Sentences with phrase «of studio practices by»

Together, these works show a range of studio practices by female artists working in the South within the language of abstraction, and highlights the breadth of the Ogden Museum of Southern Art's Permanent Collection.

Not exact matches

As Jerry Brown, associate partner in PricewaterhouseCooper's consulting practice, recalls, «I saw a presentation given by one of the major studios where they pointed out that when they sold a [game] for a console they expected to collect $ 50 per consumer and that was it.

The following essential oils, which are commonly used by yoga teachers and studios around the world, can help make your yoga practice a much more holistic experience of the mind.

Yoga is a practice that is adaptable to any personality and level of physical fitness, but newcomers often feel intimidated by the unfamiliar terminology (such as the use of Sanskrit names of poses) and conventions (such as taking off your shoes before entering a yoga studio).

By not making the studio the central location of their practice, these artists are embracing the notion that art and the creative spirit of making are more than just making objects that are meant to be displayed, looked at, and bought and sold.

A studio called Yoga At Connie's has done exactly this, by collaborating with an animal shelter from Illinois called Homeward Bound Pet Shelter to hold a series of classes which allows participants and cats to mingle whilst practicing yoga.

A studio has done exactly this, by collaborating with an animal shelter to hold a series of classes which allows participants and cats to mingle whilst practicing yoga.

Spend lazy days on a lounger next to the 25 - metre swimming pool; practice your sun salutations in the dedicated yoga studio; work out at the impressively equipped gym or gather with friends at the end of the day and enjoy a meal cooked by your personal chef in the enormous poolside Teppanyaki pavilion.

This studio is surrounded by beautiful nature and it allows you to feel the connection with nature at the time of practicing Yoga workouts and at the same time you will enjoy watching the stunning ocean view.

Le Monde, Mediapart and Canard PC reported that over a dozen of current and former employees (interviewed by Le Monde) have described the firm as having a «toxic studio culture», with «dubious contract practices», a management team with an «inappropriate behaviour», and employees being overworked and hardly respected.

Founded and managed directly by Ottawa's fast - growing gaming industry, the events focus on building business relationships, sharing best practices and continuing to establish the city as an emerging development centre with both international and local speakers, a showcase of games and technologies, and an opportunity for new talent to connect with studios.

«There are quite a lot of events organised by the studios where people from different parts of the games industry meet up to socialise, and staff moving between studios obviously leads to a lot of best practice sharing,» states Samuel Ranta - Eskola, senior producer at project management tools firm Hansoft.

The program is 3 months long and provides mentoring for your team to improve their business and game quality skills by over 60 top industry mentors, weekly pitch practice, playtesting, field trips to successful game studios and at the end of the program, demo days where you will get the chance to pitch to our global network of investors and publishers.

Game studios often say «design first, writing second,» but in practice this means that the story is clumsily filled in by a writer or two (often to excessive length) around design sections already conceived, creating a disjointed mess, instead of the whole design being aimed at telling a story.

Ranging from restrained blue marks on a raw canvas ground to barely visible foot print traces on a naked canvas, his work draws on the performative «aura» of these marks and is fueled by a self - generated mythology centered on his studio practice and his infamous foot fetish.

Contributions include essays by Steve Martin and artist Archie Rand; a fascinating interview with the artist, conducted by Lawrence Weschler, about her approach to her studio practice and her life; and a musical offering by composer Bruce Wolosoff, who has written a stunning work for piano and cello inspired by one of Gornik's drawings (available with purchase through iTunes).

Curated by artist Daphne Wright, this exhibition takes these specific aspects of Freud's intimate studio practice as a starting point to explore themes of vulnerability, longing and loss that permeate the painter's work.

Paintings of this decade by Pablo Picasso, Philip Guston, and Faith Ringgold reflect how artists began to confront the relationship between their identities, their studio practices, and the tumultuous times in which they lived.

Baker utilizes found materials often culled from alternative raw spaces such as repurposed factories and homes and, recycled by - products of her studio practice, to construct site - responsive, materially - charged installations.

Provocations: The Architecture and Design of Heatherwick Studio examines the astonishing range of the studio's practice by focusing on the design concepts behind small products such as the handbag designed for Longchamp and his rotation - molded «Spun» chairs, as well as large public and private architectural projects in the U.K., U.S., Abu Dhabi, South Africa, Singapore, and China.

Art Night also features open artist - studios, provocative art installations, a free concert, the art opening of first year students at Otis MFA Public Practice entitled Autonomy and Ana Guajardo's Marketplace Tianguis, which consists of a cultural explosion of diverse craftworks by twelve artisans in 18th Street's parking lot.

The exhibition shows the range of materials and processes employed by artists today — appropriation, traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects, and offers an indication of what audiences may encounter in art galleries in the coming years.

By researching and assessing the needs of individual schools, the IPSP program will synthesize, strategize, and implement positive actions in order to address issues of exclusion, in both the curriculum and pedagogical practices used in classrooms and studio spaces across the Institute.

In parallel with his studio work, Bradford is deeply engaged with social issues, as co-founder of Los Angeles - based nonprofit organization Art + Practice, which encourages education and culture by supporting the needs of foster youth predominantly living in South Los Angeles, and providing access to free, museum - curated art exhibitions and moderated art lectures to the community of Leimert Park.

