Sentences with phrase «of the contemporary arts museum houston»

Keith was chosen from among these nominations by review committee members assembled by the High: Dr. Kellie Jones, the inaugural Driskell Prize recipient and associate professor and director of undergraduate studies in the department of art history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael Rooks.

B I L L A R N I N G is the director of the Contemporary Arts Museum Houston.

Presented on the occasion of the Contemporary Arts Museum Houston's 65th anniversary, Outside the Lines is a six - part exhibition series conceived as an evolving dialogue on contemporary abstraction.

Perspectives 175: Marc Swanson: The Second Story is curated by Bill Arning, Director of the Contemporary Arts Museum Houston.

Juror, Bill Arning, Director of Contemporary Arts Museum Houston, TX, spent quite a bit of time making the selections you see below.

Bill Arning is the Director of the Contemporary Arts Museum Houston.

Bill Arning is the director of the Contemporary Arts Museum Houston.

The catalogue includes essays by Jeffrey Grove and Olga Viso, as well as a work by Pulitzer Prize finalist, playwright, and feminist philosopher Susan Griffin and texts by Bill Arning, Director of the Contemporary Arts Museum Houston, and Helen Molesworth, Barbara Lee Chief Curator, ICA, Boston.

She currently sits on the Boards of Glasstire, the Blaffer Art Museum, Museum of Fine Arts Houston and Chair of the Contemporary Art Museum Houston; and participates on the Modern and Contemporary Art Subcommittee and the Photography Subcommittee for MFAH, and with Joe Havel leads the Core Program Committee for the MFAH Glassell School.

Published on the occasion of the Contemporary Arts Museum Houston's 65th anniversary, Outside the Lines documents the conceptual framework of the institution's ability to act and think outside the norm.

, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's curator of modern and contemporary art, Michael Rooks.

The other fellows are Bill Arning, director since 2009 of the Contemporary Art Museum Houston, and prior director of the MIT List Center for the Visual Arts in Cambridge and the nonprofit space Whitewalls in New York.

In chatting with Robert Hodge about his Beauty Box pop - up as part of his Contemporary Arts Museum Houston show, Destroy and Rebuild, he said, «A true pop - up would be announced that day or the day before.»

Juried by Bill Arning, Director of the Contemporary Arts Museum Houston, the exhibition highlights a variety of up - and - coming talents.

The jury that selected Hancock included Dan Cameron, chief curator of the Orange County Museum of Art; Valerie Cassel Oliver, head curator of Contemporary Arts Museum Houston, and James Rondeau, chair and Dittmer curator of the department of contemporary art at The Art Institute of Chicago.

Artists will be selected by a jury led by Karin Campbell, Joslyn Art Museum's Phil Willson Curator of Contemporary Art, and Bill Arning, Director of the Contemporary Arts Museum Houston.

selected by a jury led by Karin Campbell, Joslyn Art Museum's Phil Willson Curator of Contemporary Art, and Bill Arning, Director of the Contemporary Arts Museum Houston.

Bradford was chosen from these nominations by review committee members assembled by the High, which included Andrea Barnwell Brownlee, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; Valerie Cassel Oliver, senior curator of the Contemporary Arts Museum Houston; and Lauren Haynes, associate curator, permanent collection, The Studio Museum in Harlem.

The exhibition is co-curated by Bill Arning, Director of the Contemporary Arts Museum Houston, and Elissa Auther, Windgate Research Curator, Museum of Arts and Design, New York, and the Bard Graduate Center.

Bill Arning, director of the Contemporary Arts Museum Houston, left, and Franklin Sirmans, reflected, chief curator of the Los Angeles County Museum of Art, walk past Agnes Denes» Pyramids of Conscience at the Texas Contemporary Art Fair at the George R. Brown Convention Center Friday, Oct. 19, 2012, in Houston.

Courtesy of Contemporary Arts Museum Houston.

A native Houstonian active on the boards of the Contemporary Arts Museum Houston, Houston Arts Alliance, and other cultural institutions, Guess has spent the last three years as CEO of the Houston Museum of African American Culture, professionalizing its fundraising procedures and ethics and collecting policies while moving into a Museum District building and bringing a contemporary, multicultural emphasis to its programming.

