They are short featurettes centered on Jeremy Renner, Elizabeth Olsen, and writer - director Taylor Sheridan, unfolding with a standard mix
of talking head interviews, film clips, and footage from the location production.
Mixing droll animation, stock footage and a restrained number
of talking head interviews, the director Penny Lane's biography has all the whimsy of a tall tale, until a late change in tone surprises with genuine emotion.
Not exact matches
«Make sure you are protected from anything that might take down your business that you worked so hard to build,» said Hunter Hoffmann,
head of U.S. Communications at Hiscox Small Business Insurance
of White Plains, N.Y., during a Money
Talk radio
interview.
At the end
of an
interview, Lieutenant Columbo closes his notebook, makes small
talk and
heads for the door.
I've been getting nervous listening to the Suns media mouthpiece Gambo
talking about what a great coach Triano is and how the
interview with him is not a sham and he has a real chance
of being named the
head coach.
It was a fair few years ago now that our
Head of Academy Development (
of variation
of job title thereof) coined the phrase «automatisms» in an
interview when
talking about the little partnerships and bits that «click» within a component parts
of a team, but that's what has me thinking this morning.
In this first
talk, Al Jazeera's Mehdi Hassan
interviewed the outgoing
head of the Yesha Council, Dani Dayan on the subject
of Israeli settlements and the prospect for peace between Israel and Palestine.
Dugher's comments come in an interesting
interview by the New Statesman's Anoosh Chakelian (formerly
of this parish) in which he also
talks about how he digested the election results and says he frequently warned Miliband that his team had «too many pointy -
heads and too few street fighters».
Talking of Carrion, who now
heads up the White House Office
of Urban Affairs, here's an
interview he gave the National Journal about his recent «listening tour» and the task ahead.
James Watson, for those
of you who are reading this magazine by accident, won a Nobel Prize in 1962 for figuring out the structure
of DNA, went on to
head the Human Genome Project, and then
talked himself into trouble and out
of a job last year when, in an
interview with The Sunday Times
of London, he made one
of the more outlandishly racist remarks in history.
Between the newsreel footage
of contemporary atrocities and the
talking -
heads interviews, the life
of Lemkin is illustrated in monochrome watercolour animation.
Though it could do with fewer
talking -
head interviews and more extended clips from these impassioned live performances, Young Rebels is essential viewing for anyone interested in rap music, free speech issues or the youth culture
of contemporary Cuba.
Since
talking heads are arguably the chief reason that documentaries are generally shunned by movie audiences, less time could have been spent listening to the array
of interviews, and more celluloid on the damage done in Oklahoma City.
Composed
of extraordinary source footage, most entirely unseen before, that combines newsreels, U.S. and British television shows, home movies and hundreds
of rare photographs blended with the requisite
talking -
head interviews.
Opening with a postmodern preamble explaining that this version
of events is based on «irony - free, wildly contradictory, totally true
interviews» with Harding and her ex-husband Jeff Gillooly (now Jeff Stone), the chatty, fourth wall — breaking black comedy — think The Big Short on ice — conveys much
of its humor and humanity through fictionalized
talking -
head interviews with Tonya, Jeff (Sebastian Stan), and her mother LaVona (Allison Janney).
This in - depth piece is composed primarily
of behind - the - scenes footage and
talking -
head interviews with many participants: * Robert Zemeckis (Director) * Frank Marshall (Producer) * Steven Spielberg (Executive Producer) * Steve Starkey (Associate Producer) * Don Hahn (Associate Producer) * Peter Seaman (Screenwriter) * Dean Cundey (Director
of Photography) * Arthur Schmidt (Editor) * Richard Williams (Director
of Animation) * Dale Baer (Chief Executive and Supervising Animator) * Simon Wells (Supervising Animator) * Andreas Deja (Supervising Animator) * Phil Nibbelink (Supervising Animator) * Dave Spafford (Animator) * Nik Ranieri (Animator) * Ken Ralston (Visual Effects Supervisor) * Michael Lantieri (Special Effects Supervisor) * David Alan Barclay (Chief Puppeteer) * Jon Alexander (Optical Camera Operator, ILM) * Ed Jones (Optical Photography Supervisor) * Alan Silvestri (Composer) * Bob Hoskins (Eddie Valiant) * Charles Fleischer (Voice
of Roger Rabbit) * Lou Hirsch (Voice
of Baby Herman) You can imagine, therefore, how thorough this documentary is about touching every aspect
of the production.