It's fascinating to think of Schapiro, inspired by the discourse she was helping to create, doing these pieces when she was able to return to her studio after the intense period of working with the feminist program on the Womanhouse project in the fall of 1971 and early winter of 1972, but before she had a name for this work, before «femmage» and «pattern and decoration» became movements and personal brands, with their declarative power but sometimes restrictive effect on art practice.

She prioritized one of its guiding principles, «Chicago as Studio,» by encouraging social practice education, while simultaneously shepherding its ongoing commitment to a studio practice in the fine arts.

September 16 — December 9, 2017 Narrative Horizons presents the work of three women — Kay Healy, Sophia Narrett and Erin M. Riley — whose contemporary studio practices are heavily influenced by traditions steeped in functional craft and the handmade.

The heart of the show, featuring Tintoretto's distinctive figure drawings — both preparatory drawings and a group of studies after sculptures by Michelangelo and others — will examine the use of drawings within the studio as well as teaching practices in the workshop.

The entirety of Sharif's studio — recently donated to Sharjah Art Foundation by the artist's estate — will also be on view for the first time, providing new perspective on the artist's practice.

stanley beaman & sears gallery committee presents Craig Drennen «Characters» reception opening: friday april 4, 2014 5:30 - 7:00 pm Beginning in 2008 I have organized my studio practice around Timon of Athens, a play written by William Shakespeare between 1605 and 1608.

And although the idea may seem counter-intuitive to those emotionally beholden to the old ideal of the cloistered genius flattered and enriched by virtue of shining talent alone, artists who think beyond their own careers, leave the confines of the studio, and contribute to the art community tend to have more rewarding art practices over the long haul.

Given by the faculty and dean, the Kabakov Fellowship aids the financial needs of the recipient's transition from the academic to professional studio practice.

Stepping aside from performance as a medium and the performative act of production, best characterised by Mota's studio - based compositions, her recent exhibition at the gallery, marks a major shift in the practice of the artist, materialising a new form of sculptural animism and a new agency, while shifting the instrumentalization of the performative into a series of coincidental and strictly conceptual acts.

Included in this exhibition is a rare sculpture by the artist that has been made during a five - year period of his studio practice.

Crowner's studio practice includes ceramics, sculptures, theater curtains, tile floors, and paintings made by sewing together painted and raw panels of canvas.

Founded and led by artist Theaster Gates, Rebuild is part of a network of sister organizations, including Arts + Public Life, Place Lab, and the Space Fund, that collaborate to extend the social engagement of Gates» studio practice to the South Side of Chicago and beyond.

By chronicling the continual experimentation of artists throughout their practice, the exhibition demonstrates that invention is a result of sustained critical thinking, persistent observation, and countless hours in the studio.

Sparked by the realization that disparity exists between the institutionalized art world and the new wave of rising artists, Alt Esc was founded to vocalize the leading ideas and trends in young contemporary studio practice.

One of the most unique aspects of studying art history at an art school was that I was required to develop my own artistic practice through hours of drawing classes, performance art classes, photography studios, and so on, which allowed me a much more intimate understanding of the artistic process — but it was also important to be surrounded by other ambitious creators.

In an installation by Mike Schuh, found objects and remnants of past works are resurrected and re-contextualized through a thoughtful and often playful studio practice.

Voulkos» emphasis on the fertility of experimentation, improvisation, and the ambiguous relationship between intention and chance ignited a dialogue between ceramics and postwar aesthetics of spontaneity as practiced by affiliates of Black Mountain College, turning him into a leader of the West Coast craft movement of the postwar era and his studio into one of the most important pedagogical sites for the development of ceramic art.

In 1996, the Addison opened an apartment designed by San Francisco - based artist David Ireland and a studio space for visiting artists to explore new dimensions of their practice.

A one - week unique and free opportunity for eight emerging artists nominated by artist - led spaces from around the UK who will work closely with leading international artists to discuss and develop their individual practices through a series of tutorials, workshops, reading groups, studio and gallery visits, and seminars.

Like a long lost slang...» Tal R Victoria Miro Gallery will present the latest body of work by Danish artist Tal R. From 2005 to 2008, in his dynamic studio «Palace», Tal R extended his practice to incorporate collaborations in dance, film, theatre, cabaret, music and fashion, and it is in this period of intense experimentation that the works presented in armes de chine have their roots.

This too leaves her open to accusations of aesthetic nostalgia, but after nearly two decades of making films Dean is presumably past caring; the rhythms of shooting, processing, laborious sound design and film editing (done by Dean herself on an old Steenbeck at her Berlin studio) are part of an artistic practice that has a relentless coherence.

Inspired by the diverse practice of artists in the Summer Exhibition and by our upcoming Matisse in the Studio show, this season we're shining a spotlight on the artist's studio — and if you're an artist, we want to hear from you.

Author Jordan Amirkhani notes: «If the studio has traditionally been a place of solace from reality's complications, this exhibition seems to respond with urgent ambiguity by asking important and unresolved questions about the place of artistic practice within today's society, and the traditions of Western art making that have not (and will not) go away.»

Deriving from a traditional practice, Wang produces his Coffin paintings by working with his canvas resting flat on the studio floor, systematically applying layers of acrylic paint in alternating colors — at times monochromatic, at times colorful — resulting in a densely stratified surface.

If the studio has traditionally been a place of solace from reality's complications, this exhibition seems to respond with urgent ambiguity by asking important and unresolved questions about the place of artistic practice within today's society, and the traditions of Western art making that have not (and will not) go away.

All four are in some way inspired by art that exists «outside» of mainstream studio practice, although with varying degrees of success.