Like her previous performative time - lapse sequence «Grid Piece», the work created at Guttenberg Arts continues to explore the phenomenology
of spatial relations, questioning where experience and imagery converge and crossover.
I was very fond
of the spatial relations.
He then applies it to canvas, often setting the dry acrylic pieces into a field of wet paint, essentially creating inlaid paintings where the sense
of spatial relations is not readily apparent.
Such breaks in color, the type of marks Min makes, and the layering of paint generate an entanglement
of spatial relations.
«On this theory,» says Whitehead, «all that there is to be known is that inexplicable bits of matter are hurrying about with their motions correlated by inexplicable laws expressible in terms
of their spatial relations to each other.
It may be possible to work out a scheme
of spatial relations that entirely avoids complete surrounding, but exploring this would take a lengthy analysis.
Such a spatial relation is indeed objective for Whitehead (PNK 32); thus, the homogeneity
of spatial relations is claimed in The Principle of Relativity as the basis for the uniformity of physical relations generally (R 8).
However, nowhere in The Principles of Natural Knowledge does one find a precise definition of simultaneity in terms
of spatial relations.
Cobb believes that this «offers us our best analogy for thinking
of the spatial relation of God and the world.»
Its first image, an angled long - shot of Barry Egan (Adam Sandler) sitting at a desk in the corner of an empty warehouse, is dissonant in its total remove from any sense
of spatial relation.
Not exact matches
Spatial relations within the universe are presently observable, whereas temporal
relations in the matter
of origins are not.
We have here an updated version
of Kant's criticism
of the Leibnizian monad in the «Amphiboly» in the Critique
of Pure Reason: the spatially situated existent is indeed made up
of relations rather than being a substance containing its «inhering» attributes internally as predicates which are part
of its concept; only the
relations are no longer those
of the synthetically connected manifold, but the relational connections between the particulars
of modern functional or mathematical logic, expanded to include within itself the
spatial and temporal
relations which Kant could only account for by means
of the synthetic a priori.
«Matter» can only be defined as a complex
of relations between energy, charge, spin, speed and
spatial and temporal
relations.
It is this
spatial extensiveness which was shown earlier to serve as the basis for the
relation of simultaneity.
I shall refer to this as perception at a distance, meaning not the psychic otherness
of anything perceived in the matrix
of externally related events in
relation to the act
of perceiving, but the
spatial distance between any attended event and the percipient, which itself is part
of the matrix (CN 3; II 132f).
It is highly improbable that laws describing the behavior
of the particles within this structure and information about
spatial relations could ever explain the behavior
of the structure as a whole.
If not, how does the arrangement
of the parts produce properties which are not ultimately functions
of the parts together with their
spatial relations?
RS: We presuppose a multiplicity
of kinds
of things with multiple copies
of each kind
of thing which are not occupying the same point but standing in what can only be
spatial relations to each other.
Of course, this one - dimensional personal inheritance from occasion to occasion in the psyche provides no analogical basis for understanding the many - dimensional connections in nature, in which
spatial as well as temporal
relations are involved.
By this principle we could explain our prehension
of God's primordial nature and God's prehension
of our mental poles quite apart from any
spatial relations.
Furthermore the mutual
relations of the material entities at each instant formed these entities into a
spatial configuration in an unbounded space.
This is due to the fact that the properties
of space and time are, or at least appear to us, quite similar and, furthermore, that the
spatial relations seem to us as somehow more fundamental, more solid, and easier to grasp than the elusive temporal
relations.
Time, or more accurately, becoming seems to be more fundamental in the light
of available evidence, while
spatial relations are mere instantaneous cross-sections in what Whitehead called the «creative advance
of nature» and Bergson, before him, «true duration.»
Hence the succession is confused with
spatial order; the duration
of concomitant motions is judged erroneously from the distance covered by the moving bodies without taking into account the differences in speed; and the
relation of simultaneity is not disentangled from
spatial coincidence.
As Whitehead observed, since the advent
of relativity, «
spatial relations must stretch through time» (Whitehead 1925, p. 6); in other words, there are only spatio - temporal, but no merely
spatial distances.
