These opening moments, devoid
of space trash flechette and the threat of dwindling oxygen, are as genuinely suspenseful as Gravity ever gets.
Not exact matches
To create a more welcoming
space for kids and adults, volunteers also built 6 benches, a mural
of painted 1» x1» tiles, 4 picnic tables, a «life size» Connect 4, cornhole games, 2
trash and recycling containers, a stage and a chalkboard.
This is an incredibly difficult question to answer for a variety
of reasons, most importantly because over the years our once vaunted «beautiful» style
of play has become a shadow
of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out
of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid
of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out
of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes
of Bellerin and Gibbs and the spirited albeit offensively stunted play
of Monreal, but none
of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio
of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part
of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the
trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part
of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature
of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player
of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out
of position far too many times since arriving and that the players in front
of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the
space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that,
of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one
of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one
of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already
of course... strangely enough, even he doesn't make sense given the constructs
of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack
of mobility is an albatross around the necks
of our offence... so when you ask who would be our best starting 11, I don't have a clue because
of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits
It takes up the least amount
of space in transport, in your pantry, and in your
trash can.
With so much
trash taking up
space in landfills, it's important that we do our part to keep what we can out
of them.
When you're evaluating how helpful the pail might be in helping you take out the
trash less, you will also have to weigh that against the preferred size
of the pail because obviously, the bigger, the more
space it has to contain more dirty diapers.
Today debris threatens hundreds
of spacecraft and satellites; in fact, last June a
space - station crew scrambled into a Soyuz escape capsule because
of passing
trash.
Two years ago, aerospace engineer Hugh Lewis
of the University
of Southampton, England, and his colleagues calculated that within a few decades,
space agencies would have to begin culling perhaps five major pieces
of debris annually to slow this collision - enhanced growth in the number
of orbiting
trash particles.
An orbital altitude
of 1,125 miles will place KEO between two layers
of old satellite bits and other
trash we have left in
space.
Trained coders who were unaware
of the circumstances assessed the photos, rating visible environmental features such as building conditions, open
space, street lighting, public plantings,
trash and graffiti.
Even if we stop launching objects into
space, the amount
of trash will continue to grow.
The orbiter delivered four astronauts and a horde
of spare parts for the
space laboratory, and is now packed full
of trash to take back to Earth.
But sarcasm and political
trash - talking overrode serious debate at Wednesday's hearing
of the House
of Representatives Committee on Science,
Space, and Technology.
What could quarks and gluons possibly have in common with nature's ultimate
trash compactors — ultradense concentrations
of matter whose gravitational field is so powerful it curves
space - time around itself, trapping anything that crosses its surface?
Woloschak says that she «felt frustrated and angry that the government had invested so many millions
of dollars — and immense human effort — into studies that were just going to be
trashed because
of concerns about
space».
Because
of his well - developed eye for composition and fixation on
spaces - within -
spaces, Anderson occasionally produces images charged with a kind
of pulpy, B - movie poetry, like Soldier's scenes
of Kurt Russell skulking around a
trash - strewn wasteland or the endless, grid - like forest from Mortal Kombat.
Back on September 14, 2016, myself and a group
of online reporters found themselves hopping through
space from the golden realm
of Asgard to the vibrant,
space trash city called Sakaar.
The plot involves a cute
trash compactor robot named WALL - E being left behind on Earth to clean up the huge mess we have made
of the planet whilst the remainder
of humanity is floating around aimlessly in
space waiting for the planet to be cleaned up so that they can re-colonize it again.
Bradley Cooper gives one
of his best performances to date as the voice
of a
trash - talking
space raccoon.
I have used a kindle before but had to
trash it coz the screen got spoilt, another issue was the
space... if you have lots
of old PDF «s, as well as an ever increasing library
of ebooks then you would want the storage
space.
Not only is it the same sun that shines on the Mediterranean beaches as on the Swiss Alps but, instead
of trash, crowds, traffic and hazzle, there is the stark contrast
of the silence,
space and relaxation
of Europe's highest mountains.
