Sentences with phrase «of spatial compositions»

By using a single geometric form over and over, he was able to investigate the vast range of perceptual phenomena that could be achieved simply by juxtaposing various colors together within a limited range of spatial compositions.

Their work in the 1950s approached geometric abstraction from different but complementary positions: Gilbert through the articulation of spatial compositions and Chewett through the cutting of solid material.

A member of the New York school, Newman was one of the first to reject conventional notions of spatial composition in art.

Echoing Picasso and Matisse, the work is a technical feast that proves Hancock's keen color awareness, superb knowledge of spatial composition and his mastery of Gestalt principals.

Not exact matches

This NASA MARS 2020 approach of mapping the elemental, mineral, and organic composition of rocks at high spatial resolution with non-destructive techniques is now commonly used on Earth to provide unambiguous evidence for early life in its preserved nanoscale context.

Stereoisomers are substances which have the same chemical composition, yet differ in the spatial arrangement of their atoms.

The images chronicle the evolution of the particles» chemical composition and reaction rates at a nanoscale spatial resolution and a minute - by - minute time resolution.

The same ecological community will therefore move up the mountain, where it will find a different spatial composition, both in terms of available area and connectivity.

Although the data suggest that spatial models can effectively forecast tree community composition and structure of unstudied sites in Amazonia, incorporating environmental data may yield substantial improvements.

With spatial resolutions ranging from 100 km at 5 µm, 240 km at 12 µm and 400 km at 20 µm, we should expect to be able to directly measure the composition of volcanoes with TMT and MICHI.

The size and spatial distributions of these families, along with their orbital properties, composition, and internal structure play a key role in our understanding of the formation and evolution of the solar system.

The chemical composition of these decay products in relation to the substrate material, the various conservation and restoration historic phases is discussed along with their spatial distribution on the monument's surfaces and also in correlation with environmental and climatic data.

The team hopes that monitoring Io's surface annually will reveal the style of volcanic eruptions on the moon, constrain the composition of the magma, and accurately map the spatial distribution of the heat flow and potential variations over time.

His main research interests is the study of microbial diversity, specifically of protists, in the marine environment, both in terms of a description of the taxonomic composition of these assemblages as well as understanding their patterns of temporal and spatial variation in the environment.

The director and his DP, Harris Savides, shot the movie largely on digital, but the film so often favours steady, patiently held compositions that allow its actors to move around within the frame and interact with each other, showing spatial relations in much the same way that Fincher is drawing connections between the facts of the case.

Christy is refreshingly honest in general, commenting of his current vocation: «As a level designer, I'm merging my background as an artist, my interests in game mechanics and spatial compositions, my educational background in iconography, communication, story telling, social interactions, and architecture.

[8] The zips define the spatial structure of the painting while simultaneously dividing and uniting the composition.

This exhibition features a new spatialization of Sala's The Present Moment (in B - flat)(2014) and The Present Moment (in D)(2014), in which he rearranges Arnold Schoenberg's «Verklärte Nacht» [Transfigured Night](1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.

This exhibition features a new spatialisation of Sala's The Present Moment (in B - flat)(2014) and The Present Moment (in D)(2014), in which the artist rearranges Arnold Schoenberg's Verklärte Nacht [Transfigured Night](1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.

Schutz creates unsteady cornucopia compositions that build out of paint, creating shifting spatial planes that flip - flop, flickering in confetti color and, until recently, with creamy paint, which flower into bucolic clusterfucks.

Anne d'Harnoncourt wrote of this series in 1976»... the large, lyrical paintings approach abstraction without abandoning a sense of spatial depth... Compositions [are] built up of large, brilliant expanses of yellow, orange, blue and flaming red, under remote skies of lavender or aquamarine.»

In 1948, the artist painted his breakthrough work, Onement I, which is now in the collection of The Museum of Modern Art, New York, and features the first of his signature «zips»: vertical lines running down the canvasses, which divide spatial composition, infuse them with energy, and create a parallel to the spectator's own figure.

The works utilize black and white in a variety of media to focus on elements such as process, composition, and spatial relationships.

Hard edges, playful gestures, spatial conundrums and a masterful, unpredictable use of white paint — sometimes to erase or conceal, sometimes to open and enliven spaces — come together in compositions that call attention to how painting are put together without demystifying their power.

His confederate, El Lissitzky, on the other hand, painted lively compositions with shapes that often seem to dance on the canvas, using precise balances of shapes and colors to tell spatial stories — for instance, suggesting that a static shape is actually in the process of falling, or rising — or even convey political propaganda.

