Sentences with phrase «of spectator»

By removing the anxiety of being up on a stage in front of a watching audience, it allows participants — or «spectactors,» a portmanteau of spectator and actor — to be less self - conscious when they walk into the space and improvise a scene alongside the trained interactive actors («interactors»).

He draws on the example of the Olympic synchronised diving competition in 2004, in which the Greek team managed to ignore the distraction of a spectator jumping into the pool to secure a surprise gold medal win, to highlight the value of thinking correctly under pressure, or TCUP.

The scene which that country presents to the eye of a spectator, has something in it which generates and encourages great ideas.

The author toys with the perception of the spectator who can travel the length of the beam of light longitudinally, traverse it or let himself get wrapped up in it, blurring the boundaries between physical and psychological space.

In his 2017 publication, Beyond Objecthood: The Exhibition as a Critical Form Since 1968 (MIT Press), he charts an insightful and relevant curatorial and exhibition history of the past 50 years that frames our contemporary moment within the increasingly changing role of the spectator in relation to their involvement and participation in art.

On approaching different screens the breath of the spectator merges with that of the vocalist, momentarily sharing breath of different cultures.

New fictions give way to hidden truths ultimately falling apart in the hands of spectator / viewer / participant.

For more than twenty years the artist has been using varied means and various types of objects - including lamps, fabrics, wax, wood and mirrors - to investigate the architectural space, the nature of materials in abstract forms and the reception of the spectator in contact with them.

A self - described storyteller, Muñoz's works function like story tales in which the movements of the spectator are deliberately set out by him.

For more than twenty years the artist has been using varied means and various types of objects — including lamps, fabrics, wax, wood and mirrors — to investigate the architectural space, the nature of materials in abstract forms and the reception of the spectator in contact with them.

The sculpture has a strong visual affinity to Minimalist sculpture and shares Minimalism's preoccupation with the relationship between sculpture and the body of the spectator.

In his new book Beyond Objecthood: The Exhibition as a Critical Form since 1968 (MIT Press, 2017), Voorhies traces the changing role of the spectator in art and exhibitions over the past 50 years from Minimalism to Relational Art, and New Institutionalism to the present.

«This is Art for the social media age» The Stylist «Maybe Asbestos is playing the role of spectator and is waiting to see what the Internet will make of the extreme quantity of work» VICE

One could draw a structuralist graph to determine these positions both within the exhibition, within the larger framework of art production and reception, and within the framework of art and psychoanalysis, and doing so, define the position of the artist, of the artworks and of the spectator throughout the exhibition.

About his work in this period, Macdonald - Wright commented, «I strive to divest my art of all anecdote and illustration and to purify it to the point where the emotions of the spectator will be wholly aesthetic, as when listening to good music... I cast aside as nugatory all natural representation in my art.

As a further nod to Fernández's favourite subject of landscape and perception, the line between artwork and viewer is blurred by the golden surface, which reflects the image of the spectator in its negative space.

These include the physical properties of materials (weight, density, etc.), the visual and psychological perception of the spectator in concrete rather than abstract terms of these phenomena, -LSB-...]

The second room is the «Stanza dello Spettatore» (The room of the spectator) Here the author has disappeared and in the place of the canvases and paper that were present in the previous room, there are a series of golden frames that have remained empty and transparent.

In the 1970s, Bruce Nauman created a series of installations in which the perception of the spectator's own body was drastically altered by an anomalous, uncomfortable space, as in his Green Light Corridor.

The five artists each uniquely examine the role of the spectator, the object and the reading of the object.

Placed in the gallery and outside of the diegetic world of the film, the visitors to the gallery transcend the role of spectator and become active participants in the installation.

Nine artists were commissioned to create new works, which will then be presented in a display that can change continually according to the choice of the spectator.

Pape's experimental practice spanned drawing, sculpture, engraving, installation, choreography, and filmmaking as she moved between mediums to explore geometric form, positive and negative space, the intellectual and physical participation of the spectator, and above all art's potential to ignite social change.

Under the great weight of the concrete, these two forms, one material and one virtual, come together to awaken the instinctual reverence for life that is rooted deep in the genes of the spectator.

His final disguise is that of an experimental filmmaker whose subject is not the film noir themes of trust, guilt, fate, and the madness of the double that appear as the content of his work, but the temporality of the spectator's engagement.

However, the samples do, in fact, show the evolution of her practice, from the early films — which tended to shy away from montage as a form of spectator manipulation — to her last offerings, which fully embrace special effects and, in extension, a disorienting sense of poly - focality.

From 1964 onwards he began producing works based on distorting mirrors and the displacement of the spectator by means of labyrinths and play rooms.

The work determines different viewing positions of the spectator by referring to the usage of objects in Art.

Other important trends in contemporary sculpture include an increasing use of mixed media and the creation of works that draw their meaning and impact from their architectural context and also emphasize the role of the spectator.

It is based on an idea of spectator failure and the suspension of disbelief necessary to convince oneself into perceiving the illusion as magical.

Thus was «Pittura Analitica» born 1974, identifying an exclusive number of European painters who worked on a limited number of themes: the creative process, the operative method, the choice of materials, the role of the spectator, the absence of autobiography, the lack of references to any pictorial tradition, the importance of seriality.

They predetermine set rules of engagement or utilize recording devices to frame both conscious and unconscious forms of spectator participation.

With Isla Santa Maria 3D, Husain works with the relationship between the world of the spectator and the world on screen like never before, utilizing 3D technology for the first time in a new video installation.

What role does the body — both of the performer and of the spectator — play in live art?

Depending on the light and the viewing point of the spectator, a completely different image arises.

The reading, like the book, will trace the changing role of the spectator in art and exhibitions from Minimalism to Relational Art, and New Institutionalism to the present.

As the viewer approaches the work, the moving images gradually morph into shots of one - on - one confrontations of tourists taking photos ostensibly of the spectator.

His work reflects on the spectacle, the transformation of the position of the artist in the visual system, and the future role of the spectator in art.

Although many think of video games as a solitary pursuit, or at most something shared among friends or in limited online multiplayer groups, they are becoming something of a spectator sport in their own right.

The fighting game crowd loves to watch matches as well as actually playing in them, and the inclusion of a spectator mode is greatly appreciated.

If there were another me, observing myself from the perspective of a spectator, how would I regard another me?

I don't know why gaming isn't more of a spectator sport in North America.

In other words, games move the viewer from the position of spectator to that of participant in the media experience.

One issue other players have complained about is the lack of a spectator mode in online lobbies — while you can join a large lobby of friends, you are restricted to just being able to chat and watch health bars to see how the matches are going — apparently spectator mode is something Capcom struggled to implement into this particular game.

Thanks to the introduction of the spectator mode, everyone will have the feeling of watching a live real MotoGP ™ race.

If you love to fish, there are options for sport fishing but if you're more of a spectator, whale watching excursions are the perfect way to get your sea legs.

The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the perspective of the actor.

By the time the racing started today at about 2:30 p.m., they were too soused to drive from their own rented party pad to any of the spectator points.

Speed limits are still in place on certain sections of the track, following a horrific accident during a GT3 - spec race that claimed the life of a spectator.

This leads to the question of the spectator - screen relationship and the spectator's complicity, which are at the core of Haneke's own discussion of his films.