The Public Image is Rotten duly serves up generous amounts
of live performance and
interview footage, with multiple soundbites from assorted
talking heads, including various PiL members who recount their tenures with a band that today counts Lydon as its only original member.
Refraining from applying a didactic form and eschewing the traditional trappings
of a more conventional documentary such as
talking heads interviews, instead Wiseman allows At Berkeley's 4 hour running time to speak for itself: static shots
of a lone groundskeeper cutting the campus grass give way to glimpses
of a budget cut meeting where it's revealed that said groundskeeper is Berkeley's sole grass cutter.
«Voodoo Doll: The Chucky Legacy» (7 mins., HD) Another Blu - ray exclusive offers more
of the same
talking -
head interviews, plus clips.
But the footage itself is comprised
of primarily
talking -
head interviews (making for boring cinema), interrupted by shots
of the neighboring countryside.
2 press junket happening this week in Los Angeles, Marvel Studios
head Kevin Feige has been participating in numerous
interviews talking about the future
of the company's films.
It is in these
talking -
head moments, carried over four
interviews, each with a different agenda on the part
of Sheen to draw out the enigmatic politician, throwing in some surprises to catch him off guard, when subtlety is employed in intricate detail, as viewers scan for the turning points that lead to the highly - publicized candor on the part
of Nixon.
In a lot
of docs, including ones I've made previously, there are so many things that take you out
of that immersive experience — whether it's «
talking head»
interviews, stats, cards, animation.
«Planning the Heist: Making
Of» (15 mins., 1080i / 16x9) is a by - the - numbers piece alternating
talking -
head interviews, clips, and B - roll.
Running around an hour, Waiting For Twilight, made during the filming
of Twilight Of The Ice Nymphs (1997)-- and preceding much of the director's more mainstream successes — highlights the methods, family life and career of this great director through clips and talking - head interviews with friends and critic
of Twilight
Of The Ice Nymphs (1997)-- and preceding much of the director's more mainstream successes — highlights the methods, family life and career of this great director through clips and talking - head interviews with friends and critic
Of The Ice Nymphs (1997)-- and preceding much
of the director's more mainstream successes — highlights the methods, family life and career of this great director through clips and talking - head interviews with friends and critic
of the director's more mainstream successes — highlights the methods, family life and career
of this great director through clips and talking - head interviews with friends and critic
of this great director through clips and
talking -
head interviews with friends and critics.
While in their exclusive
interview with Polygon, the trio, composed
of Benzies himself, technical director Colin Entwistle, and studio
head Matthew Smith,
talked a whole lot about the project, we have no clear idea what it will be.
The
talking -
head interviews laid throughout the entire film also spoil any sense
of dramatic flow the story ever had.
Found - footage works best when you feel like you're an active witness in the events unfolding on - screen, but playing up the «documentary» aspect removes audience involvement because it naturally creates a disconnect (Europa Report handled this effectively by having
talking -
head interviews in the first act, only to end up using them as sparingly as possible throughout the rest
of the movie).
The story
of a fictional metal / cock rock band told through
talking head interviews that chronicle their iconic ups and downs, Spinal Tap is our best, early glimpse at the team who'd go on to make Waiting for Guffman, A Mighty Wind and Best in Show.
The former is a standard - issue behind - the - scenes featurette with brief
talking -
head interviews with the majority
of cast and crew members, while the latter serves as a too - short but intriguing look at the film's costume and production design.
While it includes a few
talking head interviews with some cast members, it also incorporates a number
of interesting B - roll segments
of Ritchie and the other cast and crew enjoying themselves on - set, whether it be on the job or engaging in a game
of chess.