These 1967 paintings by Komodore and Anuszkiewicz demonstrate the New York interest in ambiguous spatial depth which varied greatly from the California artists for whom a unified composition with no sense of background and foreground was essential.

All compositions venture into various configurations of spatial expression created by the superimposition of layers of paint and layers of prints.

Her rich, carefully layered compositions and deliberate use of color create spatial tensions resulting in a sense of robust sculptural form.

Each composition is a finely calibrated balance of idiosyncratic elements that forms a new spatial proposition, possessing a distinct identity and an oftentimes paradoxical logic.

With his understanding of formal spatial composition, color theory (his palette has been compared to Matisse's), and expressive paint handling (which has often been compared to Mark Rothko's), it is no wonder that Kahn was a particularly favorite student of Hans Hofmann's.

As a result, the paint surface is built up in areas, giving the paintings a very subtle dimensionality that enhances the spatial dynamics of each composition.

For the first time ever, Abts» paintings will be accompanied by a series of small, previously barely known drawings that she has created over many years alongside her paintings in order to work out the lines, shapes and spatial relationships within her delicate compositions.

With these works — razor - sharp depictions of abstract, brushily painted, sculptural tableaux, for the most part — not only does one struggle to identify the medium, but the compositions traffic in shadowy illusion and spatial ambiguity, making it hard at times to know exactly what is being portrayed.

Note: The auction record for a painting is nearly 1 800 000 USD (in 2011) The auction record for a lithograph is nearly 8 000 USD (in 2009) By the late 1950s Vieira da Silva was internationally known for her dense and complex compositions, influenced by the art of Paul Cézanne and the fragmented forms, spatial ambiguities, and restricted palette of cubism and abstract art.

, Stella's small monument shares many of these same concerns, and its composition of reverberating arcs of green metal create spatial planes that are simultaneously painterly and architectural.

In his 1999 aluminum sculpture Broken Jug (green), Stella's small monument shares many of these same concerns, and its composition of reverberating arcs of green metal create spatial planes that are simultaneously painterly and architectural.

These observations became translated through the construction of three - dimensional spatial paintings as pictorial compositions that reconfigure the space and its architecture, using specific physical things.

Here the interview with Max Frintrop (1982, Oberhausen, Germany), who analyzes the spatial properties of color and form building abstract compositions through heavy brushstrokes.

Curry's Cosmic Bricoleur delivers what the title proposes, a chevron - shaped composition of psychedelic signs, graffiti tags, and spatial illusions that encompasses anything, everything and nothing.

The simplicity of his compositions, the logic of differentiated repetition, the placement of objects in series, and the increasing emphasis on geometry and spatial concerns were prescient to the development of Minimalism and the works of Sol LeWitt and Dan Flavin, as well as to the sequential works of Conceptual artists On Kawara and Roman Opalka.

Rothenberg continues to challenge and extend painterly conventions in her spatial and distorted compositions as well as in her exploration of light, color, form and movement.

By the late 1950s she was internationally known for her dense and complex compositions, influenced by the art of Paul Cézanne and the fragmented forms, spatial ambiguities, and restricted palette of cubism and abstract art.

Joseph Birren's dramatic landscape painting presents the varied terrain of California in a nearly square composition marked by plunging diagonals and deep spatial recession.

-RRB- in which, she explained, harmonious spatial compositions were indicative of co-operative endeavour and social cohesion.

Between 1947 and 1949 Hepworth had made a series of paintings of surgical operations (see Tate Gallery T02098) in which, she explained, harmonious spatial compositions were indicative of co-operative endeavour and social cohesion.

In this sense, the works are akin to spatial drawings or, in other words, they are the three - dimensional iterations of two - dimensional, linear compositions.

Often his spatial compositions appear to extend beyond the perimeters of the picture frame to convey the transient nature of experience.

As is typical for paintings from this period, the present work is characterized by the colliding of flatness with the illusion of spatial depth: while the folds in the tablecloth, modulation of the oranges and the cast shadows articulate Hockney's eye for veracity and imply three - dimensionality, the broad, simplified brushstrokes with which the gladiolus and the green backdrop are rendered essentially flatten the composition.

His pure forms and colors blended with the tendency to suppress gesture in favor of creating spatial unity within the composition paved the way for Kelly to have massive influences on both the Color Field painting and Minimalist movement.

[3] By the late 1950s she was internationally known for her dense and complex compositions, influenced by the art of Paul Cézanne and the fragmented forms, spatial ambiguities, and restricted palette of cubism and abstract art.