And with so much to criticise about the look of the Lumia 830, it will need to be a phone
of substance over style to succeed.
It serves as a great example
of substance over style, but Downwell is perhaps just too one - dimensional to offer the same degree of longevity that other similar titles may offer.
It was the sort
of substance over style performance not usually associated with a Rodgers side but the manager is hopeful that the draw against Ludogorets could kick - start their campaign.
Not exact matches
Finally, the Republican Party got stuck in a loop
of style over substance.
Among the high - profile changes was a decision to have Peter Mansbridge stand up while presenting The National, which was derided as a triumph
of style over substance.
Four
of the six chapters in Losing Our Virtue constitute the heart
of the book and are devoted to themes liberally treated in Wells» first two volumes» materialistic consumption, image and
style over substance, the therapeutic culture, the lack
of civic virtue, and, not least, society's aversion to truth, truth - telling, guilt, and moral accountability.
Platon has become famous for his simplistic aesthetic: a modern iconography rooted in provocation
of feeling
over complexity,
substance over style.
Unfortunately to say this some
of the worst service I have had in a long time Highly unorganised Food very much
style over substance
He seems more
style over substance, and Goulamirian has a lot
of substance.
Dismissing David Cameron's Conservative party manifesto as one «
of style over substance», Lib Dem leader Nick Clegg said he was determined to offer «something different» to the British people.
It's a manifesto
of style over substance.
Gordon Brown could help Labour rediscover its passion, he indicated, describing the chancellor as the antithesis
of David Cameron's
style over substance.
Gordon Brown and David Cameron exchanged accusations
of «
style»
over «
substance» in this week's prime minister's questions.
Dr Newman,
of the ANU Research School
of Psychology, said the results showed when it comes to communicating science,
style can triumph
over substance.
While the site looks good on the surface,
over a period
of time, you'd realize that it has more
style than
substance.
Despite looking good, it's a case
of style over substance.
If you're looking for a 50s example
of style over substance, you've found it.
As it stands, you're looking at a massive amount
of style over not a great deal
of substance.
Though visually beautiful and boasting superb performances from the entire cast, Black Swan, much like the ballet Nina so adores, falters because
of its emphasis on melodramatic
style over substance.
Directed by Kari Skogland, «Men with Guns» is a prime example
of style triumphing
over substance in desperately thriving for an offbeat rhtythm in its depiction
of underworld denizens while being overboard with the sometimes literally flowery dialogue.
You just watch one carefully constructed but emotionally vacant image piled up on another - sometimes with regard to an overall effect, but often just for the sake
of style over substance.
Sanctum is the perfect example
of a film that's
style over substance, it looks great, but the plot is paper thin, and relies on recycled ideas from previous films in order to create an engaging film.
The movie like the enduring music
of Ravel is about
style and flair
over substance.
Part
of me wants to dismiss «The Matrix» as a loud and empty spectacle, 1999's apex
of dazzling technological
style over substance.
In this capacity, he brought what some considered the «MTV Look» to network television — a look which favored
style over substance and technique
over storytelling, in the «short attention span» manner
of the MTV cable network.
Battle
of Z values
style over substance, but for an anime about super humans fighting super aliens while flying through the air, maybe it is the appropriate direction.
Backed by Vice and Megan Ellison, The Bad Batch sees Amirpour given a big box
of crayons with which to scrawl all
over the proverbial walls, resulting in a film that's long on
style, and short on
substance.
Complete, in a rather contrived fashion, with his trademark quirks, Isle
of Dogs is
style over substance, just lacking somewhat in pathos and heart, and while featuring the occasional hilarious moment, they remain few and far between.
Isle
of Dogs is
style over substance, just lacking somewhat in pathos and heart, and while featuring the occasional hilarious moment, they remain few and far between.
Blade: Trinity is still hampered by the same elements that made the first two films substandard fare, namely, the heavy emphasis on doing everything the cool way, in a heavily
over-the-top display
of style over substance.
With the major exception
of Pan's Labyrinth, Guillermo del Toro has always excelled at
style over substance, producing gorgeously imagined films with tiresome scripts, clichéd stories and cardboard cut - out villains.
Originally envisioned as the third installment
of the Demons franchise, The Church instead earned acclaim as an atmospheric exercise in meditative religious apocalyptic paranoia despite being criticized by some as another case
of style over substance (a criticism frequently made
of his mentors).
What's left is a cartoony and messy narrative that is mostly
style over substance - a similar criticism to the ones, coincidentally, that have been used in attempt to discredit the validity
of Fiennes» Feather Men tell - all and / or novel.
As in Planet Terror, Rodriguez emphasizes
style over substance, but the sheer audacity
of his vision — the energy, the inventiveness, the extremes to which he's willing to take his gruesome sight gags — is his salvation.
The Hughes Brothers are a particularly «
style over substance» couple
of guys.
And yet, Richie managed to make a film that could be a key example
of style over substance and is a case study in why that's such a problem when you ask audiences to invest time and money into a feature film.
As evidenced by our episode on Sucker Punch, I have an ambivalent relationship with Zack Snyder; I'm usually more forgiving than others (I love Dawn
of the Dead, for example, and I greatly enjoy Watchmen still), but accusations
of Snyder's emphasis on
style over substance is a common criticism levied toward him.
Final Verdict: A serious case
of style over substance.
Sam Raimi (The Quick and the Dead, Army
of Darkness) thankfully subdues his usual emphasis on
style over substance for one
of his best directorial performances to date, evoking quality acting especially from the always excellent Billy Bob Thornton (Armageddon, Primary Colors), who received an Academy Award nomination.
Bad... very very bad... boring waste
of money to rent online... we hoped and hoped that at some point it would become at least entertaining... nope... just stupid and then more stupid... really disappointed that Ryan Gosling would appear in something this dense...
Style over substance doesn't really tell the half
of it: you can bathe a corpse in groovy light and dress it in an expensive suit, but in the end that rotting smell just won't go away.
I much prefer the methodical, story - centric
style of Ridley Scott, while Tony prefers
style over substance, hitting us with fast - paced editing and flashy montages.
Style over substance doesn't really tell the half
of it: you can bathe a corpse in groovy light and dress it in an expensive suit, but in the end that rotting smell just won't go away.
It's also a glowering action reunion for her and director Francis Lawrence, who helmed a triptych
of Hunger Games movies, and, by most accounts, is a Soviet tank - full
of style over substance.
Director Guy Ritchie has made a name for himself by employing a major
over-dosage
of style over substance in films such as Snatch and Lock, Stock, and Two Smoking Barrels; something that oozes out
of every scene in The Man From U.N.C.L.E
But even if it weren't being marketed to suggest a nonexistent Tim Burton connection, it already looked the part, causing me to fear a triumph
of style over substance.
Ridley Scott's visual flair has led to a number
of handsome - looking films (and a great deal
of success), but his tendency to go for
style over substance often leads to a slightly unsatisfactory feel to his films.
Sure, it's well - acted and beautiful to watch, but Another Earth seems to be a clear cut case
of style over substance.
The Last Dragon is quite representative
of the 80s —
style over substance.
The movie «Sweeney» is merely an exercise in
style over substance, apparently taking nothing from the show except for a few relationships and lesser moments
of dialogue.
A generic crime thriller in just about every way, «Welcome to the Punch» looks great and features a couple
of nifty gunfights, but it's ultimately a case
of style over substance, and one that its top - notch British ensemble is unable to rescue.