it's important that we do our part to keep what we can out of them.
When you're evaluating how helpful the pail might be in helping you take out the trash less, you will also have to weigh that against the preferred size of the pail because obviously, the bigger, the more space it has to contain more dirty diapers.
Today debris threatens hundreds of spacecraft and satellites; in fact, last June a space - station crew scrambled into a Soyuz escape capsule because of passing trash.
Two years ago, aerospace engineer Hugh Lewis of the University of Southampton, England, and his colleagues calculated that within a few decades, space agencies would have to begin culling perhaps five major pieces of debris annually to slow this collision - enhanced growth in the number of orbiting trash particles.
An orbital altitude of 1,125 miles will place KEO between two layers of old satellite bits and other trash we have left in space.
Trained coders who were unaware of the circumstances assessed the photos, rating visible environmental features such as building conditions, open space, street lighting, public plantings, trash and graffiti.
Even if we stop launching objects into space, the amount of trash will continue to grow.
The orbiter delivered four astronauts and a horde of spare parts for the space laboratory, and is now packed full of trash to take back to Earth.
But sarcasm and political trash - talking overrode serious debate at Wednesday's hearing of the House of Representatives Committee on Science, Space, and Technology.
What could quarks and gluons possibly have in common with nature's ultimate trash compactors — ultradense concentrations of matter whose gravitational field is so powerful it curves space - time around itself, trapping anything that crosses its surface?
Woloschak says that she «felt frustrated and angry that the government had invested so many millions of dollars — and immense human effort — into studies that were just going to be trashed because of concerns about space».
Because of his well - developed eye for composition and fixation on spaces - within - spaces, Anderson occasionally produces images charged with a kind of pulpy, B - movie poetry, like Soldier's scenes of Kurt Russell skulking around a trash - strewn wasteland or the endless, grid - like forest from Mortal Kombat.
Back on September 14, 2016, myself and a group of online reporters found themselves hopping through space from the golden realm of Asgard to the vibrant, space trash city called Sakaar.
The plot involves a cute trash compactor robot named WALL - E being left behind on Earth to clean up the huge mess we have made of the planet whilst the remainder of humanity is floating around aimlessly in space waiting for the planet to be cleaned up so that they can re-colonize it again.
Bradley Cooper gives one of his best performances to date as the voice of a trash - talking space raccoon.
I have used a kindle before but had to trash it coz the screen got spoilt, another issue was the space... if you have lots of old PDF «s, as well as an ever increasing library of ebooks then you would want the storage space.
Not only is it the same sun that shines on the Mediterranean beaches as on the Swiss Alps but, instead of trash, crowds, traffic and hazzle, there is the stark contrast of the silence, space and relaxation of Europe's highest mountains.
It had multiple sinks, plenty of counter space, a full - sized refrigerator and freezer, stove, microwave, toaster, trash compactor, etc..
Rey Akdogan does it with metal tiling as incomplete as that of Carl Andre, Olof Inger with trash bags converted into the painting of light and space, Gabriel Kuri with black slabs crushing beer or soda cans like a Richard Serra that collapsed during an opening, Charlotte Posenenske with heat ducts as building blocks, Cameron Rowland with shelving brackets as line drawing, and Jean - Luc Moulène with rebar as an open cage.
2013 Cranford Collection: Out of the House, Sala de Arte Santander, Madrid, Spain La Sentinelle, curated by Didier Arnaudet, Contemporary Art Museum of Bordeaux, France Sin motivo aparente, Centro de Arte Dos de Mayo, Madrid, Spain Regarding Warhol: Sixty Artists, Fifty Years, The Andy Warhol Museum, Pittsburgh, PA Macho Man, Tell It To My Heart: Collected by Julie Ault, Museum für Gegenwartskunst, Zurich, Switzerland, travels to: Lissabon Culturgest, Lisbon, Portugal; Artists Space, New York, NY NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, NY Lenbachhaus, München, Germany Think First, Shoot Later: Photography from the MCA Collection, Museum of Contemporary Art Chicago, IL Vues d'en Haut, Centre Pompidou Metz, France Gallery of Modern Art, Glasgow, UK El Cazador Y La Fabrica, La Collección Jumex, Ecatepec, Mexico A Sense of Place, Pier 24 Photography, San Francisco, CA LAT.
Originally created in 1993 for an abandoned fire station in Harlem, it now resides in the Museum's Studio 231 space as part of «NYC 1993: Experimental Jet Set, Trash and No Star,» a larger exhibition that opens February 13, 2013.