Bradford was chosen by review committee members assembled by the High, which included Andrea Barnwell Brownlee, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; Valerie Cassel Oliver, senior curator of the Contemporary Arts Museum Houston; and Lauren Haynes, associate curator, permanent collection, The Studio Museum in Harlem.

, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; Valerie Cassel Oliver, senior curator of the Contemporary Arts Museum Houston; and Lauren Haynes, associate curator, permanent collection, The Studio Museum in Harlem.

Bill Arning is the director of the Contemporary Arts Museum Houston where he has organized solo exhibitions of Marc Swanson, Marilyn Minter, as well as an upcoming survey of Houston's hometown hero Mark Flood.

The last time I spoke with Houston artist and lighting designer Jeremy Choate, he was planning an installation for the exterior building of the Contemporary Arts Museum Houston, a project about which he was very excited.

The Menil «fundamentally changes the job of all museums and changes the visual education level of all citizens because of its strength,» said Bill Arning, director of the Contemporary Arts Museum Houston.

Bill Arning, director of the Contemporary Arts Museum Houston and a renowned expert on new media who was involved with ASPECT from its beginnings recalls, «When ASPECT started there was great confusion about how art lovers and students were to experience time - based artworks, with no clearly defined distribution systems in place.

Houses loomed large in some of 2009's most interesting art, from Seattle choreographer Pat Graney's memory - infusedHouse of Mindinstallation and performance at DiverseWorks toGive and Take, Dan Havel and Dean Ruck's architectural intervention that was the best part of the Contemporary Arts Museum Houston «sNo Zoning: Artists Engage Houston.

Arning, the director of the Contemporary Arts Museum Houston, pointed to the towering painting that introduces visitors to the show.

Bill Arning, the director of the Contemporary Arts Museum Houston, writes about art in Houston, and how proud even the conservatives are about the city's openness to controversial art.

«CAMH is thrilled to be involved with a fair dedicated to the «contemporary» as a discussion in art and culture that matters deeply,» said Bill Arning, Director of the Contemporary Arts Museum Houston.

Curated by Valerie Casel Oliver of the Contemporary Arts Museum Houston, the exhibition was inspired by the under - appreciated work of 1960s performance artist Benjamin Patterson and propelled by discussions with contemporary performance artist Clifford Owens.

A joint project of the Contemporary Arts Museum Houston and the MCA, Pretty / Dirty explores Minter's glittery, often jarring world, one that crisscrosses pornography, fashion, feminism and fine art.

Painting: A Love Story (Outside the Lines series) is organized by Bill Arning, Director of the Contemporary Arts Museum Houston.

Presented on the occasion of the Contemporary Arts Museum Houston's 65th anniversary, Outside the Lines is conceived as an evolving dialogue on contemporary abstraction.

Curator Valerie Cassel Oliver of the Contemporary Arts Museum Houston discusses «Radical Presence.»

Not exact matches

1969 «Wrapped Museum of Contemporary Art, Chicago», 10,000 square feet of tarpaulin; «Wrapped Floor and Stairway», 2,800 square feet drop cloths, Museum of Contemporary Art, Chicago; «Wrapped Coast, Little Bay, One Million Square Feet, Sydney, Australia», 90,000 square meters (One million square feet) Erosion Control fabric and 36 miles of ropes; Project for stacked Oil Barrels «Houston Mastaba, Texas», 1,249,000 barrels; Project for «Closed Highway».

Houston homes many museums and art galleries: Houston Museum of Natural Science, Museum of Fine Arts, Holocaust Museum, Contemporary Arts Museum and many others.

Grades: 3 - 5, 6 - 8, 9 - 12 This online exhibition of Masterpieces from the Jean Pigozzi Collection (Contemporary African Art Collection CAAC) is presented by the Museum of Fine Arts in Houston and funded by Continental Airlines.

Evan Garza grew up in a house filled with Latin American artwork and spent many weekends traipsing through the halls of Houston's many acclaimed art museums, including the Menil Collection, the Rothko Chapel and the Contemporary Arts Museum.

