In the guise
of a superhero origin story, it tells a smart, inventive tale about young science geeks who grapple with issues around the responsible use of technology.
offers the usual beats
of a superhero origin story, but at least it's trying to give those beats a different tune under which to drum.
Ant - Man offers the usual beats
of a superhero origin story, but at least it's trying to give those beats a different tune under which to drum.
Angela Robinson's fascinating and surprisingly sweet - natured film is a different sort
of superhero origin story, and an appropriate bookend to this summer's «Wonder Woman.»
By the end
of this superhero origin story, Deadpool doesn't evolve as a character nor does he have to.
Also, to the movie's benefit, it introduces us to the titular character without feeling bogged down in the trappings
of a superhero origin story.
Not exact matches
He crafted a
superhero story that goes through the standard motions
of an
origin story while also managing to be a fun heist movie with great performances by Paul Rudd and Michael Douglas.
Nate Silver has the
origin story of a nerd
superhero.
In an event ripped from a
superhero origin story but that, in real life, is actually sort
of scary and definitely an environmental headache, the bridge upon which a train...
With an
origin story borrowed from Superman, an elaborate lair borrowed from Batman, and a skin complexion borrowed from a robin's egg, Megamind - the title character
of DreamWorks Animation's smart, snappy
superhero send - up - is a villain to love.
Without fail, the dullest installment in any
superhero movie franchise is the
origin story, during which audiences anxiously awaiting The Big Bad Guy have to suffer through, yaaaawn, scenes
of childhood trauma, romantic tragedy, and other expository effluvia, by which point the closing credits are fast approaching.
With his
origin story out
of the way, Deadpool and his alter ego Wade Wilson, played again by Ryan Reynolds, are trying to figure out what they want from this
superhero - normal guy dynamic.
iInstead
of a buoyant, imaginative
superhero movie on the order
of Sam Raimi's «Spider - Man» films or Bryan Singer's «Superman Returns,» we get a lumbering, paint - by - numbers
origin story.
An exact application
of the Marvel
Superhero Origin Story Template.
Without the burden
of an
origin story and all the resulting narrative hurdles to jump, Iron Man 2 is free to solidify the concept
of its hero and find what sets him apart from the rest
of the world
of superheroes.
Given the
origin stories of most
of these characters — rooted as they are in the deaths
of loved ones, often through the heroes» inaction, real or imagined, it's not a far reach to say that
superhero comics are trapped in a process
of repetition automatism (or «repetition compulsion»).
Wonder Woman could have been a gauzy
superhero origin story, but instead, it's steeped in war and loss, and the impact
of Steve Trevor's death at the end is both well - earned and heartbreaking.
IndieWire's David Ehrlich gave the film a D +, writing in his review, «By turning Tarzan into just another
superhero, David Yates» blockbuster
origin story wastes one
of literature's great wild men.»
Set in deep space, and in half a dozen lands (New York, Wakanda, Titan, Knowhere), the film presents a galactic battle for the fate
of the universe that throws together the six original Avengers; the follow - up wave
of Marvel
superheroes who've only recently been given their own
origin stories (Black Panther, Dr. Strange, the rebooted Spider - Man); the Guardians
of the Galaxy; and a sprinkling
of other figures who've been there on the fringes.
But the excitement has also been fueled by the
origin story of the African
superhero.
The movie touches on the main
superhero - movie beats that we expect: the
origin story, the demonstration
of powers, the final battle with the equally...
It's another
origin story we're familiar with in the world
of comic book heroes, but given the emphasis on magic and alternate dimensions, there are many other toys in the toy box to play with to keep it all feeling like something new to the universe
of big - screen
superheroes.
But it isn't all good because Wonder Woman is also let down by the trappings
of having to tell an
origin story, and there are moments when the film feels like a box - ticking exercise in how to create a
superhero origin, especially during the final act when — shock!
After the record - breaking success
of this summer's DCEU film adaption
of «Wonder Woman,» which explores the
origins story of the title character, the creation
of the
superhero is now being explored in the new biopic, «Professor Marston and the Wonder Women.»
We're basically watching Paul Rudd play Paul Rudd, and while you could do a lot worse when it comes to a lead character, it doesn't leave much
of an impression when it comes to a
superhero origin story.
So it's kind
of an Enter the Dragon-esque, kung fu
superhero origin story with an inner city setting.
But later this month the
superheroes will likely lose some
of their money to a certain scoundrel's
origin story.
The Marvel Cinematic Universe was once accused
of dishing up the same rinse - and - repeat
origin story over and over again — and while Feige will protest (and has) that each Marvel movie has had its own individual flavor (Thor was a stab at Shakespeare; The Winter Soldier riffs on 70s paranoia thrillers), the franchise has been finding more solid footing in its endeavor to remix all
of popular film history through the lens
of superheroes.