He holds that in our cosmic epoch, prehension
of the physical poles
of other occasions seems to be dependent on contiguity, but that prehensions
of the mental poles
of other occasions may not be dependent on contiguity.37 By this principle we could explain our prehension
of God's primordial nature and God's prehension
of our mental poles quite apart from any
spatial relations.
From the very first, participants grouped their borrowed chairs in a Sunday arrangement that suggested their intention
of becoming a church, and they stood, bowed, and mingled in
spatial relation to one another.
The
relation of succession is dynamic because both terms
of the
relation — past and present, before and after — arise only within the context
of becoming; the dynamics
of the
relation exclude the coexistence
of the relata — exclude the reduction
of durational succession to
spatial juxtaposition.
From numbers and counting, to
spatial relations and geometry, much
of early play like building towers or creating patterns with toy cars practices basic preschool math.
Do
spatial relations activity: Ask your child to stand behind a chair, next to the chair, in front
of a chair, on top
of the chair and crouch under the chair.DO NOT COPY CONTENT FROM THIS PAGE.
They teamed up with James Dedrick and Andrew Gibson from the York Plasma Institute, University
of York, U.K. to study how plasma behavior varies in
relation to
spatial location, time and particle energy.
• Encouraging caregivers to increase their use
of words for number, for the
spatial properties
of objects, and for abstract
relations like similarity has the potential for improving children's understanding
of number and
spatial thinking, and their ability to make sophisticated comparisons.
These observations
of spatial variation in
relation to the terrain features are likely driven in part by changes in ocean bottom current speeds produced by the hilly terrain; this causes changes in the settling and drifting
of marine snow.
We speak
of events occurring in
relation to temporal landmarks, in the same way that we locate objects in
relation to
spatial landmarks.
We should regard it as a specific — if dramatic — manifestation
of a more general disorder: an inability to deal with complex
spatial relations caused by the right parietal damage.
The chemical composition
of these decay products in
relation to the substrate material, the various conservation and restoration historic phases is discussed along with their
spatial distribution on the monument's surfaces and also in correlation with environmental and climatic data.
Spatial learning ability
of the threespine stickleback (Gasterosteus aculeatus) in
relation to inferred ecology and ancestry.
This flat LogN - LogS
relation suggests that the
spatial distribution
of the sources should have an arm - like structure in which the Solar system is included.
Yet, luff
of entry's born - again basketball unit position composer and administrative division swingman, gets a look for the «s
spatial relation of the defensive shots.
The director and his DP, Harris Savides, shot the movie largely on digital, but the film so often favours steady, patiently held compositions that allow its actors to move around within the frame and interact with each other, showing
spatial relations in much the same way that Fincher is drawing connections between the facts
of the case.
This kind
of understanding
of the visual world — and its
relation to physical items — is valuable in solving
spatial problems, designing, and doing crafts.
The
relations among various
spatial and mathematics skills were assessed in a cross-sectional study
of 854 children from kindergarten, third, and sixth grades (i.e., 5 to 13 years
of age).
This idea ties into Groensteen's concept
of comics as a
spatial network, where «every panel exists, potentially if not actually, in
relation with each
of the others» (2007).
Illogical
spatial relations, inconsistencies
of scale, imbalanced masses, and ambiguous transitions become the organizing principles
of the paintings, and they create a structural dissonance that is incompatible with representational depictions
of landscape.
His structural haikus expound the complex interplay
of gestures and
spatial relations between its components, outlining immense balance and restraint.
He sees the Whitney show as a chance for people to understand how steady his exploration
of abstraction and
spatial relations has been, despite directions that have confounded some.
Considering the periphery, or margin, as a necessary and constituent part
of the center, without which the center could not exist, this text will discuss Lefebvre's «
spatial triad» in
relation to the project space:
A Stroll through the Worlds
of Animals and Men» Jacob von Uexkull (1957) / EXTRACT:» We are easily deluded into assuming that the relationship between a foreign subject and the objects in his world exists on the same
spatial and temporal plane as our own
relations with the objects in our human world.
This talk will demonstrate how exhibitions create
spatial relations between different planes
of interaction for the viewer, and how multiple agencies and actors are necessary for an understanding
of the curatorial as a constellation
of activities that can be can represented the final exhibition - form.
In these, the central band suggests the trunk
of a tree, and the flanking areas are in much closer
spatial relation, containing elements that may be read as branches.