Michael Kimmelman trashes the design of One World Trade Center, by David Childs, but only as an aside in a call for mixed use and public spaces.
The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.
I built different sets / / brought the glitter toy trash from my room and kind of recreated an abstract Molly Rhinestones princess space.
Had we space to republish the «Trash» or to speak more boldly, the insane maunderings of certain of the French and English art critics the past two years on the new movements, it would readily be seen that our townsmen and women would have done as well, and in the case of Mr. Royal Cortissoz of the «Tribue,» far better.
There is a gem - like little show of work by Vik Muniz, the Brazilian - born artist famous for large - scale photographs of images composed out of non-traditional materials — chocolate, glitter, dust, trash — at Whitebox, the pocket gallery that rests at the heart of Whitespace, the innovative, West Palm Beach exhibition space.
Laboring across a range of media, he applies paint to wood, incorporates trash into sculpture, and makes use of architecturally challenging spaces in a way that methodically explores these various interactions.
Amazing Grace appeared again in New York in 2013 — when I experienced the piece — at the New Museum's project space on the Bowery as part of the exhibition «NYC 1993: Experimental Jet Set, Trash and No Star.»
Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.
Almost a basement - sci - fi - space - epic, this genre busting C - performance joins the pileup of hot consumer trash in the looming obsession with The End.
It was disarming to see signs reading «#yuge mistake» and «NOW YOU»VE PISSED OFF GRANDMA» — which might otherwise have been swept into trash piles in any number of cities around the country — neatly hung in rows in the sanctum of a white - box gallery space.
Installation image of James Drake: Anatomy of Drawing and Space (Brain Trash), 2014, at the Museum of Contemporary Art San Diego's downtown location.
When visiting photographer Barry Rosenthal «s studio at Chashama's Brooklyn Army Terminal, I wondered whether I'd walk in to find the space strewn with his massive collection of curated trash (safe to -LSB-...]
On the first floor, the studio space contains three great, large scale paintings by Lynette Yiadom - Boakye — there is a fourth in the space next door — with her characteristically enigmatic cast of characters conjuring all kinds of narrative imaginings, while hidden away up a roped - off staircase is a work by perennial provocatrice Klara Lidén; Untitled (Trash Can), from the group of works with which she won the German blauorange Art Prize in 2010.
Gabriel Kuri's latest show at this gallery is an archaeological site for contemporary society: Found objects, domestic appliances, plastic bins, trash bags, and broken objects punctuate the space like remnants of an apocalyptic past.
«I love the pristine beauty of Earth's wide open spaces and do my part to keep it clean by picking up trash and #packingitout.
As a result of the limited amount of space in the surrounding landfills, trash collection has now completely stopped.
And while most space trash does eventually either burn up as it enters the Earth's atmosphere or fall harmlessly into an ocean or parcel of land upon successful re-entry, the odds are favorable enough for this to be a significant concern.
Trash surveys a terrain that ranges from micro (a typology of dust bunnies) to macro (studies of landfill design and the trashed space of urban brownfield sites).
Disposing of the millions of pieces of trash floating in space, 13,000 of which measure more than 30 ft long each, is not always just a question of sanitation: it can be a question of survival.
The people of america, as taxpayers, have the right to know why valuable data that took possibly years to compile, could so easily be trashed seemingly within the space of a couple of days, and more tellingly, no one could «remember» what manipulations they had performed on it.
When the county runs out of space in the existing landfills it plans to site new landfills or ship the trash out to adjoining counties.
The cumulative impact of all this trash is a a lot of energy, resource, and landfill space waste that's expensive for your business and the planet.
There have been scads of such predictions — running out of magnesium, running out of space for our trash, running out of food, peak oil, the list goes on and on.
In terms of your question of what we store in hOMe here is a breakdown in case it helps get a sense of how much space things take up for us: all of our pots, pans and small appliances fit inside a large lazy susan corner unit; our eating utensils, spices, roots / onions, and misc cooking utensils fit inside an 18 ″ wide lower cabinet unit with 4 drawers; underneath our sink is our trash can and reverse osmosis filter since we have arsenic in our well; we have 30 days of emergency food stored inside a 24 ″ lower cabinet as well as mixing and serving bowls; in a lower 36 ″ cabinet we have all of our food storage containers and water bottles (amazing how much space that all takes up but for us it's necessary bc of how much food we store... for someone else, this entire cabinet would not be necessary).
The most egregious space likely arises when it comes to «externalities» of pollution and environmental impacts: such as diseases from chemical industrial plant waste, damaged ecosystems from agricultural runoff, and leeching chemicals from trash threatening drinking water.
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