It had multiple sinks, plenty
of counter
space, a full - sized refrigerator and freezer, stove, microwave, toaster,
trash compactor, etc..
Rey Akdogan does it with metal tiling as incomplete as that
of Carl Andre, Olof Inger with
trash bags converted into the painting
of light and
space, Gabriel Kuri with black slabs crushing beer or soda cans like a Richard Serra that collapsed during an opening, Charlotte Posenenske with heat ducts as building blocks, Cameron Rowland with shelving brackets as line drawing, and Jean - Luc Moulène with rebar as an open cage.
2013 Cranford Collection: Out
of the House, Sala de Arte Santander, Madrid, Spain La Sentinelle, curated by Didier Arnaudet, Contemporary Art Museum
of Bordeaux, France Sin motivo aparente, Centro de Arte Dos de Mayo, Madrid, Spain Regarding Warhol: Sixty Artists, Fifty Years, The Andy Warhol Museum, Pittsburgh, PA Macho Man, Tell It To My Heart: Collected by Julie Ault, Museum für Gegenwartskunst, Zurich, Switzerland, travels to: Lissabon Culturgest, Lisbon, Portugal; Artists
Space, New York, NY NYC 1993: Experimental Jet Set,
Trash and No Star, New Museum, New York, NY Lenbachhaus, München, Germany Think First, Shoot Later: Photography from the MCA Collection, Museum
of Contemporary Art Chicago, IL Vues d'en Haut, Centre Pompidou Metz, France Gallery
of Modern Art, Glasgow, UK El Cazador Y La Fabrica, La Collección Jumex, Ecatepec, Mexico A Sense
of Place, Pier 24 Photography, San Francisco, CA LAT.
Originally created in 1993 for an abandoned fire station in Harlem, it now resides in the Museum's Studio 231
space as part
of «NYC 1993: Experimental Jet Set,
Trash and No Star,» a larger exhibition that opens February 13, 2013.
Michael Kimmelman
trashes the design
of One World Trade Center, by David Childs, but only as an aside in a call for mixed use and public
spaces.
The exhibition allies a range
of highly varied works; Reza Aramesh's critical reconfiguration
of postures
of oppression taken from the documentary photographic record
of the late 20th century within the context
of high - cultural legacy
of the Enlightenment, Jake & Dinos Chapman's attack
of those same Enlightenment spawned delusions
of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering
of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration
of Eternal Love, Wayne Horse's lighter - lit display
of sub-cultural, cul - de-sacs articulated in a
trash aesthetic, Dawn Mellor's radical portraits
of female film stars, re-contextualized from the objectifying gaze
of cinematic light into the critical, imaginative
space afforded by painting, Gino Saccone's loose but formal play
of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.
I built different sets / / brought the glitter toy
trash from my room and kind
of recreated an abstract Molly Rhinestones princess
space.
Had we
space to republish the «
Trash» or to speak more boldly, the insane maunderings
of certain
of the French and English art critics the past two years on the new movements, it would readily be seen that our townsmen and women would have done as well, and in the case
of Mr. Royal Cortissoz
of the «Tribue,» far better.
There is a gem - like little show
of work by Vik Muniz, the Brazilian - born artist famous for large - scale photographs
of images composed out
of non-traditional materials — chocolate, glitter, dust,
trash — at Whitebox, the pocket gallery that rests at the heart
of Whitespace, the innovative, West Palm Beach exhibition
space.
Laboring across a range
of media, he applies paint to wood, incorporates
trash into sculpture, and makes use
of architecturally challenging
spaces in a way that methodically explores these various interactions.
Amazing Grace appeared again in New York in 2013 — when I experienced the piece — at the New Museum's project
space on the Bowery as part
of the exhibition «NYC 1993: Experimental Jet Set,
Trash and No Star.»
Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set,
Trash and No Star, New Museum, New York A Different Kind
of Order: The ICP Triennial, Institute
of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists
Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part
of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum
of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum
of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum
of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University
of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum
of Fine Arts, Boston 2008 The Puppet Show, Institute
of Contemporary Art, Philadelphia 2006 Into Me / Out
of Me, MoMA PS1, New York.
Almost a basement - sci - fi -
space - epic, this genre busting C - performance joins the pileup
of hot consumer
trash in the looming obsession with The End.
It was disarming to see signs reading «#yuge mistake» and «NOW YOU»VE PISSED OFF GRANDMA» — which might otherwise have been swept into
trash piles in any number
of cities around the country — neatly hung in rows in the sanctum
of a white - box gallery
space.
Installation image
of James Drake: Anatomy
of Drawing and
Space (Brain
Trash), 2014, at the Museum
of Contemporary Art San Diego's downtown location.
When visiting photographer Barry Rosenthal «s studio at Chashama's Brooklyn Army Terminal, I wondered whether I'd walk in to find the
space strewn with his massive collection
of curated
trash (safe to -LSB-...]
On the first floor, the studio
space contains three great, large scale paintings by Lynette Yiadom - Boakye — there is a fourth in the
space next door — with her characteristically enigmatic cast
of characters conjuring all kinds
of narrative imaginings, while hidden away up a roped - off staircase is a work by perennial provocatrice Klara Lidén; Untitled (
Trash Can), from the group
of works with which she won the German blauorange Art Prize in 2010.
Gabriel Kuri's latest show at this gallery is an archaeological site for contemporary society: Found objects, domestic appliances, plastic bins,
trash bags, and broken objects punctuate the
space like remnants
of an apocalyptic past.
«I love the pristine beauty
of Earth's wide open
spaces and do my part to keep it clean by picking up
trash and #packingitout.
As a result
of the limited amount
of space in the surrounding landfills,
trash collection has now completely stopped.
And while most
space trash does eventually either burn up as it enters the Earth's atmosphere or fall harmlessly into an ocean or parcel
of land upon successful re-entry, the odds are favorable enough for this to be a significant concern.
Trash surveys a terrain that ranges from micro (a typology
of dust bunnies) to macro (studies
of landfill design and the
trashed space of urban brownfield sites).
Disposing
of the millions
of pieces
of trash floating in
space, 13,000
of which measure more than 30 ft long each, is not always just a question
of sanitation: it can be a question
of survival.
The people
of america, as taxpayers, have the right to know why valuable data that took possibly years to compile, could so easily be
trashed seemingly within the
space of a couple
of days, and more tellingly, no one could «remember» what manipulations they had performed on it.
When the county runs out
of space in the existing landfills it plans to site new landfills or ship the
trash out to adjoining counties.
The cumulative impact
of all this
trash is a a lot
of energy, resource, and landfill
space waste that's expensive for your business and the planet.
There have been scads
of such predictions — running out
of magnesium, running out
of space for our
trash, running out
of food, peak oil, the list goes on and on.
In terms
of your question
of what we store in hOMe here is a breakdown in case it helps get a sense
of how much
space things take up for us: all
of our pots, pans and small appliances fit inside a large lazy susan corner unit; our eating utensils, spices, roots / onions, and misc cooking utensils fit inside an 18 ″ wide lower cabinet unit with 4 drawers; underneath our sink is our
trash can and reverse osmosis filter since we have arsenic in our well; we have 30 days
of emergency food stored inside a 24 ″ lower cabinet as well as mixing and serving bowls; in a lower 36 ″ cabinet we have all
of our food storage containers and water bottles (amazing how much
space that all takes up but for us it's necessary bc
of how much food we store... for someone else, this entire cabinet would not be necessary).
The most egregious
space likely arises when it comes to «externalities»
of pollution and environmental impacts: such as diseases from chemical industrial plant waste, damaged ecosystems from agricultural runoff, and leeching chemicals from
trash threatening drinking water.