It also benefits from remarkable editing, by cutting down a ton
of home movie footage and combining it with unique animations that periodically replace
talking head interviews.
In one such
interview with US Gamer, Michael Kelbaugh
talks about where the studio is
headed next, in terms
of projects they'd like to work on.
weaves concert footage with backstage footage plus old home movies,
talking head interviews and enough fandemonium montages to burn out the filmmakers» copy
of Final Cut Pro.
The movie features no new onscreen
interviews, so it is refreshingly free
of talking heads.
The disc also includes a rather rote EPK featurette, «Behind the Scenes
of Breakfast on Pluto» (8:57), with
talking -
head interviews of Jordan, Murphy, producer Alan Moloney, Stephen Rea, Brendan Gleeson, Gavin Friday, and costume designer Eimer Ni Mhaoldomhnaigh.
is a lively
talking -
head interview (in HD with DTS 2.0 audio) wherein the actress discusses her experience on The New York Ripper (she portrayed the live - sex - show performer who takes a broken bottle to the crotch) and her impressions
of Fulci, whom she met for the first time on the set.
Movie review
of «Tower»: Using newsreel footage, rotoscoped animation and
talking -
head interviews, this documentary re-creates the events surrounding the 1966 Texas Tower massacre with a remarkable you - are - there immediacy.
To make the most
of what sets The Searcher apart, Zimny eschews
talking -
head interviews.
Twilight Time, generally devoid
of extras, has strangely pulled out all the stops for this release with an
interview from 60s siren Uta Levka and a
talking head documentary about director Gordon Hessler who helmed several British based AIP releases including The Oblong Box, Murders in the Rue Morgue, and was later a prolific TV workhorse.
On one hand, some
of the first images we see come across as a deep artsy film; and then next thing we are getting is
talking head interviews with reporters and other concerned followers mixed with actual TV newscasts from the period.
The documentary avoids being just a collection
of talking heads by supplying a wealth
of outtakes,
interviews from production, and plenty
of relevant footage, from locations to premieres to the Oscar ceremony.
Writing a bandana around his
head whether delivering a book
talk on tour or dancing in a church and throughout Wallace's his five - day
interview with Jesse Eisenberg's character David Lipsky, Segel and Eisenberg bond over their mutual love
of junk food like colas, burgers, fries and licorice, though when Eisenberg's Lipsky appears to be «hitting on» Wallace's ex-girlfriend, Wallace becomes morose, hostile and stops
talking to the journalist for a while.
Though nominally a celebration
of the life and storied career
of children's broadcaster Fred Rogers, anchored in present - day
talking -
head interviews with collaborators and friends that threaten at times to bludgeon the delicate and achingly sincere archival footage
of Rogers's show «Mr. Rogers» Neighborhood», Neville's film has a bit more teeth as a manifesto for how children's educational programming that resists the trends
of busyness, noise, and violence can function as a form
of public service, instilling values like neighbourly stewardship and mutual respect.
They successfully avoid the monotony
of a conventional
talking -
head documentary by shooting their
interviews outdoors in a dark alley or at a cemetery with a constantly - moving camera.
The other bonus features are all quite similar: a mix
of in - character narration by some
of the newsies, combined with behind - the - scenes footage,
talking heads interviews with cast, crew, and historians, and in some cases vintage photos and one vintage newsreel that was quite cool, actually.
The behind - the - scenes documentary is, as with all making -
of specials on theatrical releases that air on HBO, a 20 - minute exercise in promotional hype, but the
talking head interview segments make this this one is more amusing than most.
Unfortunately, the extras on this disc are all the same formula featurettes with footage
of the films spliced together with
talking head interviews.
A charming and promising start gets derailed by the structure
of the film, which continually jumps from one year to the next, always on Senna's birthday, as different characters give
talking head interviews about their own birthday wishes and fulfillments.
Today we may be creating anything from those same point - and - click demos (now called «microlearning»), to interactive software simulations, to soft skills training with gamification, to scenario - based training with embedded video
of real actors (if Andy from accounting counts as an actor), to videos with animated characters, to a
talking -
heads style SME
interview.