In a
superhero origin tale unlike any other, this is the true
story of 1940s Harvard psychologist Dr. William Moulton Marston, the inventor
of the lie detector and creator
of the iconic Wonder Woman, who defends his feminist
superhero against charges
of «sexual perversity» while at the same time maintaining a secret that could have destroyed him.
Like pretty much any
superhero origin story, the setup was better than the payoff, which, like far too many movies about the
origin of a
superhero, pitted the newly formed hero against a generic villain with an even more generic plan, as if that's some kind
of required challenge for these heroes to have to face each and every time — even if we're just getting to know them.
The film is something
of an
origins story for one
of the most famous female
superheroes.
Like I said before, I stopped watching because I was expecting to see something familiar or
superhero origin stories; however there's no appearances
of any
of your favorite Marvel
superheroes.
Professor Marston and the Wonder Women: Based on the bold and illuminating true
superhero origin story depicting the creation
of the beloved comic book character Wonder Woman in 1941 by Dr. William Moulton Marston.
Dracula Untold temporarily flirts with the child - like glee you find in all
superhero origin stories when the protagonist first discovers their powers, but the novelty
of developing sharply heightened senses and the ability to miraculously heal has long worn off.
This movie also did a better job than most
of telling a
superhero story that focused on
origins but was still compelling.
Solo is a
superhero origin story, as such its ceiling is somewhat limited: it's designed around the pleasure
of recognition, rather than discovery, the solving
of mysteries which didn't need to be solved rather than exploration
of a wider universe.
«A tightwire - act
of a film that's ostensibly a
superhero origin story while also feeling like it's about us mere mortals at the same time.»
Arguably one
of the weirder properties under the Marvel banner, «Doctor Strange» marries its inventive visuals — from the colorful, kaleidoscopic imagery to the physics - bending action sequences — with the usual
superhero story beats to deliver the best solo
origin movie since «Iron Man.»
With Wonder Woman back in the cultural zeitgeist (if the most famous female
superhero ever really left it), writer / director Angela Robinson's film serves as a
superhero origin story in a more literal and more literary - criticism meaning
of the phrase.
Joining the ranks
of other B - list characters like Ant - Man and the Guardians
of the Galaxy, «Doctor Strange» marries its inventive visuals with the usual
superhero story beats to deliver the best solo
origin movie since director Jon Favreau kicked off the MCU with «Iron Man.»
Where other
superhero movies pore over their characters»
origin stories, in Suicide Squad only Margot Robbie's Harley Quinn — who gets all
of the best lines — and Will Smith's Deadshot, an assassin with heart — are fleshed out in 3D.
Just shy
of 10 years since Jon Favreau reinvented the
superhero genre with Iron Man, Ryan Coogler has done it again with an
origin story of his own.
It's essentially a
superhero origin story opening the same weekend as another (Dr. Strange)-- both films dealing with faith and the consequences
of betraying said faith.
It isn't an unknown fact how the studio had planned its 10 - year calendar ending on Avengers: Infinity War, even before kicking off its films, and how it began working backwards introducing us to its various
superheroes, having them assemble and even presenting standalone films to trace the
origin of their
stories.
Director Joe Wright (Atonement) turns what could be a dry history lesson and a peek into the inner workings
of the British government into an
origin story for a historical figure who, in the minds
of many, might as well be a
superhero.
Despite some minor alterations to his
origin and the emphasis on a love
story — a surprisingly touching one, Deadpool stuck the
superhero landing as one
of the most accurate portrayals
of a comic book character in film.
At one point he introduces a small bit
of dialogue about Superman, and parallels can be drawn between «Midnight Special» and a
superhero origin story, if
superhero origin stories didn't follow such clear - cut paths.
If Marvel had any guts, they would've called this movie Thanos and made it like a straightforward
superhero origin story in the mold
of Iron Man or Thor or Ant - Man or any
of the others.
Where Doctor Strange falls short is in the recently troublesome
superhero «big bad» and despite the presence
of esteemed actor Mads Mikkelsen (who sadly has become a bit
of a villain typecast in recent years), the purple eyed Kaecilius, who wants nothing more than to meet a world destroying entity is anything but the adversary the unique Stephen Strange deserved, while the previously mentioned nature
of this following the playbook
origin story isn't breaking much ground in the way it tells the
story of a man at his lowest finally realising his true potential.
By turning Tarzan into just another
superhero, David Yates» blockbuster
origin story wastes one
of literature's great wild men.