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

When «Radical Presence» opened at the Contemporary Arts Museum, Houston, last year, it also included five works from Piper's 1975 series I am the Locus, collaged and painted Polaroids on which images of Piper as the Mythic Being are inserted into scenes of a crowded street.

Solo exhibitions of her work have been organized at Colorado Springs Fine Arts Center, CO (2017); Portland Art Museum, OR (2017); Museum of Contemporary Art, San Diego (2016 and 2011); McNay Art Museum, San Antonio, TX (2016); Museum of Fine Arts Houston, Texas (2012 and 2014); Contemporary Art Museum St. Louis, MO (2013); the Joslyn Art Museum in Omaha, NE (2013); Centro de Arte Contemporáneo de Málaga, Spain (2009); Albright - Knox Gallery, Buffalo, NY (2008); and San Jose Museum of Contemporary Art, San Jose, CA, traveled to the Kemper Museum in Kansas City, MO and Albright - Knox Gallery in Buffalo, NY (2006).

A group of seven Houston citizens founded The Contemporary Arts Museum Houston in 1948.

Albright - Knox Gallery, Buffalo, NY High Museum of Art, Atlanta, GA Museum of Contemporary Art of Georgia, Atlanta, GA Whitney Museum of American Art, New York, NY Art Institute of Chicago, Chicago, IL MCA Chicago, Chicago, IL LACMA, Los Angeles, CA MFA Houston, Houston, TX MFA Boston, Boston, MA Guggenheim Museum, New York, NY

She has had solo exhibitions and film screenings at the Blaffer Art Museum, Houston, Texas; Musee d'art contemporain de Montréal; Hirshhorn Museum and Sculpture Garden; the Armory Art Fair; Skulpturenmuseum Glaskasten Marl; Herbert F. Johnson Museum of Art; Mint Museum of Art; Everson Museum of Art; Gibbes Museum of Art; Rhode Island School of Design Museum; and the Perth Institute of Contemporary Arts, Australia; among others.

His paintings, sculptures, and works on paper have been the subject of numerous exhibitions: The Stedelijk Museum, Amsterdam, 1982; Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Kunsthalle Düsseldorf, Düsseldorf, 1987; Centre Georges Pompidou, Paris, 1987; Whitney Museum of American Art, New York, 1987; San Francisco Museum of Modern Art, San Francisco, 1987; Museum of Fine Arts, Houston, 1987; Musée d'Art Contemporain, Nîmes, 1989; Staatliche Graphische Sammlung, Munich, 1989; Palais des Beaux - Arts, Brussels, 1989; Fruitmarket Gallery, Edinburgh, 1989; Museum of Contemporary Art, Chicago, 1989; Museo de Arte Contemporáneo, Monterrey, 1994; Fundació Joan Miró, Barcelona, 1995; Galleria d'Arte Moderna di Bologna, Bologna, 1996; Schirn Kunsthalle, Frankfurt / Main, 2004; Museo Nacional Centro de Arte Reina Sofía, Madrid, 2004; Rotonda della Besana, Milan, 2007; Tabakalera, Donostia - San Sebastián, 2007; Museo di Capodimonte, Naples, 2009; The Art Gallery of Ontario, Toronto, 2010; Museo Correr, Piazza San Marco, Venice, 2011; J.F. Willumsens Museum, Frederikssund, 2013; The Brant Foundation Art Study Center, Greenwich, 2013; Dallas Contemporary, Dallas, 2014; Gagosian Gallery, New York, 2014; Dairy Art Centre, London, 2014; Museu de Arte de São Paulo, São Paulo, 2014, NSU Art Museum Fort Lauderdale, Fort Lauderdale, 2014; University of Michigan Museum of Art, Ann Arbor, 2015; Almine Rech Gallery, Paris, 2015; Vito Schnabel Gallery, St. Moritz, 2016; Blum & Poe, LA, 2016; and Aspen Art Museum, Aspen, 2016.

Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collective.

AutoBody has been made possible through the support of the Brown Foundation, Inc., Houston, National Endowment for the Arts, Texas Commission on the Arts, University of Michigan, Detroit, Museum of Contemporary Art Detroit, New York Foundation for the Arts, Renwick Gallery, and Ex Vivo Productions.